I’m not sure why I have fallen away from my schedule to write once a week. Every week I think about what I would say to you, my readers–then before you know it–the week is over and I didn’t write.
I feel so busy. I’m not sure if it is because I am older or that the COVID hiatus took more out of me than I knew? Or maybe it is that Overshadowed lost many of their volunteers during the “break” and I really am doing more than I was before….or maybe my focus has shifted and it just takes more out of me.
Whatever the reason..I will try to be more faithful to writing.
There are so many parts that make up this world of theater.
Today we had a special guest, Jonathan Wessel, visit us to explain more about why he has such strict rules while he is on stage.
I hope you will enjoy watching!
Can I just say one more time how brilliant, Rebecca Leland is?? Thank you for all of your work on this!!
Do you know someone who might be interested in stage work? Please share this with them!
Ever have a time in your life where you felt like you just needed to stop doing what you were doing and just play and have a good time? It’s been such a year that I did just that this past weekend. Disney was celebrating a “Boo Bash” on Sunday night and I thought it was a “hauntingly” great time. If you ever have a chance to experience that I would highly recommend it!
What holiday appeals to theater people? Why, one where you can dress up and pretend to be another character of course! Halloween is full of superstitions and well, so is the theater!
Here are a few of my favorites and why they exist.
1. No whistling backstage.
Have you ever heard that you should never whistle in a theatre? This superstition started in the 1600’s . About that same time much of the scenery began to “fly” in–or in audience terms–be raised and lowered with ropes and pulleys. Sailors were often employed as stagehands in theaters because of their extensive knowledge of ropes. They would communicate with each other by whistles to bring backdrops in or out. So a mistimed whistle would..well, make you a part of the scene.
2. Always leave a light on.
This light is more of a safety measure than a scare tactic. It is to be placed on the stage as a safety measure so that there is always enough light to keep workers from falling or tripping. Long ago people started arguing that the real purpose was to chase away unwanted spirits or to keep the ones that live there happy!
3. No peacock feathers on stage.
Yes, they are beautiful, but did you ever look at the pattern? Many people think it looks like an evil eye! They’ve been rumored as the cause of forgotten lines and broken sets as the “evil eye” curses the show.,
4. Don’t say the ‘M’ word!
Probably the most famous of all theatrical superstitions. Saying ‘Macbeth’ in a theatre will immediately bring you bad luck. According to folklore, the play’s history of bad luck began at its very first performance (circa 1606) when the actor scheduled to portray Macbeth died tragically and the show has been cursed ever since.
5. Never light three candles.
They said good things come in threes but I guess not in this case! Tradition states that the person nearest the shortest candle will either be the next to marry or the next to die. Why? The best we could discover is the thought that open fire is always dangerous on stage and more candles means there is a greater chance that a fire could get out of control. Did you know that Shakespeare’s Globe was burned down during a production of Henry VIII?
6. Break a leg.
Most of us know that you should never wish an actor “good luck.” There is a theory that this tradition started from the idea that the word leg doesn’t mean an actor’s leg. Instead, it refers to a curtain that masks the backstage. If you “break a leg” it means you’ve crossed from the backstage into the playing area. That means you are in the spotlight– which is exactly where the actor wants to be!
7. Give those flowers at the correct time.
The traditional method of giving flowers to lead actors after a show is a nice thing to do, but make sure those flowers are never given before a performance. You must not reward an actor for their work before they do it otherwise it might cause the production to close early.
8. Mirrors are a no-no.
By having a mirror on stage, you run the risk of it getting broken, but practically speaking they also reflect light and might wreck the lighting design. A misplaced reflection could blind an actor and potentially cause them to tumble off the stage. So instead people began to say that a mirror was a gateway for evil spirits.
9. Never wear blue on stage.
Many people haven’t heard of this one-perhaps because the reason behind it doesn’t exist anymore. There was a time when blue dye was the most expensive fabric covering. So, producers started a rumor that blue costumes were unlucky. It was all about the money.
I loved learning more about the history of some of these thoughts that theater people talk about! Many times there are practical reasons we do what we do. I don’t tend to be superstitious and I certainly don’t believe that evil spirits are roaming about on our stage. However, I do love to dress up and can’t wait to open our next show.
I hope you all get lots of candy this weekend….and if you give me flowers–give them to me AFTER the show!
Until next time–this is just me-talking to you–from the wings.
Over 10 years ago someone told me we should produce “12 Angry Men.” They suggested that we have a cast of all women and another cast of all men. They thought it would be a clever marketing ploy. I declined for several reasons. One of them being that I didn’t think I had 12 men that could pull off the acting that this show requires. I put it on the back burner of my mind and waited. In the meantime, I saw the Theater in Chicago production with Brian Dennehy and George Wendt and John Boy Walton…oh, I mean, Richard Thomas as Juror # 8. I also spent the time visiting local community productions and waited until the time was right.
As I have complained about for now, over a year, Covid has really done a damage to our theater. In our area, several shut their doors for good as they couldn’t continue with the costs of rent etc. while they just waited to entertain again. We were able to produce an original Biblical drama that kept us going with 50 audience members a night until we thought everything was getting back to normal. Not quite trusting, I decided to mount a smaller musical, The Marvelous Wonderettes, for the summer. It was fantastic, but the audiences didn’t come. A summer show usually brings over 2500 to our doors. This summer we didn’t even get 1500. So, what better time than now to pull out that old marketing ploy? We decided that we would mount two shows with two casts. We would have four directors, two of each gender that would each be in the play and direct the opposite version of the play.
At auditions, we were thrilled. People came. We even had to turn people away. (Which always makes me sad.) We began the character studies and blocking and somehow in the middle of the process I stopped enjoying it. It was difficult. Why didn’t I notice that we were actually going to be producing two shows at the same time? One is hard enough…but two? I think I might be a little crazy….
What made matters worse is that I’m not sure that any of the other directors were enjoying it either. We were all feeling the stress of having to be in two places at one time plus carry on with our outside duties. The creative experiment of working together didn’t gel the way I thought it would. Instead of being inspired by each other we did the opposite. At times we were afraid to speak up, or at times we didn’t want to make an issue about something, or at times we felt competition, or that we weren’t as important as the other directors. Emotionally, it was difficult. One week ago. I would have told you that this theater experiment was a failure
12 Angry Women opened last week and if you asked me now I would tell you that I probably wouldn’t want to direct with four directors ever again, but that I did learn. That’s a good thing. I want to learn each and every time I decide to be involved with a production.
Here are some facts:
12 Angry Men is the play many of us, of a certain generation, had to read in high school. This courtroom drama by Reginald Rose has been around since 1954; first as a live Television play, then in its more well-known incarnation, the 1957 film, starring Henry Fonda, directed by the great Sidney Lumet. (Did you know the film was nominated for three Oscars?)
Question #1 that we faced: Isn’t it dated? What relevance does it have today? Come see the play and you will soon find our that Juror #10 leads the way with his immigrant and minority comments. Unfortunately, we all go in to any conversation with a great deal of bias and maybe realizing this would help all conversations end more peacefully. We can learn from each other. We adopted a tag line #Don’t confuse me with the facts. Sadly, many times we don’t care enough to step out of our own selves and into someone else’s.
The drama begins when a lone holdout, Juror #8, believes there is a reasonable doubt in the case of a youth “from the wrong side of the tracks” on trial for the murder of his abusive father. The stakes are high and the jury is mandated by the judge to think about it wisely and carefully, because the punishment for conviction is the death penalty. Since the decision must be unanimous the deliberation begins. The Jurors range greatly in personality, economic and educational background and ethnicity. A thrilling ride when you realize this is real life. Every jury is made up randomly and everyone does walk in with different personalities, educational backgrounds and ethnicities.
As Jessica Means (my co-director) and I watched the 12 Angry Men rehearsal last night we were thrilled. It was tense, riveting and thrilling–just as people had told us the women’s production was last week. Every juror looks as if they walked in off the street in 1959 Manhattan. The set is beautifully simple; it manages to be both artful and authentic. The cast is constantly moving to almost be “the camera” and allow the audience to see the jurors from each angle.
Why 12 Angry Men/Women?
It is a bucket list love of a classic theater piece that I always wanted to tackle.
To learn from a totally unique theater experiment.
To take an old classic and see that even after years some things never change.
People. It’s simply great theater.
So, the marketing ploy? Unfortunately, things haven’t changed since this summer. Our tickets sales are horribly low. Even with 24 people in the cast–I’m not sure we will even hit our numbers from the summer. I’d like to ask for a little help. Don’t let Covid kill this theater. If this is a play you weren’t planning on attending…could you decide to come? If you are seeing one of the versions could you decide to see both? Could you spread the word? Please tell your friends and neighbors that this is one show that should not be missed.
One last thing: 12 Angry Men is a timely, riveting drama that will get you thinking about your preconceptions and stereotypes. It is a reminder that we must question apparent facts before making tough decisions. I don’t think that’s such a bad thing.
Okay. I lied…one more last, last thing. My co-director’s are all brilliant and now that we’ve all gotten past the hard parts we all admit it was a crazy great experience. Thank you, Jessica Means, Brad Holloman, and Mike Larsen for sharing your time, creativity and inspiration with us all.
Now, will you all please go to Overshadowed.org and buy tickets? Let’s show everyone there is still a place for theater!
I’d love to hear your thoughts!
Until next time, this is just me, talking to you from the wings.
When I decided to start a community theater I will confess I had no idea what I was doing. Don’t get me wrong. I had been directing plays/musicals for over twenty years. However, that did nothing to prepare me for the difference in attitude in both audience and cast, as well as all the work that went into marketing and so many other areas. I naively thought that the people who came to see my church and high school productions would be excited about a Christian theater and would follow me to that venture. I quickly learned that Overshadowed Theatrical Productions had no name recognition. Quickly, my number one focus went to marketing. I began to feel stress for my new “product.” My desire never changed though. I wanted to provide professional type theater in an unconventional non professional way.
My goals, desires, standards never changed, but I soon discovered that the rest of the world either has the same problems I do or they are not bothered by things that I wish I didn’t have to tolerate.
The question is this? If you apply rules, standards, restrictions to a production experience–does it take the fun out of it for the performer?
Fun: it’s a word frequently thrown about in non-professional theatre circles. Fun. When someone asks why you are willing to put so much time into a production the number one reason is: “It is a lot of fun.”
And believe me, I agree. Putting a show together and performing it to a live audience is an experience like no other. Pure magic.
However, there is so much more than fun to the process. I don’t want to scare anyone off, but theater is hard work, especially to anyone that is going to devote their life to this field.
I will write more about this in a separate blog, but we amateur theatre artists always struggle to be recognized. It takes commitment to stay up late rehearsing and memorizing lines and creating character development. Most people have full-time jobs that they still work hard at, but of course, we as an audience don’t see that part of it.
I actually love that theater is hard work. I love that when you pour yourself into a character you are exhausted at the end of a show. It is a rewarding experience to pour yourself into a process like that. Is it hard work? Maybe. Time-consuming for sure.
Maybe it boils down to the reason why you participate in theater. Some do it for fun, some do it professionally, and some do it because they believe in the show or purpose. Isn’t it true that most of us will put up with almost anything if it is for something we love?
I love that theater brings people together. We make new friends and create something that lives. The danger is when some people treat the show as a hobby or something they are just doing for “fun.” Tensions sometimes arise when people have to work hard to cover for what some of the cast isn’t bringing. t is wonderful that community theatre brings together people with various levels of experience, but it is hurtful to the whole production when cast/crew treat the show as something secondary which does not deserve their full attention.
Please remember this: being paid or volunteering should not affect the quality of the work you provide. I think when the work suffers it is because we see ourselves as inferior when we don’t get paid, or don’t get the reviews or awards. Do not settle, but always push yourself to achieve more than you thought possible. Mediocre? Never! Let’s shoot for the top!
When producing a show, I think about the audience. What do I want them to enjoy, learn, feel? If I think about the cast instead, then we become a group of divas and honestly, become a little selfish. Sometimes we have to put personal thoughts aside to put on the best show possible.
Is theater fun? Yes! Exciting, creative, rewarding and fun! Theatre is all about creativity, exploration, and play. It is exciting, enthralling, and, yes, very fun. It is also hard work and commitment. Let’s stick together and make each show better than the last. Someday we might get the recognition, but until then, the show must go on!
I’d love to hear your comments or thoughts! Please take the time to follow my blog or to share it with others!
When I was in third or fourth grade I read a book that I will never forget. The Diary of Anne Frank captured my attention in a way that no other book has ever done. The idea that a girl (who was not much older that I was at that time) could write so proficiently and express her thoughts in such a spell-binding manner was fascinating. For those of you who don’t know, Anne Frank went into hiding with her family in 1943. She was only thirteen. Her crime? She was Jewish.
I didn’t understand how anyone could treat another human so terribly. How could one possibly live in such a tight space, dependent fully on the help of outsiders who put their lives on the line day after day? Yet this girl said something that is life changing.
“In spite of everything, I still believe that people are really good at heart.”
She was positive, joyful and dreamed that her writing would change the world. It did.
Flash forward to 1976. My husband had the privilege of playing Peter Van Daan in a University production of “The Diary of Anne Frank.” Flash forward another twenty years and my daughter played Mrs. Van Daan in a production I directed at her high school. Another six years pass and my oldest daughter directs a production of “Diary” at the same University that Chuck portrayed Peter all those years before.
And now, I have checked a dream role off of my bucket list. For one more weekend I get to step out on that stage of become “Mrs Van Daan.”
She’s not the lead, but I think she is fascinating. She is insecure, flirty, frightened, industrious and loving. She is the most complicated character I have ever played and I have loved every second.
In the play you see Mrs. Van Daan through the eyes of a thirteen year old girl. I can only imagine what my daughter’s diary might have said about me at times she was angry with me. The point? The writings give us a unique view into the secret annex, but we must remember Anne’s writings were Anne’s thoughts and expressed honestly through Annes’ emotions.
In talking about the personality of Mrs Van Daan I began to realize that at the core of her personality were all the traits Anne writes about, but there must be something that drives her to act the way she does. I chose insecurity and love--those traits are at the root of every reaction she has.
Did you know? She was born in 1900 in Germany. She had three siblings: Gertrude, Lotte, and Gretta. It was Anne who gave her the name of Mrs Van Daan as a code name, as she did everyone one in the diary, in case the diary was ever discovered it would protect those she wrote about. Her real name was Auguste van Pels.
She was real. She lived, loved, laugh, feared and hoped. Much like 6 million other Jews that we may not know anything about. This play is for everyone that died during that horrible time in our history. May we never forget.
I am thankful for a young girl who decided that writing her story was important. I am thankful that the Germans didn’t discover and destroy the book. I am thankful Otto allowed the rest of the world to see the diary.
If you haven’t documented your life in some way why not do it? Your life, your story is important. Please leave your legacy!
If you can–treat yourself to one of the remaining performances. It is one of the finest casts I’ve ever had the privilege of sharing the stage with. The lights, set, story…it is truly special. Please hurry though. Only four shows remain. Overshadowed.org
What about you? Have you read the book? Please take a moment to like this post, share, comment! Thank you!
In honor of Valentine’s Day, I’d like to take the time to talk about some of my favorite love stories in theatre and why I like them so much. I’ll start with number 10 and move up the list so that your anticipation can grow!
10. On almost everyone’s favorite love story list (stage, screen or book) is Romeo and Juliet. I mean, Shakespeare created such a great model that when you speak of couples it’s almost like it is a coined phrase. If you don’t love someone like Romeo and Juliet loved then perhaps you aren’t in love? It is such a tragic story and teaches so many lessons of honesty, loyalty, feuding, that it is impossible not to be touched in some way by this wonderful story.
9. Cyrano de Bergerac. Also, a beautiful tragedy. I feel frustrated that Roxanne can’t see that it is really Cyrano that is writing the beautiful poetry she loves. I love that Cyrano wants Roxanne to be happy and loves her so much that he makes Christian into the man he thinks Roxanne can love. By the time Cyrano allows Roxanne to discover that Cyrano is the man she truly loves – he has been mortally wounded. Another love story gone horribly wrong.
8. Ragtime. Oh, how I wish this musical didn’t have such strong language. I believe the story could be told just as well without it, but sadly permission to change the language is not given so I won’t be producing this show anytime in the near future. This show is an epic love story. It is a love story with America (the good and the bad) and music and the passionate love of dreaming! It contains one of my favorite musical songs, “On the Wheels of a Dream.” If you haven’t heard it–trust me, find it and listen to it. It is heart-wrenchingly beautiful. (especially if you know what happens after they sing this song.)
7. The Phantom of the Opera. This is simply one of the best love stories of all time. This story is set in the 1870’s Paris Opera House. The Phantom is a musical genius who prowls around with a mask hiding the disfigured half of his face. Even though he has been imprisoned by his disfigurement he feels love and even compassion for Christine. When she falls in love with Raoul, the Phantom’s heart is broken and he turns into a jealous, furious “monster.” It is a wonderful story of how love can conquer all or destroy. The music is haunting and beautiful. It is a timeless genius masterpiece.
6. Les Miserables. Unrequited Love. The song “On My Own” makes me feel all the feels, after all, haven’t most of us had unreciprocated love sometime in our lives? Eponine and Marius are the couple that never was and how we ache for Eponine all the way to her death. The love stories play out on many levels throughout this celebration of human spirit. There is a reason it might very well be the world’s most popular musical.
5. Cinderella.I grew up watching the 1965 TV remake of this wonderful musical that was written for television. To me, there was no better Cinderella than Lesley Ann Warren. She was pretty, but not so pretty that it put my hopes of one day being a Cinderella out of reach. I loved “In my Own Little Corner” and I felt like I could also be “whatever I wanted to be” and, like Cinderella, it was ok to dream. Cinderella has a magical love. It is a fairy tale that makes most of us want the knight on a white horse-love at first sight kind of love. And honestly, that’s kind of breathtaking. (As a side-note I don’t like the modern version. For more on that read my review here: https://fromthewings.org/2018/05/01/rodgers-hammersteins-cinderella-changing-the-fairy-tale/)
4. West Side Story. Romeo and Juliet revisited. The tragic tale of two gangs that cannot mix with each other until Tony and Maria meet each other and fall madly in love. They defy the wishes of all their families and friends and commit to love each other for life. Oh, the power of love–it makes you believe that all things are possible. I won’t give away the ending, but since I said Romeo and Juliet you might get a hint.
3. Steel Magnolias. This story revolves around Truvy’s Beauty Shop. Everyone in the town gets their hair done there. When your hair is being dyed and cut you can bet some very strong friendships are being formed. This story is a love story between friends, and mothers and daughters. These bonds are powerful, life-sustaining and unexplainable. I wouldn’t give up the experience of playing Ouiser for anything. Life-altering.
2. Wicked. Most people might say that this is the story of Fiero and Elphaba. I believe it’s the story of a powerful friendship between Glinda and Elphaba. These two strong women meet and are instantly at odds because the pretty blonde just doesn’t understand the green-skinned girl. Yet, they each open their hearts and allow the lessons of the prejudice of the world change them “For Good. ” It is very rare that there are two female lead parts that are so brilliantly written for the stage. This one makes me long to be able to sing like Elphaba who does happen to sing my theme song. (Don’t we all want to Defy Gravity?)
1.Showboat. Anyone who knows me would have to know that this is my number one pick. It is the show that made me fall in love with theatre. I have seen it numerous times and have read the book and play just as many.
the love story that the show people have with performing
the love that Bill has for Julie that he would sacrifice his future by joining Julie’s race
I love that Magnolia loves Gaylord so much that she fights for him even when he is ruining her life
I love the way Old Man River soars and the love affair the people on the river have for the Mississippi.
My all time favorite musical song, “Can’t Help Loving that Man of Mine” (in fact I sing it to my granddaughter-with a few words changed) comes from this beautiful love story.
If you haven’t seen some of these make sure you search them out. If you have, I’d love to hear what you think! Please take a moment to comment, share and like!
When I originally wrote this a few years ago I thought nothing would ever rob us of the joy of seeing Nativity Plays at Christmas. Sadly, I was wrong. We’ve lost so much this year. It is disappointing to add this to the list. Perhaps we will be better able to embrace this season and all that it represents if we are stripped of the “activities.” Whatever the reason, I hope you will be able to remember all the special Christmas Eve services and plays you have seen over the years. I hope you will be able to focus of Jesus and the Best Gift of all.
What exactly is a Nativity Play?
The word “Nativity” is derived from the Latin word ‘natal” which means birth. So, a Nativity Play is a play that recreates the story of the birth of Christ. Usually, this includes the visit of the shepherds and the Wise Men.
This tradition seems to have started in Italy around 1223. The credit seems to go to St Francis of Assisi for creating the very first one. It seems that during this time many people were illiterate and couldn’t read the story of Christmas in the Bible for themselves. So, St Francis decided to show them what it must have been like on the night of Jesus’ birth. He set a manger, added some hay and live animals and got some people from the town to play Mary, Joseph and Shepherds. It must have been a success due to the overwhelming amount of churches that perform a play during this time of year. In fact, it is so popular a play was written about the process. (The Best Christmas Pageant Ever).
Around the country the Nativity play is a treasured moment; we all worship together among cameras, videos and a few tears. Sad, isn’t it? That this tradition can’t be done in many schools and communities any longer and that they have to perform wintershows instead?
There was a time that we were not ashamed of Christ. There was a time we boldly shouted out, “Merry Christmas!” and identified with the fact that Jesus’ birth was Whywe celebrate this day.
I hope the tradition of the Nativity play never ends. There is something wonderful about the community that comes together out of the recreation of the story.
What could be better than teaching children the important aspects of each part of the story? You might say, “What could be important about playing one of the animals?” There is a verse in Isaiah 1:3-4, “The ox knows its owner, and the ass its master’s crib. But Israel does not know, my people do not understand.” What lucky children! They play the part of giving comfort, even the ox and ass understand and give homage to the King.
Parents and friends who might not usually participate, get involved with a production to help their children.
People will come to church to watch kids when they won’t come for anything else.
The simplicity of a production done by children should focus us on the true meaning of the season.
Don’t forget the reading of the Christmas story, but for this visual learning society we have now–seeing is so powerful.
Amazing isn’t it? “the hopes and fears of all the years (wow that’s a lot) are met in Christ–the birth of Jesus–in a far away town–on a cold winter’s night.”
Let’s keep telling the story.
Do you have a favorite memory of a nativity story? Please share a comment/and this post if you like it!
Based on the 1942 film featuring Bing Crosby and Fred Astaire, the stage adaptation of Holiday Inn makes some vital updates (for example, cutting the film’s blackface number), while satisfying those of us who love old musicals and including songs like “White Christmas,” “Happy Holiday,” “Blue Skies,” and “Cheek to Cheek.”
Michael Mahler stars as Jim Hardy, a musician who leaves New York and show business to settle on a farm in Connecticut. He proposes to his song-and-dance partner, Lila Dixon (Kimberly Immanuel), who accepts him (seemingly reluctantly) and promptly leaves for a touring gig with the third member of their original trio, Ted Hanover (Will Burton). While Lila and Ted dance their way across the Midwest to Las Vegas, Jim embraces the farming life with the help of lively jack-of-all-trades, Louise (Marya Grandy).
Events collide when some of Jim’s New York friends come to visit as he is discovering that the farming idea is well….a disaster. How do any performers cope when they are in a crisis? Well, of course, they decide to put on a show! Jim hatches a plan with his newfound friend Linda Mason (Johanna Mckenzie Miller), a charming, reserved schoolteacher ( who once aspired to be a performer). They decide to open the farm each holiday, bring in Jim’s performer friends, and put on a show!
I must say, I have never been disappointed in the costumes at Marriott’s; however, this time I was. As you know, wherever you sit at Marriott’s you will be looking at some of the performer’s backs at least half of the time. It would seem to me that it would be very important for the actors to look equally good from the back or front. Unfortunately, it was quite distracting to look at Michael Mahler who’s pants were…hmmmm….baggy. The Valentine’s dresses looked great until the girls turned around and we saw what looked like a huge decal on the chest of their dresses. The Easter dresses were ok, but the Easter bonnets, which were designed to be over-the-top, lost the class that I think that song usually demands. Overall, I would give the costumes a C-.
Set Design and Technical
One of the things I love about Marriott’s is how effortlessly the set pieces move in and out. The cast is always brilliant as they push the pieces on and manage to do it in character. This show is no different.
One of the highlights is the piano. Since it is so much a part of this singing and dancing trio it becomes a central part of the design. As Michael Mahler is such an accomplished musician it is a delight to see what he brings to his character as he skillfully plays.
The other pieces fit the story perfectly. I loved the ladder that rolled around as different characters climbed on and off of it. Masterful use of the space and props/set pieces.
I must admit I wasn’t fond of Michael Mahler as Jim. I know I shouldn’t compare to the movie, but growing up seeing Bing Crosby in this part it was hard to listen to Mahler’s voice. I felt he was a bit cheesy in his portrayal and I wanted him to be smooth and in control. Also, Will Burton as Ted wasn’t exactly a Fred Astaire either. I wanted to like Ted, but be angry with him for his lack of friendship and loyalty towards Jim. Instead, I didn’t like him at all.
But then, Linda Mason, played by Johanna Mckenzie Miller, and Louise , played by Marya Grandy, walked on the stage and all was well. Grady was brilliant, charming, funny and brought an incredible amount of energy and life to the stage. Miller made us believe she loved Jim in such a way that I ended up wholeheartedly loving it.
The dancing ? Wonderful! If you haven’t seen clips of the tap number with jump ropes then you can’t imagine how breathtaking it is! Hands down a showstopper. Denis Jones deserves an A for his wonderful choreography that brought this story to life.
Ted Hanover : “Every now and then it’s a good idea to pause in our pursuit of happiness and just be happy.”
I mistakenly thought that this show would be too much like White Christmas. I was so wrong. I smiled most of the time. I loved the music, dance and love story. It made me remember the movies of my youth and just plain made me happy.
If you can get a ticket. Go. You won’t be disappointed.
HOLIDAY INNruns through January 6 at the Marriott Theatre, 10 Marriott Drive, Lincolnshire, IL 60069. Tickets are available at 847-634-0200 or marriotttheatre.com.
I’d love to know your thoughts! Did you see this production? Please take a moment to comment and share this post!
My heart and brain need to remember the times of thankfulness and all that I have been thankful for past and present. Honestly, that is the biggest reason to write and journal! Join me this week as I rejoice and remember!
“Let us come before him with thanksgiving and extol him with music and song.”
– Psalm 95:2
“Give thanks to the LORD, for he is good; his love endures forever.”
– 1 Chronicles 16:34
“The LORD is my strength and my shield; my heart trusts in him, and I am helped. My heart leaps for joy and I will give thanks to him in song.” – Psalm 28:7
“Praise the LORD. Give thanks to the LORD, for he is good; his love endures forever. “ – Psalm 106:1
“Enter his gates with thanksgiving; go into his courts with praise. Give thanks to him and praise his name.”
– Psalm 100:4
“Let our hearts overflow with thankfulness…”
– Colossians 2:7
“To be grateful is to recognize the love of God in everything He has given us — and He has given us everything. Every breath we draw is a gift of His love, every moment of existence is a grace, for it brings with it immense graces from Him.”
– Thomas Merton (Thoughts on Solitude)
“Thanksgiving Day is a jewel, to set in the hearts of honest men; but be careful that you do not take the day, and leave out the gratitude.” – E.P. Powell
“That I may make the voice of thanksgiving heard and may tell of all Your wondrous works.” – Psalm 26:7
The Lord is my strength and shield. I trust him with all my heart.He helps me, and my heart is filled with joy. I burst out in songs of thanksgiving.” – Psalm 28:2
“I will praise God’s name in song and glorify him with thanksgiving.” – Psalm 69:30
“He who sacrifices thank offerings honors me, and he prepares the way so that I may show him the salvation of God.” Psalm 50:23
For days leading up to Thanksgiving I see many of my friends posting things that they are grateful for. I enjoy reading the posts and seeing the photos they share. It is a great reminder that we have so much for which to be thankful.
God’s word is filled with constant reminders to be thankful–yet I see nothing that states this thankful spirit comes during the month of November. Instead, it seems that thankfulness should be a constant state of being. “In everything give thanks.”
The snow? The loss of power? Sickness? How expensive things are? Getting passed over for that promotion? The political state of our country?
Here’s my top 5 for today.
Thank you, God, for Medinah Baptist Church, (Jubilee Bible) who has provided such a wonderful space for Overshadowed and who has taught me much about God’s love in action.
Thank you, God, for my family. (Both immediate and distant)
Thank you, God, for Your artistry in creation. The snow layered on the trees is breathtakingly beautiful.
Thank you, God, for weather, from rain to snow, from cold to heat. (I must admit, to be thankful for cold will be a struggle, but I’m going to try.)
What does that mean? Every bit of news has something to do with how I should vote–why I should vote–or who I should vote for. I do believe that’s important. It’s one of the privileges of being an American that I treasure.
What does that have to do with theater? Well, we vote in theatre as well. Just think of the awards….the Emmys, the Oscars, the Tonys. Many of the winners are voted on by a group of their peers.
The past week I realized that Overshadowed qualifies for a regional award. They are called the BroadwayWorld awards.
BroadwayWorld is the largest theatre site on the internet. It covers Broadway, the West End and spreads to 100 US cities and 50 countries worldwide. It boasts of 4.5 million monthly visitors and delivers Broadway and regional theater news, interviews, reviews and more. This company has their own awards–anyone can vote. You vote for your favorite theaters, favorite shows, favorite actors/actress, favorite directors and more.
One of the most common conversations I have with people is when they question why Overshadowed’s shows don’t get reviewed. They ask me how we’ve been in business for 15 years and they are just hearing about us now. The perfect example of this was after our last production of “A Tale of Two Cities.” We had a troop of people who decided to reach out to local critics… such as Dean Richards and Chris Jones (as well as others.) ( I would like to give a shout out to Dean Richards who was kind enough to respond to the inquiry and explain why he couldn’t make our show. Thank you, Dean!)
Sadly, Overshadowed cannot seem to get noticed. Do we want to? In my heart there are times that I wonder what life would be like to qualify for a Tony or other such award. At the end of the day, I know that it isn’t the praise of man that makes something a success. Still, recognition means something.
The site of BroadwayWorld with their 4.5 Million viewers who regionally might say, “Overshadowed’s “On Golden Pond” wins Best Play–well, that is a pretty big deal.
As I was pondering this I was asked if it really means anything since it’s done by the people who know you instead of a critic. I say 100 percent, “Yes!”
We want you, our audience, to enjoy every moment you spend at our theatre. We hope that we are giving you great moments of sheer joy and delight. If you take time to nominate us and then perhaps vote later–we would know we are succeeding.
Marketing is difficult and expensive. This might be the singlehandedly best way to get the word out about “this little theatre that could.”
Let your voice be heard. Do you like the kind of shows that are winning awards these days or perhaps would you like to have a say to tell the world that family friendly still has a place in the industry?
Now, I know I’m not giving you a lot of time to make this happen and I also know that the form takes a little bit of time–perhaps fifteen or more minutes; but I’m asking you to make time to nominate us.
Here are the rules:
Today is the last day to nominate any production.
Only shows within the last year can be eligible. Our qualifying shows are: “I’ll Be Seeing You”, “On Golden Pond“, “Sleeping Beauty” (Best Theater for Young Audiences production), “Seven Brides for Seven Brothers”and “A Tale of Two Cities.”
Make sure you vote under the RESIDENT NON-Equity category.
There are so many different fields under each show and you can vote for up to four people. If you need to know who qualifies–please ask and I will help you out.