artist, artistic vision, audience, backstage, christian blog, christian theater, directing, entertainment, family, Fear, hope, theater, theater education

Theater Through the Eyes of a Child-By Guest Blogger Kendra Jones

I am so pleased to share these thoughts from Kendra Jones. I met Kendra several years after Overshadowed began, and she instantly became a friend as well as a significant part of the company. She recently moved away, but her impact will stay with us for years to come!

                                           Theater Through the Eyes of a Child

It was unlike anything I had ever seen or experienced. My mom had planned a special date for the two of us. I knew this had to be a special occasion since she had me get all gussied up in my favorite dress and my Sunday shoes.

It was a Saturday afternoon, and I remember the glass-paned lobby feeling bright and warm as the sun streamed in through the windows. There were lots of other children there with their moms and dads. We walked from the lobby into a room like I had never been in before – their seats sloped up and there was a stage in the middle of the floor. My mom was taking me to my very first play.

At the time I probably didn’t fully grasp what a play was, but I do know I was in awe of every moment. From the time the play began, I was caught up in the story. It was the tale of “Hansel and Gretel.” I clearly recall the Father character with his rugged, lumberjack look, complete with full beard, plaid shirt, and suspenders. Hansel and Gretel were children! Just. Like. Me! Their journey through the magic forest to the witch’s house made of candy had me on the edge of my seat the entire time. When Hansel and Gretel and their Father were reunited at the end, their loving family embrace in the middle of the pink and purple illuminated stage is permanently etched in my mind. It was a true “happily ever after” moment! This experience created a life-long passion for theater in me.

Fast forward to 2009, when Reba and I had discussions about beginning our Kids and Family Series for Overshadowed. While all of Overshadowed’s shows are family-friendly, we felt it was critical to begin offering shows that would be targeted for a younger audience. Why? Because the earlier a child is exposed to the arts, the more likely they are to appreciate and engage in the arts as they grow. And the show I selected to begin our family series with was none other than my first foray into the theater…”Hansel and Gretel.”

Since that time, we have produced eleven shows in our Kids and Family Series. Each time, each show has become more precious than the last. We realize that the time and money you invest for your children is of great value to you, and we have strived to create more than just a production, but a true experience.

Watching this program develop, I have made the following observations about kids and the theater:

1. They want to become part of the story. As much as possible, we try to find moments within each show to engage the audience and allow it to become interactive. Admittedly the times I have enjoyed the most have been when it has happened organically. During a performance of “Hansel and Gretel,” as the witch was stealing the pebbles the children used to mark the path to return to home, a little boy loudly exclaimed, “Oh, no, no! NO! You bad witch! I’m gonna get you!” Good thing we were headed to intermission after that because everyone (audience, crew, and cast alike) erupted into uncontrollable laughter for the next several minutes!

2. They want the special occasion experience. We have seen grandparents come with the grandkids; Daddy/daughter dates; Mom and kids days out; group events with extended family and friends. More often than not, just like I was as a child, they are all dressed up in their finest. One time a father came with his daughter…he in a tuxedo, she in her prettiest dress. Not going to lie…that one made me tear up a bit.

3. They want the story to continue. After every performance the cast lines the hallway, still in costume, to greet the audience and take pictures. Quite frequently I have overheard children “expanding” the story as they engage with our cast members about what they would have done in a character’s situation, or how it should continue to play out.

4. They want to overcome their fears. Most every story has some kind of villainous character. It is in the nature of literature itself. We are always very cautious with our approach to the villains with a gentle hand, because we don’t want to create a fearful situation. But at the end of the day, a villain is still a villain. I always feel a little badly for our “villains” during the greeting time, as they are often left standing there with no children to greet them. After all, who do you want a big, warm hug from after visiting Narnia…the White Witch, or Aslan the Great Lion? After a production of “Alice in Wonderland,” I observed one of the most beautiful interactions. The White Queen (portrayed by Traci Cidlik) noticed a little girl watching her. Traci had figured the girl wanted to approach her, but being a villainous character, the girl was a little afraid. Traci knelt down on the floor and started talking to her. Slowly the distance between the two of them grew shorter as the girl began taking baby steps toward Traci. And before you knew it. The child threw her arms around Traci’s neck and gave her a hug, and wanted to take a picture with her.

Young or old, novice or experienced theater-goer, I hope I will continue to enjoy every theatrical experience as through the eyes of a child.

Suessical!
The Lion, The Witch, and the Wardrobe

Whatever you do today I hope it is magical!

What was the first play you ever saw? Do you have fond memories of it? I would love to hear about it!

acting, christian, christian blog, christian theater, Easter, Fear, Good Friday, history, hope, theater

The Women at the Cross

In Matthew 27:55 it tells us that there were women at the crucifixion of Christ “looking on from afar” it also says that they had “followed Jesus from Galilee, ministering to Him.” Those named in the different Gospels include Mary Magdalene, Mary the mother of James and Joses, and the mother of Zebedee’s sons–Salome. In John 19:25 it says that the two of them were with Mary, the mother of Jesus who stood by the cross. Perhaps they were not allowed to come closer at first? Or perhaps they were afraid? But as time went on they came close enough to Jesus that He could speak to them.

Where were the apostles? Remember Peter? He denied Christ three times just as Jesus said he would. Most of the apostles fled and hid. 

But these women had more courage than the disciples themselves…these women stood  close and watched.

The mouth knows not how to express what sorrow they must have felt as they saw their Lord betrayed. How their hearts must have broken as they watched Him suffer. How can we conceive the hopelessness they felt as the world grew darker?

I know not what was in Mary’s head as she stood at the cross, but perhaps it went something like this:

She wasn’t sure how long it had been since she slept. Her eyes were swollen from all the tears and she was weary. The procession to the cross was full of emotion she did not understand. There was dread and excitement. The people began to cry out, “Crucify Him! Crucify Him!” She saw the soldiers and someone carrying the cross, and then…her son. “What was that on his head? There was blood…was it thorns?” She gasped as she saw the open wounds on his back. “My Lord, I do not know how to pray.”  She continued to watch as they climbed up the hill and listened as the crowd grew to a maddening mob. “Crucify Him!”

“Crown of Thorns” from God’s Masterpiece at Bethel Baptist Church 2015. Photo by Francisco Montes

 

The soldiers took Jesus and laid Him on the cross. She turned away as she realized they were going to hammer nails into his hands and feet to hold Him to the cross. When the pounding stopped she looked again and watched as the soldiers raised the cross and set it in place. Tradition held that He would need to hang there until His death.

“How long have I been standing here? It seems forever and yet time also seems to stand still. I can stand. I will not fall. I will be strong for Him…although He does not need me. I need Him. My Son. My Messiah.

Thirty-three years. It went so fast. Lord, I could never forget the angel that told me I would bare this son! I still don’t understand why I was chosen! I should have been afraid, but somehow You comforted me as the angel blessed me with the news of Jesus. Joseph. How amazing that he understood and became such a wonderful earthly father. The trip to Bethlehem. Did it really happen thirty-three years ago? The star. The stable. The shepherds. “

Mary forgets where she is for a moment and smiles at the thought of Jesus at twelve. “We had gone to Jerusalem to pay our taxes and had started home. We traveled a whole day before we realized he was gone. We had to go all the way back to Jerusalem to find him. Finally after three days we found Him in the temple sitting among the teachers. I didn’t understand at that time what He meant when he answered us, ‘Why were you searching for me? Didn’t you know I had to be in my Father’s house?'”

She looks up at her son hanging on the cross and her smile fades. Mothers always want to save their children from pain and protect them. She shakes her head. “Oh, Father, Your son has never done harm to anyone!  And now he hangs…nailed to a cross! What was the crime? Jesus who taught scriptures, healed the sick and even….think of it…raised the dead. What was the crime?  He said He was the son of God.”

Mary reaches over and grasps the hand of her best friend, Salome, who is lost in her own thoughts.  She catches the eye of John who stayed by her side.  Then she looked up at her son again just in time to hear Him say,

Father, forgive them, for they know not what they do.” She also heard him say to John, “John, behold your Mother.” and then to her, “Mother, behold your son!” Tears filled her eyes again. How could He be thinking of her while in such pain??

My God! My God! Why hast thou forsaken me?”

“Soon, God, please do not let Him suffer longer.” Mary watched as Mary Magdalene stepped forward, watching in disbelief. Salome reached for Mary Magdalene and the three of them held each other close sharing their raw emotions and comforting each other in a way only those who share pain can.

Then,

Father, into thy hands I commend my spirit. It is finished.

Mary thought, “Finished? No more beatings or death or pain or suffering. Finished.” And in the next horrific moment a soldier plunged his spear into Jesus’ side and water and blood flowed down his side.

She watched as Jesus’ body was lowered from the cross. “Where will they take Him?” She listened as Joseph of Arimathea offered a tomb. She watched as he and Nicodemus gently lay Jesus in the tomb.

“Too soon, O Lord! I cannot make sense of it all! The angel told me He would be King of Kings! Savior to our people! But, He’s gone. Hope is gone.”

As the sun sets it begins Sabbath so they all need to return home. Home that will never be the same again.

It was difficult for Mary and others to understand what Jesus had tried to teach them– for the exciting thing about His death is that He did not stay dead, but arose from the dead on the third day. For this reason, hopelessness is turned into hope and despair is turned into joy. It is not the end, in fact, it is the beginning!

“He is risen” from God’s Masterpiece at Bethel Baptist Church 2015. Photo by Francisco Montes

 

They only needed to wait a few days to discover the rest of the story.

What about you? Do you know that Jesus is alive today interceding to the Father for us?

What about you? Are you able to stand firm and keep your eyes of Jesus even when you do not understand?

What about you? Are you able to find hope in  “the Father’s business”?

What about you? Do you follow Jesus at a distance? Or do you have the courage to draw close and make others aware of your faith?

What about you? Will you run to tell others the joyful news, “He is risen! Let us worship Him.”

One interesting fact to note. The women didn’t cave to fear. They didn’t run away. They were first at the tomb on Sunday. Nothing could keep them away, not fear of death or punishment from soldiers.

May we all be more like these women.

May you have a Blessed Easter.

acting, artist, artistic vision, audience, christian, christian blog, christian theater, communication, directing, family, Fear, hope, stage, theater, theater education, theater professions

This is Who I Am and Why I Do What I Do

My learning curve for social media has been much slower than most people’s.
I started off being afraid of it because I was taught not to trust all the people that were getting information about me.
Then I was afraid no one would ask to be my “friend” or “follow me.”
It wasn’t until way down the line that I realized it was okay to just be who I am and spread my message to the people who want it.

Even if it is only one person.

During the shut down this past year I tried to learn and follow the suggestions of countless mentors and advisors.

1) Start a blog.
2) Have a personal Instagram account as well as a business account. (reba.hervas)
3) Start a personal YouTube account.

What??? Why????

Because Reba is different that Overshadowed. Yes, there is a merge most of the time, but advisors teach that it is important for me to have my own name recognition in order to have another road that leads to Overshadowed.

So, I did. You can watch the first episode here:

https://m.youtube.com/watch?v=dc_ITOkFULA&t=27s

As you will see, we’ve come a long way.

But again, I was advised to not be discouraged by what we have done, but to constantly strive to be better the next time. (Which fits in with our mission at Overshadowed)  I think we’ve done that and I’m happy that we are finding our rhythm. Hopefully, we will continue to grow.

Now, I was advised again, who are you? Why should people watch this? What are you all about and why do people need to subscribe to your channel?

Hopefully, this will explain it all.

https://m.youtube.com/watch?v=ZW4dsRj_ml4&feature=youtu.be

Mr. Perry, thank you for investing your love of drama in hundred’s of students at Kinston High School. Thank you, for noticing a student like me and introducing me to a world of theater. To Mr. Unknown Tech, thank you for your life-changing words of wisdom.

To all of you: Remember, your speech is a valuable gift. Use it wisely. Be empowered by the unique gift that you have been given. You are truly blessed.

If you want to thank a speech teacher somewhere you can start by following my blog and my YouTube channel and I’d love it if you’d share this message as well!

Until next time, this is just me talking to you from the wings.

artistic vision, backstage, christian, christian blog, christian theater, communication, costume design, directing, theater, theater education, theater professions

The Finishing Touch

When Overshadowed first opened its doors sixteen years ago we started with a Christian play I had adapted from a novel “Silent Star“. It was a hard hitting, dramatic, cry your eyes out- kind of play with the gospel message strong within it. Why? Why would I start a brand new theater company with something like that instead of a light funny, everyone leave smiling -kind of show?

The very mission of what Overshadowed is- calls to BOTH types of plays. I wanted to declare boldly that I would never shy away from a play that would bring you to your knees even though much of what we do includes the feel good stories.

Twelve years ago we performed Noah! for the first time and it instantly became a show that people talked about and requested over and over. In fact, when our ten year anniversary came around I asked our audiences to pick the season by vote and Noah! came in second….but barely.

So, in 2019 when I was picking the season for 2020, I decided it was time to mount this production again. Who knew that it would tell the story of the first quarantine and reach the depths of our hearts because of the year we recently had?

Well, God did. He is the author, planner, sustainer, comforter and guide. It was the perfect choice.

Noah! has now become the longest running show Overshadowed has done. Not most attended (Because we are limited to 50 audience member still.) But, we have now scheduled 26 shows and we will add more if  we sell Easter weekend out. Did I mention this show would be a fantastic show to see Easter weekend?

Recently, I wrote about the set design of Noah! You may read that post here:

https://fromthewings.org/2021/01/29/the-stage-is-a-blank-canvas/

A great production requires more than a great story, fabulous actors and an amazing set. It also requires a fantastic costume design. Since Overshadowed began, our philosophy has been that we might not have a real stage, or all of the bells and whistles of a professional theater, but that within our power we would make the production elements that we could afford be fabulous. Costumes became the element that we consistently spent more money and time on. We had super talented people who poured their hearts and souls into some pretty fantastic pieces. We knew that one choice alone would set us apart from other theaters close to us. We wanted to “look” professional and we knew that “clothes make the man” or in this case–the character.

It is amazing to me how often an actor really cements his character once he puts those costumes on. It is indeed the “finishing touch.” Perhaps it is the most important touch.

I had the chance to interview Debra Schott and Margaret Sahli for this week’s episode of From the Wings. I love their vision and can’t wait for you to hear what this process has been like for them.

https://youtu.be/HKPFQXR-BKw

I’d love to hear what your favorite costume experience has been? Would you like to join our costume team? We would love to have you!!

As always, it would be such a help to me if you would subscribe to this blog and share it!

Until next time!

Reba

P.S. A special thanks to Rebecca Leland and Brianna Valentine for their help with the recording of Fromthewings!

acting, audience, christian blog, christian theater, communication, directing, stage, theater, theater education

It’s Not What You Say-It’s How You Say It

Meet Guest Blogger Anna Johansen Brown! I’m excited to introduce this charming, cleaver, talented writer to all of you! 
 
 
Anna Johansen Brown is a current journalist, former debate teacher, and eternal nerd. She writes for a daily news podcast called The World And Everything In It and the topical podcast Effective Compassion. In her free time, she creates fantasy worlds and plays DnD with her fellow nerd husband, Wesley. One day, Anna aspires to become a dog owner.

My husband has been educating me on Star Wars. I think he sees it as his duty to make me a well-rounded individual who fully appreciates cultural icons. And while I’ve seen the original trilogy, I’ve never watched Revenge of the Sith…or that one about the clones…or that other one whose name I can’t remember.

So we’ve been watching them together. And I have thoughts.

My first takeaway was that battle droids are adorable. Why did no one tell me this before? But my second takeaway was the dialogue. Like this infamous line, delivered by a mawkish Anakin: “I don’t like sand. It’s coarse and rough and irritating, and it gets everywhere. Not like you. You’re everything soft and smooth.”

NOBODY TALKS LIKE THAT.

Or if they do, you probably should be running away fast.

So I started thinking about dialogue, and how crucial it is in maintaining immersion for viewers or listeners or readers.

In real life, people are unscripted and say “um” and “uh” and “like” and “y’know”…and they really don’t drop similes into ordinary conversations. In real life, people fumble for words and speak in sentence fragments. They’re unscripted.

The way people talk also tells you something about their background. Certain words are unique to certain locations. (Y’all, anyone?) The words people choose indicate what they like to read and where they grew up and who they hung out with. So for writers, getting dialogue right is important. It’s important for general realism (your characters shouldn’t sound scripted, even though they are), and specific realism (your characters shouldn’t use words they wouldn’t know or have heard in their context).

When I started writing for a news podcast, I had to learn the difference between print and radio. In print, you can cram lots of details and clauses into a sentence. Like this frontpage Washington Post article from the mid-2000s:

“President Bush yesterday said he takes responsibility for the federal government’s stumbling response to Hurricane Katrina as his White House worked on several fronts to move beyond the improvisation of the first days of the crisis and set a long-term course on a problem that aides now believe will shadow the balance of Bush’s second term.”

Perfectly acceptable print sentence. But try reading that out loud. It doesn’t work.

For one thing, it’s too long. Normal people don’t speak in long, full sentences with correct clauses and subclauses. They use short sentences.

It also doesn’t make sense the first time you hear it. When you’re reading something, you can go back and re-read parts of a sentence or paragraph that you missed the first time through. If you’re speaking or reading to someone, you only get one shot.

So for stage and for radio, you have to translate it into something speakable. When I write scripts, I’m constantly saying the lines out loud as I type, to see if it feels natural. Once, my editor flatly refused to include “transmogrification” in a script because who says that in real life? (Well, maybe you’re writing a character who happens to be a super nerd. If so, you can use transmogrification in their dialogue. I’ll allow it.)

Bottom line: Choose words that your character would actually say. And that means you have to know who you’re writing about. Spend time with that demographic. Listen to how they speak, their sentence structure, their slang, their word choice, their pronunciation.

Kids don’t think in abstract terms, so don’t write in deep moral thought processes for your 6-year-old character. Women tend to say “I feel like [insert opinion here]” more than men do. Americans don’t call elevators “lifts,” and Brits don’t call an eggplant an eggplant. They call it “aubergine.”

So listen and mimic. But…only to a certain extent.

You want dialogue to sound natural, but the same time, you don’t want to write in all the ums and uhs and filler words so common in real-life conversations. That would bog down a script and sap all your artistry. There is a place in between ordinary conversations and scripted dialogue. That’s the sweet spot. National Public Radio calls it “speech that has been washed and pressed.” You mimic natural speech without being strictly accurate.

You can use rhetorical devices in scripts and dialogue. Scripted lines can (and should) have flow and rhythm and lyricism. But if you read it out loud (or have a 6-year-old read it out loud, or a Canadian, or a 40-year-old man, or whoever your character is most like), it has to sound like something they would actually say.

Whoever is voicing or reading your script will thank you. And if you do your job right, your audience probably won’t even notice, because they’ll be immersed in the characters and setting. There won’t be any sand…that coarse, rough, irritating stuff that gets everywhere…to distract them.

Have you ever performed in a play where the dialogue was difficult? Do you have certain authors that just make everything sound natural? I’d love to hear from you!

Until next time–this is just me-talking to you from the wings!

acting, artist, artistic vision, audience, backstage, christian blog, christian theater, communication, entertainment, theater

Doing “YOUR THING” Matters

I am so excited to share this post from our guest blogger today! Meet Julie Gernand! I’m thankful to have her as a part of Overshadowed and blessed to have her as a friend!

Today’s guest contributor, JULIE GERNAND, is wife to Ted and mom to Benjamin (3) and Peter (5 months). She has been seen on the OTP stage in the summer 2016 musical Guys and Dolls and was honored to choreograph both I’ll Be Seeing You (winter ‘17) and Seven Brides for Seven Brothers (summer ‘18). She currently resides in Oswego, IL and enjoys teaching theatre classes for Heritage Homeschool Workshops and diving into her new passion of bringing joy to others through weekly online Zumba dance fitness classes. You can join her live on Facebook every Tuesday evening and Saturday morning!

Doing YOUR THING Matters.

I think it’s really important to find “that thing”. 
You know what I’m talking about. “That thing” that brings you joy in ways nothing else does. The creative outlet, class, hobby, or interest that makes you YOU. For my husband, it’s Cadillacs and baseball. Not necessarily in that order. 


For me? It’s theatre.


The fact that you’re reading this blog today probably means that you have an interest in theatre too. Is it “your thing” too?  In my case, I didn’t realize this about myself until about 7th grade. I was cast as Kate, an orphan in the musical Annie, Jr. with a small theatre group that met at a local dance academy. Sure, I had been in some hodgepodge church productions and elementary school music-class plays (for which my mom has saved every playbill and script in memoriam…anyone else?) but this was my first “big deal” role. I knew I liked being on stage, but it wasn’t until this musical that I felt it. The goofy camaraderie among the cast. The butterflies of that moment just before the curtain opened. The “going out to dinner with your show makeup on” sort of giggly pride. I really felt like I had found my people.


 Among these things, one moment that shaped this experience for me was during a live performance. We were performing the scene in which the orphans sing “It’s a Hard Knock Life” and perform an angsty dance with a rolling laundry basket when the musical accompaniment track suddenly cut out. The bunch of us, all elementary and middle school girls, were left to finish the song a cappella. I remember looking around, making knowing-glances at the other girls as we just kept singing. I mean, “the show must go on”, right!? Part of the true joy and magic of live theatre is learning what to do when mishaps occur, because they will. We threw Molly into the laundry basket, hit our final pose, and left the stage. I was so proud to be part of that cast as our director hugged us after the show, who through tears congratulated us for finishing that song strong and without missing a beat, as though nothing had happened to the music. From then on, I was pretty hooked on this musical theatre thing.


I’ve recently read a book (That Sounds Fun by Annie F Downs  – highly recommend) in which the author talks about the importance of doing something that you love, even if you’re not the best at it. In our world, we often think we have to be a professional at something to be doing it at all. This point resonated with me. Maybe it resonates with you, too.


The thing about my love of theatre was… well, I wasn’t the best at it. Sure, I had sung in our church’s children’s choir for a few years at that point and had a knack for silly faces, but I certainly wasn’t the singer they would choose to be the lead in any show, nor was I an exceedingly convincing actress at 13. But as I think back on this topic, I remember what my third grade teacher told my mom at a parent teacher conference:
“Julie thinks she has to know everything before we’ve covered it. She needs to realize she is learning!”
If I hadn’t found some brave part of me I’m not sure how I found, I never would have tried out for that musical. Well, I do know how I found it. God, in his kindness, gave me the gumption to try something that pushed me out of my comfort zone. Over time, I became  better at this craft, and found my true-love niche of musical theatre, dance.  The passion I found as a braces-wearing, awkward middle schooler became my college major, and eventually part of my career.


But sometimes, our passions don’t become our career. At OTP, so many performers hold daytime jobs that have nothing to do with performing arts, but they craft and mold their passion for theatre on the Medinah stage. This matters. Because it brings joy. Doing what you love will automatically bring joy to your own soul and to others sheerly because you love it. It will start to spill over, this thing you love. Sure, it may lead to bigger and better opportunities, but sometimes our joy is just our own. But I believe your thing is a reflection of the creativity and beauty of God. We get to see a little bit of the beauty of his creation through your passion. And that makes a difference, professionals or not.

Julie and Byron Mrowiec From Guys and Dolls Photo by Francisco Montes

What is your “thing”? Is it theatre? Building sets? Writing scripts? Share it with us!

Until next time!

broadway, christian blog, christian theater, family, stage, theater

My Top Ten Favorite Love Songs for the Stage

What is it the first  thing that grabs you about a musical? Is it the storyline? The actors? The authors and composers?

For me, it is the music. If I love the music–chances are I will love the musical.

Last year at this time I wrote about the top ten love stories for the stage. You can read about it here: https://fromthewings.org/2019/02/13/my-top-ten-love-stories-for-the-stage/

This time let’s look a little deeper and discover the top love songs. Music. It speaks of love. It communicates and it might even tug at your heart and  at times make you cry.

10. Helpless  (Hamilton)

I didn’t know what to expect when I first saw Hamilton. I thought it was entirely rap music and I didn’t know if I would understand it or even  like it. Boy! was I surprised. I loved the story. I could understand far more than I thought I would be able to. And I was entranced by the love story and brought to tears by the same story. Don’t we all feel Helpless and weak in the knees when we meet the “one”? Listen, to the love story begin.

https://www.youtube.com/watch?v=DRcC_COfWrI

9. All I Ask of You  (The Phantom of the Opera)

I will be the first to admit that I am not a huge Phantom fan. I have seen it three times and each time I liked it less. But this hauntingly beautiful song is something that declares our innermost desires to the ones we love.

Let me be your freedom,
“Let daylight dry your tears;
I’m here, with you, beside you,
To guard you and to guide you.
Say you love me every waking moment,
Turn my head with talk of summertime.
Say you need me with you now and always;
Promise me that all you say is true,
That’s all I ask of you.”

It continues, “Let me be your shelter, your freedom..” In other words, everything you need.
Yes, my love, please be my everything. (and if the lyrics weren’t enough to get you–the vocals and orchestra…perfection.)

8. A Whole New World (Aladdin)

In this musical Aladdin (with the help of his Genie) rescues  Princess Jasmine from danger from the evil Jafar. To our eyes he is common and should never be allowed to marry royalty, but that’s not the way true love works is it? Especially not in fairy tales. And in our favorite ones good always triumphs over evil. In this song, Aladdin “opens” Jasmine’s eyes to life outside the kingdom and together they sing the song that we all know means that lovers feel an out-of-this world experience when they fall in  love. The new world gives them a chance to escape reality together…..something we always want to do with the one we love.

7. I Can Hear the Bells (Hairspray)

The heroic Tracy Turnblad fantasizes about her perfect marriage to the gorgeous Link Larkin – every schoolgirls’ biggest fantasy. There is something in pop musicals that captures that feeling of longing. Maybe it’s because we listen to that music as we are growing up and feeling all the things we feel as we are finding out who we are and what the real world is all about. There were plenty of times when I was growing up that I fantasied that the boy I “loved” would love me back, that we would be married and live happily ever after. And it all starts with “he touched me” or “bumped me” or “looked at me.” Yep, this song tells it all.

6. Can You Feel the Love Tonight ( The Lion King)

This song is a beautiful arrangement of the beginning of love. There is nervousness, doubt, insecurity, sadness as friends realize that love will take their friend from them. It starts tender, but as the song progresses the music builds with energy and orchestration– the way love should grow.
Can you feel the love tonight?
The peace the evening brings
The world, for once, in perfect harmony
With all its living things.”

That’s the way true love should make you feel.

5. If Ever I Would Leave You (Camelot)

I would LOVE to do this musical, but feel that there is no way to make it “fit. ” Camelot is supposed to be the perfect place to live. It never rained until after sundown. It must not be too hot. The fog must go away by 8 in the morning…you get the idea. Ah! the fantasy and romance of it all.

There is a beautiful love story between King Arthur and Guinevere until Lancelot takes his place at the round table. He falls in love with Guinevere and  shortly after she falls in love with him in return. Lancelot realizes he must leave Camelot, but he can’t imagine life without her.

https://www.youtube.com/watch?v=BwuLkpJAcIY

4. Somewhere (West Side Story)

Set in a time of tragedy and conflict these two star-crossed lovers fall in love. Surrounded by heartache, after her true love kills her brother she begins to feel that their future is hopeless.  In this song they daydream of a place-a time-where race and families won’t divide them. You can hear the pain in their voices as they sing of a perfect place. It’s an oldie but goodie.

“Some day, Somewhere. We’ll find a new way of living.

We’ll find a way of forgiving.

Hold my hand and we’re half way there.

Hold my hand and I’ll take you there.”

Perfection.

 3. On My Own (Les Misérables)

Eponine wanders the streets imaging the life that could have been, if only her beloved Marius hadn’t fallen in love with someone else. I have had my share of unrequited loves in my life and I guess I love this tragically beautiful song because it speaks so honestly of how love is in our own minds, but how painful it is when reality hits and you are standing….on your own….alone.

2. As Long As You’re Mine  (Wicked)

My favorite musical ever is Wicked. I’ve seen it 8 times and can’t wait to get the chance to see it again. There is a moment that is almost heart stopping for me. Hiding in the woods from those who pursue them, Elphaba and Fiyero finally succumb to their mutual attraction, which has been building since the first time they met. Chemistry at it’s finest.

Aren’t these beautiful?

“And just for this moment
As long as you’re mine
I’ve lost all resistance
And crossed some border line
And if it turns out
It’s over too fast
I’ll make every last moment last
As long as you’re mine.”

Making each moment last is what it is all about!

1. Can’t Help Loving That Man of Mine (ShowBoat)

Since this is the musical that made me fall in love with theater it just makes sense that I should have my top love song be from this musical. This is a classic and second only to “Old Man River” from the same musical.

Julie sings this song in an attempt to explain why she continues to love her man even though he comes home late and leaves home unexplained yet she adores him. He might be lazy or slow, but she loves him.

Don’t we all wish we could love and be loved exactly the same way? At least in our dreams.

For this Valentine’s Day, why not listen to some of these amazing songs. Or maybe even have a weekend of musical watching!

What are some of your favorites love songs from musicals?

Happy Valentine’s Day!

Until next time, this is just me, talking to you, from the wings!

acting, artist, audience, christian, christian blog, christian theater, directing, entertainment, family, stage, theater, theater education, theater professions

Why Do Theater?

This week I looked out over an audience of only 38 people. We are allowed 50, but Illinois had a huge snow storm and some of our audience decided not to come.

I always stand in the corner of the balcony at curtain call and glance over to see the audience’s reactions. Will they give the cast a standing ovation? Will they grudgingly stand or enthusiastically reward the cast for their performances? Were they moved by the performances or bored silly?

This past Saturday the cast of Noah! finished the first part of an extended run. We had performed for three weeks. We will now take three weeks off and then come back ready to perform again. Covid restrictions has reduced us from allowing 198 audience members to only 50. It is really empty in there.

(Photo by Francisco Montes)

This show is emotional and tiring and these eight characters give it their all. In fact, so does the technical crew, stage crew, box office and front of the house. So when I saw the audience enthusiastically stand to applaud, I was thrilled. We all worked as hard for 38 people as we would have for 198.

Still….

I felt a little badly for them. As an actor, director, we all want sold out, full houses. It is so quiet in the theater with such a small house.

Don’t get me wrong! We are super thrilled to be able to perform! But, what would it be like if night after night we could have the audience of 198? It might not change the performance, but would it change us?

Acting involves a great deal of collaboration from many people. As you build/create your characters you also build/create a relationship with the other cast members. The costumes add a layer to your performance as the hair/make-up and tech also does. Live theater is important because you must be FULLY PRESENT with another group of FULLY PRESENT people to truly be authentic. And especially after this past year, I believe that live theater is not only good and enjoyable, but also necessary for the human spirit.

Why?

  1. Theater reminds us that we are not alone. We share each experience with the audience and actors. We connect. Actors and audience agree for a time period that we will take a journey together.  Perhaps we will laugh, perhaps cry, but we will do it together.
  2. Live theater is never the same. The script is the same and the actors are consistent. But acting is reacting so if one actor has a little different emotion or reaction it might cause the next actor to react differently. It is a unique experience each night.
  3. Live theater allows us to forget, laugh, weep and many other emotions. For just a brief moment in time we are insulated and can forget the troubles of our days and lives.

So why do we do theater?

Because we want to be that person that can share that experience with a room of strangers. I heard recently that audience’s hearts beat together as one. I’m not sure how that was proven, but if it is indeed true it is a beautiful thought. We are sharing a moment that is so unique that will never be the same. We also want to be that performer that makes the woes of the world disappear.

If that is true, then changing even one person’s life is worth it all.

Large audiences might be a rush, but there is an intimacy in a smaller one. The person is the same. Let’s connect. Let’s take this journey together.

Why do you do theater? How do you feel about performing for small audiences? How does it make you as an audience member feel?

I’d love to hear from you!

Until next time,

This is just me-talking to you-from the wings!