Overshadowed Theatrical Productions recently completed their fall production “Twelve Angry Men” and “Twelve Angry Women” Yes, you read correctly. We did both versions of this famous play. It was an experiment in marketing as well as acting and directing.
Before I begin talking about that experiment, let me share some thoughts about the play in general.
I was very surprised about the number of our audience members who had never seen this play or the MOVIE! I have always considered this work a classic and a favorite for many film lovers and also high schools. It has become a way to teach the importance of civic responsibility, bias, and that prejudice comes in many forms.
Reginald Rose wrote the original play for the CBS series, “Studio One,” and it aired on September 20, 1954. He says it was based, to a certain extent, on his own experiences as a juror,. He also said that it reflected a time when standing up for your constitutional rights could get you in trouble.
Afterwards, the teleplay was adapted into a film. Although it did not win, “Twelve Angry Men” was nominated for three Academy Awards: Best Picture, Best Direction, and Best Screenplay based on mate- rial from another medium.
The real award is that Rose has written something that is lasting. It speaks across generations and racial divides. It makes one think of their own prejudices and the need for jurors who will serve with a moral responsibility. Our audiences sat on the edge of their seats most nights. We had fabulous conversations each night and many audiences members came back the following weekend to see if it made any difference if the cast was all male or all female.
Ticket sales weren’t what we wanted.
But if our goal is to give the audience a night of entertainment that moves them and inspires them–then we definitely succeeded.
I’m not so sure why this week’s blog was so difficult to write. I’d love to say that it’s because I wasn’t a history scholar and perhaps I’m afraid of saying something wrong.
I’m afraid it runs much deeper than that.
I have told you before. I was raised to be deeply patriotic. My dad fought in three wars and spent twenty-five years in the military. He loved America. He saw the faults, but loved this country and by his example, I did too. I feel privileged to be raised an American. I’m proud of my dad. I’m proud that he would risk his life to protect the freedoms that we all enjoy. Have you ever thought that there are reasons people put their lives in danger to try to make their way into our country and escape their own? I think we have it pretty great.
And yet….we are a divided country right now. We are torn politically. We are torn because of the virus. And we are torn on other levels as well.
It isn’t the first time we’ve been divided. When the Continental Congress declared their independence from the British during the reign of King George the III not everyone was in favor of that decision, but TOGETHER we fought for freedom. Our country has been torn during the Civil War and again during the Vietnam War when people avoided the draft and escaped to Canada to avoid fighting for something they didn’t believe in.
For years, people disdained a person who avoided the draft in such a manner. Now, it makes no difference to most people.
For a time we loved the freedoms that this country fought for and in turn granted all those who were citizens.
“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.” – The First Amendment to the U.S. Constitution
What are the freedoms we are granted?
Freedom of speech
Freedom of religion
Freedom of the press
Freedom to assemble peaceably
Freedom to petition the Government.
With these freedoms we become the most free people in the world.
When do you get those freedoms? Do you have to work for them?Or be of legal age?No. You are granted these freedoms the day you are born. It doesn’t matter politically what side of the fight you are on: Republican or Democrat, you can use the freedoms you are given to push for change or oppose it.
Wow. You. Me. We. have the freedom to push for change. And I am so glad we all do.
Did you know that, John Adams, one of the signers of the Declaration of Independence, wrote that the 4th of July should “be commemorated as the day of deliverance, by solemn acts of devotion to God Almighty!
So you might be thinking….what does freedom and what people have fought for have to do with Hamilton?
During this time of celebration by many Americans, the Broadway musical Hamilton is making it’s screen debut and I think we can learn a lot from the production as well as the man.
Timing is everything.
Could this musical be a source of healing? Is there a way to look at the moral vision of the show, and in some way, come together as a county? Instead of allowing our differences to destroy us? Could there be an intersection between faith, arts and change?
I have to admit, I didn’t know much about the musical when I first had the opportunity to see Hamilton! I thought it was full of rap music and had a story line that I wasn’t super crazy about, but I wasn’t going to miss the chance to see something that was such a work of art. Hamilton won 11 Tony Award in 2016, including best musical. I now know it is a work of genius.
What can we learn from this musical?
Hamilton is the retelling of a time in our history, but brilliantly deals with the social issues that we face today. Hamilton was an immigrant from the Caribbean and a major theme of this musical is his fight for dignity and equality.
The story also centers on grace, forgiveness, death and redemption. Themes that a person of faith rests on, but ones that we all should remember. Those themes should give us hope and show us what life might look like. Those themes open the door for us to have discussions about faith and hope and how we all need God’s Grace in our lives.
The musical includes scripture that impacts as it tells the story of the past. Did you know that the song, “One Last Time” contains a phrase from the scripture that George Washington used in his personal writings throughout his life? Historically, the most famous use was at a time he used it to express hope that Jews would flourish in America.
“May the children of the stock of Abraham who dwell in this land continue to merit and enjoy the good will of the other inhabitants–while every one shall sit in safety under his own vine and fig tree and there shall be none to make him afraid.
May the father of all mercies scatter light, and not darkness, upon our paths, and make us all in our several vocations useful here, and in His own due time and way everlastingly happy.”
4. Did you know that Hamilton, like many of our founding fathers, practiced a real faith in God.? He even wrote hymns and poetry when he was a boy. Here is a few lines from one of his most quoted:
“Hark! Hark! A voice from yonder sky, Methinks I hear my Saviour cry, Come gentle spirit come away, Come to thy Lord without delay.”
5. Hamilton tells the story about a man who was ambitious. It has been said that the poorest man has the chance to be a millionaire in America and indeed, “Hamilton didn’t “Throw Away His Shot.” By the time America was formed, Hamilton was the second most powerful man in the United States.
6. Hamilton teaches forgiveness. His wife, Eliza struggles with forgiving Alexander for an affair and the chorus sings, “Forgiveness, Can you imagine?” Can we, in our country, forgive each other? Can we take a moment to listen and understand the pain and forgive? Can we follow Christ’s example? 70 x 7?
7. Hamilton broke the “rules.” It is full of hip-hop, rap, poetry and it is the first musical to cast people of color to play characters who historically were not. Hip-hop and rap has traditionally been known as music of rebellion. To place it in a musical about a revolution is brilliant and eye-opening. Then the original casting hopefully opens our eyes to a new way of thinking about things and new possibilities. There is so much to learn from that.
Are we listening?
8. It is a story of heartbreak and redemption. Hamilton receives the honors of war and yet becomes a political outcast. He loses a son in a duel and ultimately dies the same way. And yet, his wife redeems all the hurt. In the final scene Eliza sings about her new calling to start the first private orphanage in New York. She sings:
” In their eyes I see you, Alexander. I see you every time.”
And she looks up to heaven and smiles.
When we celebrate July 4th this year I am going to be thankful for my country, my freedoms, my friends (both the ones who share my beliefs and the ones who don’t).
I’m also going to be thankful for God’s work of redemption. At times, the world seems full of sadness and suffering. May we each have the courage to speak out and spread the hope the God gives. May we have courage to be a catalyst for change not just a bystander. I am going to be thankful for my freedom of speech (even though sometimes I’m afraid to take the chance to express myself.)
I am also thankful for musical theater!
I hope you can enjoy your families, friends and FREEDOM! Happy 4th of July!
Please let me know your thoughts! Has the time of unrest in our country sadden you? Or do you see it as a wonderful catalyst for change and discussion?
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At first, I was discontented. Well, okay, miserable. Only three awards out of eight possible? C’mon! Couldn’t the judges see the talent, energy, and pathos that went into the production?
Although I don’t usually watch the Oscars, I was curious to see how my favorite film of the year fared against the others.
Best supporting actress? Of course!
Best sound mixing? I agreed.
Best Makeup and Hairstyling? I saw that, too.
But, I wanted them to win all the awards. Then I settled down and realized there are other deserving actors/actresses, especially from other cultures who need a win as well.
Then, I got to thinking about our performance as Christians on the stage of life. Are we winning heavenly awards that will bring glory to God and not ourselves?
For instance (and I’m questioning myself) . . .
Best Leading Actor: Are men taking their roles as leaders seriously? How about church leaders? Or anyone for that matter, in a leading role?
Best Supporting Actress: Are you as a wife taking your God-given role seriously and supporting your man? Or, if you are a young person at home, are you supporting your parents? How about singles? Are you being a good friend, and honoring your boss (no matter what gender you are)? How about pitching in with the gifts God has given you in your local church? Congregations, are you bringing joy and not pain to your church leaders?
Directing: Let’s turn the tables — are you allowing God to direct your life, or are you taking charge?
Best Costume Design: Are you “putting off” the dirty garment of anger, lies, and filthy talk? And “putting on” the fresh, clean garment of kindness, humility and patience? (Colossians 3:3-14) Or, possibly, are you pretending to be someone you are not?
Best musical score: Is your life a symphony of comforting notes and scores that brings joy to those around you?
Visual effects — Does your countenance reflect your heart? Do your deeds reflect your relationship with the Creator?
Writing: Those of us who are authors, are we writing for the glory of God, or for a spot in the limelight?
Sound Editing: How is your tongue? Are you silencing those harsh or untrue words before they hurt others?
Cinematography: if you were to play your life back on the screen in a two-hour movie, how would the audience react at the end? Give it 5-stars? Cry at the tragedies that led to more tragedies without meaning? Laugh uproariously because its so true in your own life, a mirror that reflects your need to change?
I’d love to hear your ideas below in the comments!
So, I leave you with the musical performance of Les Misérables cast at the 2013 Oscars…now that deserved an award of its own! You can find the performance at 1:18
Of course, only God deserves our ultimate praise and worship, but, as we do our best in our work and life, we reflect God’s excellence:
“Praise him (God) for his mighty acts: praise him according to his excellent greatness.” Psalms 150: 2
Last weekend was supposed to be the closing weekend for “The Trip to Bountiful.” Our season is designed that after that “March” play– we have a break in our season that allows us to beginning planning for next season and gear up for our busiest time of year–the summer.
Like I said, that’s what was supposed to happen. Instead, two weeks ago theaters all across the United States begin to shut down, suspend productions, and in some cases close them all together, in reaction to the pandemic that is attacking our country. We didn’t want to close–but we had too. We had to for the safety and health of our country, families, patrons….everyone.
This was an incredlbly difficult decision. Why? Because we still do not know how long and what disasters will have occurred when the rainbow comes out at the end. I wish I had dollar for every time I’ve said, “If I only knew…” my whole life. Well, if I only knew….then I could make the decisions a artistic director needs to make. Decisions about how to create theater when the world is falling apart.
First of all, you might be wondering exactly what is a artistic director?
Artistic director: the person with overall responsibility for the selection and interpretation of the works performed by a theater, ballet, or opera company.
In my case, I also have the responsibility to create budgets and vision for the paths we are going to take during the year. This is the time of year I start to make those decisions for the next season.
Panic sets in.
How in the world am I supposed to do that if I don’t even know if I will be able to open the doors of our theater before the end of the summer? My thoughts spin in my head like a tornado. “Do I postpone auditions? Are we going to be able to hold camps? Should I rearrange the season? Should I change shows that we finish the year with? Should I contact the royalty companies now or later? How is this going to hurt us fanancially? Can we survive at all? ” And probably other thoughts as well.
Where do I even start?
Keep thinking and keep creating. The second you stop then the very artist inside of you will stop as well. Even if you don’t know when you’ll perform again or what tomorrow will bring. Just keep creating. How? Maybe it will look different because your safe theater isn’t open, but find another one! Write. or take a lesson, or give one. or read on-line to entertain others. Overshadowed has chosen to open it’s vaults and let others see past shows. Whatever you do, please just do it!
2. Keep Planning. This is a difficult one for me. I feel like the calendar is moving all over the place and I can’t make a decision or decide anything because my target keeps moving. But, I must keep planning. If I don’t have “the next step” ready then we will be behind on everything for the rest of the year.
3. Think about finances. This is a bottom line necessity all the time. God has always been very gracious and has blessed Overshadowed in so many ways. Honestly, this might be the toughest battle we face. Because we don’t know when we are going to re-open or if we will have to permanently cancel part of our season then we don’t know if we will have to reimburse part of the money we have collected up front. In this time of crisis that would be devastating. So, decisions have to be made to keep us going? How do you keep a theater company going when the theater world has stopped? We make decisions based on the future. Do we add something to our fall season? Do we spend less money now? Do we take this time “off” to make sure we inform others of services we have to offer? Classes? Rentals? Original scripts? My mind is searching for ways to help our communities but have services to offer others in the future. I’d like to think, that we will come out of this better because we’ve had time to think differently….time will tell. The one thing I know. This was God’s company when we started. It’s God’s company now. It’ll be God’s company tomorrow.
4. How do we get the name of our company out to people who would be interested? And in this case, how will we KEEP our name in the minds of our current patrons. Entertainment and theaters are going to take a hit along with everyone else in this crisis. We aren’t sure how long it’s going to last, but I want to be there when it’s all over. Small decisions have deep impacts on people. There is a science to marketing that I am not good at, but I do understand that people need to hear the name of your company over and over before it starts to sound familiar and even more times before it becomes something they are willing to check out. So, we are still sending out our weekly updates. We are also offering the link to one of our shows each week. (If you aren’t on our mailing list contact me and I’ll send you the link to one of these shows.) We are also trying to creatively market the people of Overshadowed and past memories. I really appreciate, Jessica Means, who is heading up all of that! She is so creative and is doing such a fabulous job!
5. Keep your tribe around you. Folks, we need each other. We might be bunkered down alone, but that doesn’t mean we should hibernate. FaceTime, text, call, email, zoom….there are many ways to reach out. Keep talking. It will help us stay motivated and maybe even appreciated and sane in the end!
My thoughts have gone back to the stories I heard about WWII and the times families would sit around and listen to the stories on the radio. Do you know what that teaches me? That when times are tough sometimes we need to shut out the world and give voice to hope and laughter and joy and see theater that becomes a means of comfort. We need breaks in times of sorrow and sadness. We need a connection between communities.
I’m thankful for theater. I hope it never dies.
One last thought that I have been clinging to. I was reminded of an old gospel hymn. “I know who holds tomorrow and I know who holds my hand.”
I’d love to hear your thoughts! Please take time to share this if you know someone it might encourage. Thank you!
What does that mean? Every bit of news has something to do with how I should vote–why I should vote–or who I should vote for. I do believe that’s important. It’s one of the privileges of being an American that I treasure.
What does that have to do with theater? Well, we vote in theatre as well. Just think of the awards….the Emmys, the Oscars, the Tonys. Many of the winners are voted on by a group of their peers.
The past week I realized that Overshadowed qualifies for a regional award. They are called the BroadwayWorld awards.
BroadwayWorld is the largest theatre site on the internet. It covers Broadway, the West End and spreads to 100 US cities and 50 countries worldwide. It boasts of 4.5 million monthly visitors and delivers Broadway and regional theater news, interviews, reviews and more. This company has their own awards–anyone can vote. You vote for your favorite theaters, favorite shows, favorite actors/actress, favorite directors and more.
One of the most common conversations I have with people is when they question why Overshadowed’s shows don’t get reviewed. They ask me how we’ve been in business for 15 years and they are just hearing about us now. The perfect example of this was after our last production of “A Tale of Two Cities.” We had a troop of people who decided to reach out to local critics… such as Dean Richards and Chris Jones (as well as others.) ( I would like to give a shout out to Dean Richards who was kind enough to respond to the inquiry and explain why he couldn’t make our show. Thank you, Dean!)
Sadly, Overshadowed cannot seem to get noticed. Do we want to? In my heart there are times that I wonder what life would be like to qualify for a Tony or other such award. At the end of the day, I know that it isn’t the praise of man that makes something a success. Still, recognition means something.
The site of BroadwayWorld with their 4.5 Million viewers who regionally might say, “Overshadowed’s “On Golden Pond” wins Best Play–well, that is a pretty big deal.
As I was pondering this I was asked if it really means anything since it’s done by the people who know you instead of a critic. I say 100 percent, “Yes!”
We want you, our audience, to enjoy every moment you spend at our theatre. We hope that we are giving you great moments of sheer joy and delight. If you take time to nominate us and then perhaps vote later–we would know we are succeeding.
Marketing is difficult and expensive. This might be the singlehandedly best way to get the word out about “this little theatre that could.”
Let your voice be heard. Do you like the kind of shows that are winning awards these days or perhaps would you like to have a say to tell the world that family friendly still has a place in the industry?
Now, I know I’m not giving you a lot of time to make this happen and I also know that the form takes a little bit of time–perhaps fifteen or more minutes; but I’m asking you to make time to nominate us.
Here are the rules:
Today is the last day to nominate any production.
Only shows within the last year can be eligible. Our qualifying shows are: “I’ll Be Seeing You”, “On Golden Pond“, “Sleeping Beauty” (Best Theater for Young Audiences production), “Seven Brides for Seven Brothers”and “A Tale of Two Cities.”
Make sure you vote under the RESIDENT NON-Equity category.
There are so many different fields under each show and you can vote for up to four people. If you need to know who qualifies–please ask and I will help you out.