The Generous Gift of Theater

The past few months we have learned a lot about ourselves.
Some of us have learned that some time alone is not necessarily a bad thing while others have learned that they never really appreciated the humans in their lives.
We have learned that differences can divide us. In fact, differences can cause hate and fear and bad behavior. In some cases, though differences can bring a needed change.
We have become reacquainted with family time.
We have learned what is important and what things we can do without.

Over the past two weeks Overshadowed held a theater camp. It was a smaller camp than we usually have. We didn’t have as many costumes or as many set pieces or props. We started the first day having to recognize each other just by our eyes and realized very quickly that it is indeed possible. We social distanced. The students were very quiet and almost lack luster. The teachers were concerned that camp wouldn’t be the same experience due to the restrictions we had due to COVID.

On Saturday, we finished with a performance of Music Man, Jr to an audience of 50. They loved it.

More importantly, the students loved it.
Here are some of the things they learned:
It doesn’t matter that the audience was small. They performed because they enjoyed performing and loved the experience even more.
It didn’t matter that the audience was small. The 50 people were there and out of the house and so our cast was going to give the audience the best experience they could.
It didn’t matter about the masks or social distancing. Our campers learned. They made new friends (close friends.) They created memories.
Some said it was their best theater experience ever.
I think I feel that way. It was incredibly special to walk out on that stage and look at the faces of an audience that was thrilled to sit in a seat with anticipation of being whisked away to River City.

I might have cried a little.

In our Bible study this week these verses stood out to me.

James 1:5 “If any of you lacks wisdom you should ask God, who gives generously to all without finding fault, and it will be given to you.” You have no idea how I went back and forth about having camp. God gave the direction. Sometimes I don’t ask soon enough. I argue and try to figure it out…It’s not that I don’t want to bother God….but I act like that is my reasoning.
“In every situation, by prayer and petition, with thanksgiving, present your requests to God.” Philippians 4:6. Every situation. With Thanksgiving. Ok. God….I know I haven’t been all that thankful during this COVID mess. It is a lesson I should have learned a long time ago. Thank you, God, for blessing even when I don’t trust.
“Every good and perfect gift is from above, coming down from the Father of the heavenly lights.” I Chronicles 16:11. God cares about you. He cares about your hobbies and your loves and your fears. For me and the audience and the families of those students, these past weeks were a gift. I will receive it humbly and thankfully.

God has been so generous to me these past weeks. I am so thankful.

Is theater a gift for you? What have you learned these past months? I’d love to hear your thoughts! Please leave a comment and share this blog if you think others would like it as well!

Until next time,

Overshadowed by His Love!

Reba

Theater Changed My Life.

There once was a girl. This girl was afraid of everything. She had recurring nightmares that were so vivid and horrible that she would sit up in her bed at night and be afraid to close her eyes. Her parents didn’t allow her to watch anything frightening because her imagination was so great that any suggestion of horror would torment her for days.

This same girl would hide in the shadows. She secretly wanted to be involved, be popular, try out for teams but the fear of failure was too great. Although she would rehearse at home she refused to let anyone know the secret desires of her heart.

Then, her aunt took her to see her first play. This same girl realized that in acting she didn’t have to show people who she really was. She could gather the strengths that she needed to audition or volunteer to get involved. She reasoned with herself that if she was rejected, people weren’t reacting to her– they were rejecting the “character” she was presenting to be.

I’m not exactly sure how old I was when I put words into how I realized that no one really knew who I really was. In fact, I once teased that I was going to write a book about my life called, “The Me Nobody Knows.” I’ll never forget the look on my friend’s face when I verbalized that. I know she thought she knew me, but she only knew the “Reba” I let the world see.

I think that revelation doesn’t shock too many people any longer because I continue to tell people how insecure I used to be…and how insecure I am.

Why?

Why do I feel the need to tell people those facts about me?

I think there are a lot of people in the world just like me. I never knew it when I was younger. But life teaches you that most people aren’t exactly who or what they seem. I think even if you have the skills and confidence I didn’t….you might still need to learn a little from the artists that make up theater.

Theater changed my life.

Theater helped me gain confidence. Theater taught me life skills. Theater gave me some of the closest friends I have.

God used theater in my life to create a theater for Him. I boldly try to reclaim this art form for His glory.

And…

(Those of you who have been reading my blog know what I’m going to say next,)

And then enter COVID.

I’m a little worried that in a world that the arts education is continually being eliminated from the educational system that theater/speech will once again be in danger of disappearing.

I recently learned of an organization. The Educational Theater Association. From what I understand this organization has spent the last months putting together a guide for schools that will help make sure theater in schools doesn’t disappear. They have thought through a whole host of questions and concerns and have pages to guide the teachers and schools. I am so thankful that the arts have people who advocate for them. If this is something you feel strongly about. Please share this organization with a teacher or school so that they can download the free guide. If you’d like to contact me I can give you a link for the guide.

This year thousands of students were unable to complete a normal year of studies. Many were unable to perform in productions in which they had spent many hours of preparation time.Experience lost.

And now what happens? Rumors are abounding about what happens to our students this fall. Will theater be back? Hopefully, people will lead the charge and express the importance of theater in the lives of their students.

I don’t know where I would be without it.

Alana Becker, Lauren Hoffman and me during summer camp!

About ten years ago Overshadowed started taking interns for the summer months. A couple of months ago, I thought that this year we would have to say no to that help. I am happy to report, we have THREE this year. Three interns that we will learn from, but also, we will be able to have an impact on. Three interns I will never forget! How do I know this? Because I’ve had so many of you leave a special place in my heart.

C.J. interned for us several years ago! It was a happy day when she moved back to work at Overshadowed!

Let the summer theater programs begin!!

Next week. Music Man thoughts!

I’d love to know what you think. Please leave me your comments or thoughts and don’t forget to share

Until next time!

It Is Written All Over Your Face (But I Can’t See It Because You Have A Mask On)

Few realize how loud their expressions really are. Be kind with what you wordlessly say.”

― Richelle E. Goodrich, Making Wishes

An actor uses a variety of tools to convince an audience that he truly has become the character he is playing. As a director, I am constantly encouraging the actor to build his character from the outside in or inside out. I don’t care which way he chooses, but it is a must to combine your body and face for the full character development.

In fact, most of us study the face for clues to what a person is really saying to us. Non-verbal communication becomes essential in acting. Did you know that according to a study by Dr. ‘s Paul Ekman and Wallace Frieseney, they found that, the 42 muscles in the face responsible for expression, can make over 10,000 configurations! 3,000 of these relate to emotions. Amazingly enough, expressing yourself by the use of your face doesn’t come natural to everyone! But it is so important.

I remember vividly being scolded as a youngster for the “tone of my voice.” The words I said and my facial expression might have been communicating one message, but the message that was coming from the tone of my voice made my parents believe I was being disrespectful. (which I probably was. Sadly.) Maybe if I had a twinkle in my eye and a smile on my face I would have gotten away with it….again….probably not.


Often words do not match emotions, but the face can betray what the person is actually feeling. Thus, important in communication, but also in acting.

People’s emotions are rarely put into words , far more often they are expressed through other cues. the key to intuiting another’s feelings is in the ability to read nonverbal channels , tone of voice , gesture , facial expression and the like.

Daniel Goleman

Why do I bring this up now?

You got it. The masks.

Now don’t misunderstand me. I am not saying don’t wear them. I am not saying I don’t believe in them. In fact, when I am around groups of people I will be sporting this beautiful Cubs mask made by SERJ Handiworks (serjhandiworks.com if you want one) But I do think we need to understand that there are risks that go beyond health risks. If we focus on those maybe we can prevent problems that might occur after this year of mask wearing.

If we cover half of our face, we only have half to communicate with. Let’s be aware that we still need to be expressive when we are engaging with others.

In a recent study about Facial paralysis a group was shown videos of people with disorders that affect facial movement, They were then asked for their first impressions based on the videos.

People with severe facial movement impairment were rated as less happy and sociable compared to people with mild facial movement impairment. Participants also had less desire to form friendships with them.

In other words, it is very difficult to conquer the human tendency to form impressions based on facial expressions or lack of them.

In 2001 there was a study done on children to test their face-reading skills. This study showed that children with stronger face-reading skills were more popular, and performed better academically. They also discovered that students who had trouble with face-reading had more trouble making friends and had learning difficulties.

I do not wish to alarm and I’m not even sure I totally agree with the results of the study on face-reading. However, I do believe that we need to be aware that with the masks we need to try harder.

Don’t hide behind your mask. The eyes are the window to your soul. Make an effort to connect with the people you see. Honestly, we are all in need of a human connection. It might be the smile in your eyes that makes a difference in someones’ day.

Who knows? Maybe when we can take those masks off for good we will find that the work we put into our facial expression will offer communication and connections that we would never have made before this whole thing started.

And that would be a very good thing indeed.


2 Corinthians 3:18

‘And we, who with unveiled faces all reflect the Lord’s glory, are being transformed into his likeness with ever-increasing glory, which comes from the Lord, who is the Spirit.’

I’d really love to hear from you! Please leave me your comments. But I’d love it if you would share this blog as well!

Until next time!

Reba

Meet Guest Blogger-Jarmila V. Del Boccio,


CAN YOU HEAR THE PEOPLE SING?

I DREAMED A DREAM THAT THEY WON ALL!

AM I ON MY OWN IN THIS?

https://www.amazon.com/Miserables-Hugh-Jackman/dp/B00KKNMGRC

LES MIS SHOULD HAVE WON MORE OSCAR AWARDS!


At first, I was discontented. Well, okay, miserable. Only three awards out of eight possible? C’mon! Couldn’t the judges see the talent, energy, and pathos that went into the production?

Although I don’t usually watch the Oscars, I was curious to see how my favorite film of the year fared against the others.

Best supporting actress? Of course!

Best sound mixing? I agreed.

Best Makeup and Hairstyling? I saw that, too.


But, I wanted them to win all the awards. Then I settled down and realized there are other deserving actors/actresses, especially from other cultures who need a win as well.


Then, I got to thinking about our performance as Christians on the stage of life. Are we winning heavenly awards that will bring glory to God and not ourselves?



For instance (and I’m questioning myself) . . .


Best Leading Actor: Are men taking their roles as leaders seriously? How about church leaders? Or anyone for that matter, in a leading role?

Best Supporting Actress: Are you as a wife taking your God-given role seriously and supporting your man? Or, if you are a young person at home, are you supporting your parents? How about singles? Are you being a good friend, and honoring your boss (no matter what gender you are)? How about pitching in with the gifts God has given you in your local church? Congregations, are you bringing joy and not pain to your church leaders?

Directing: Let’s turn the tables — are you allowing God to direct your life, or are you taking charge?

Best Costume Design: Are you “putting off” the dirty garment of anger, lies, and filthy talk? And “putting on” the fresh, clean garment of kindness, humility and patience? (Colossians 3:3-14) Or, possibly, are you pretending to be someone you are not?

Best musical score: Is your life a symphony of comforting notes and scores that brings joy to those around you?

Visual effects — Does your countenance reflect your heart? Do your deeds reflect your relationship with the Creator?

Writing: Those of us who are authors, are we writing for the glory of God, or for a spot in the limelight?

Sound Editing: How is your tongue? Are you silencing those harsh or untrue words before they hurt others?

Cinematography: if you were to play your life back on the screen in a two-hour movie, how would the audience react at the end? Give it 5-stars? Cry at the tragedies that led to more tragedies without meaning? Laugh uproariously because its so true in your own life, a mirror that reflects your need to change?

I’d love to hear your ideas below in the comments!

So, I leave you with the musical performance of Les Misérables cast at the 2013 Oscars…now that deserved an award of its own! You can find the performance at 1:18

Of course, only God deserves our ultimate praise and worship, but, as we do our best in our work and life, we reflect God’s excellence:

“Praise him (God) for his mighty acts: praise him according to his excellent greatness.” Psalms 150: 2

Jarmila’s historical fiction The Heart Changer 💗 released April 26th.
Find it here: https://amzn.to/2SCcPnx

Author’s website ✍🏻: https://www.jarmdelboccio.com/





Meet Guest Blogger–Kady Debalak

This quarantine has provided me with some rare opportunities as I’m sure it has to you. (Positive thinking, people!) Maybe you found time to finally deep clean the garage or that closet? Or…just to sleep! I’ve found time for two of my favorite things: cooking and reading (make that 3 – eating – let’s be real). In addition to my favorite genres, history and fiction, I’ve been reading more plays (and eating more…and…riding my bike more – gotta combat the COVID 20!…Pounds that is).

I´ve been thinking about how I would stage and develop these plays (I have a few shelf fulls I´ve been working my way through). In thinking (and eating, of course) during all of this, I discovered the topic for this blog!


Cooking up Characters with Kady!
(did you like that alliteration?)
Seriously though, there are so many parallels between cooking and directing that once I started, I just couldn’t stop seeing the similarities. So, here are some ´tasty´ thoughts about how to ´cook´ up and serve characters and actually, the whole show, as a director.

First, and absolutely the most essential, is the visualization. I have always been fascinated with the process of taking raw ingredients and reshaping them into a new cohesive whole, which is why I love cooking. (plus I love eating, gotta be real folks). Taking ´raw´ ideas and reshaping them into living breathing characters in a ´real´ world is why I love directing. Both cooking and directing spring from visualizing the final product.


Michael Kum leads the students in an acting exercise during the creative process for “The Hobbit.”

An important caveat: I make no claims to be a professional or even a remotely good cook! (and definitely not baking – I have not conquered the opera cake yet – plus I haven’t deboned a duck…let alone a chicken) And I am most definitely not a Broadway director. I direct summer camps for Overshadowed and direct my school´s drama program/plays. Broadway someday? I can dream. But in the meantime, I absolutely L-O-V-E what I do. So back to it.

I almost (not completely because I l-o-v-e to eat) enjoy imagining the combination of flavors, texture, and plating more than creating the actual dish. Why? It’s the wonder of possibilities! It’s the magic of ´before´ reality hits and all the obstacles jump up to bonk you in the nose. As I read a script, the same thing happens. Oh the possibilities! I imagine the world with the movie or I should say, the ´stage of the mind´. And while the show plays, I ask questions: What do I think the forest of Oberon and Titania actually looks like? Should the 39 Steps be staged as a radio drama or can it be ´live action´? And Jane Eyre..modern or historical? How should Don John hide his perfidy from the characters but not the audience in Much Ado About Nothing? How would an audience react to a production of Raisin in the Sun? How actually should I create the creatures of The Hobbit? (that one was answered brilliantly by my creative team!)


Sometimes the visualization doesn’t start with a script. It sometimes happens like my grocery shopping (especially when I´m hungry). Sometimes, I will see a unique ingredient (like a kumquat) and think, ´I´ve never cooked with that before. I wonder how it can be used and what other ingredients will go with it?´ Then, I pull out my phone right there and look up ideas, nutritional facts, and common or unique ways to cook it. And then into the cart it goes and the adventure begins! Sometimes I´m introduced to a new idea I´ve never used before, or a story I´ve never heard of, or a design element or tool I’d absolutely love to use. The research begins and ´Oh the possibilities´!

And once the mind, and sometimes the heart, are full of all the possibilities, I have found I need a lot of help to make that dream a reality.

Which of course leads to the next step: the collaboration.

With the ´recipe´ of the visualization in hand, I turn to my team. As a director or the visionary of any creative endeavor, this is the most essential task – getting your vision, ideas, tastes, textures, mood, hopes, fears, wish lists, and the world across to your creative team.

Not just so they understand what is being created, but so that they catch your hunger; so that they take ownership of the vision as well. Any chef knows the explanation of a recipe must be absolutely clear or what will be presented to the diner will be a muddied catastrophe. The director must be absolutely clear in establishing the framework and details the world his/her team is to work within. They become your sous chefs in their respective areas of expertise. Lighting, costuming, makeup/hair, sound, house, set, props, stage crew, marketing – you name it. This utterly essential team must hunger for exactly what you´re hungering for. If you pick well, as I have thankfully often experienced, they will love your vision as much as you do. And as such, will willingly share in the burden of creation.

The creative team is not just there to share in the burden, they´re there to add to the dish. Having other’s input adds flavor, shape, and foresight or resolution to problems you couldn’t see (I tend to dream big, my team helps keep my feet on the ground). Plus, someone else’s creativity and skill can make all the difference. That doesn’t mean the recipe loses its intrinsic value, its central identity, or that the director loses ownership. It simply means a new perspective of costuming, some expertise on how to actually make those puppets work, a composition of the mood you wanted to convey through music, or a unique way of enhancing audience interaction will all help create an authentic performance. That is simply invaluable. This team will become your fellow visionaries, and in some cases, dear friends with whom you can share and bolster the creative process through all the possibilities.

The third step (which I adore) is the preparation, or the creation of the characters. This is the step of pulling the characters from the page into the world that has been envisioned and is being created. This step requires reliance on the sous chefs/line cooks.

I think actors generally fall in the range of both. (I speak as an actor as well). What I mean is this:
My niece is 14, precocious, opinionated, very chatty, beautiful, creative, and did I mention opinionated? My nephew is 16, tall, handsome, a sweetheart, intelligent (single) and follows instructions well. (I love them…clearly) When my sister and I cook or bake (Which we love to do! She could open her own restaurant), we do enjoy making it a family affair, which means pulling my niece or nephew into the adventure. Both enjoy cooking in my sisters kitchen, but one is a sous chef and one is more of a line cook. My nephew takes the instructions and performs with minimal questions. Need something diced? Grilled? He’s on it. If he doesn’t know how, a demonstration or explanation is given and he’s good. My niece, on the other hand, needs to know why. Always. ´Why not julienned instead of diced? It will look prettier, Aunt Kady!´ Oy vey! I have learned that after explanation, and after she has defended her point of view (vociferously), I have a choice. I can modify per her suggestion, or if that modification takes us outside the parameters of the recipe, I can choose not to. But I had better clearly explain why not to her before she is willing to move on. And she does, and dices with absolute precision. She does so because she owns her understanding of why. It’s now her mission, her task, her recipe too. Now I know sous chefs are second in command in the kitchen. I´m not saying actors are assistant directors. But, when it comes to character creation, the directorial vision has to be handed over to the ´assistant´ creators of those characters – which is the actors.


I have found that despite training (Meisner, Method, College degree, or complete amateur), actors generally land somewhere between my neice or my nephew. I enjoy both the line cooks and the sous chefs. Those like my nephew take the instruction and go with it. If they need direction they ask or accept it, then take it and go. They have already signed up to your vision because they trust it’s gonna ´taste´ good (especially if it’s pasta). They really thrive when the director is ´hands on´ in the early stages of laying out the elements of the character that he/she want to see brought to life and then stepping back and allowing the actor to take on the responsibility progressively throughout the entire process until of course they present the character on stage before an audience. Others…well…are my niece. They may question your vision from the very start. It doesn’t matter if they are highly trained or complete newbies. These are more sous chefs than line chefs and need to own the ´recipe´ of their characters as their own. This means you have to explain the vision and it needs to make sense to them. They need to understand the world their character lives in. And if it doesn’t make sense and they just can’t claim ownership of it, well… there have been times I’ve kicked my niece out of the kitchen. But when they do own the vision, when they are allowed to add their flavor to it… the performance that results from such an intensive shaping can be so enriched and authentic. In the world that’s been created by a team fully committed to the vision, adding a performance that has been relentlessly picked apart, lovelingly shaped together, and executed with absolute belief is utterly glorious! I guarantee that your audience won’t soon forget it. It is a beautiful preparation.

From visualization to collaboration to preparation, we’ve arrived at the final flourish, the lifting of the silver dome – the presentation! What a wonder it is when that curtain finally rises! A chef can indeed cook alone and create an adventure on a plate that the diner won’t soon forget.

But theater is not a solo endeavor.

Besides creativity and teamwork, its most important ingredient is trust. The playwright must trust that their story will be told with integrity, even with creative license. The director must trust that the world he/she envisioned will truly be brought to life by the design team, the crew, and the actors. And when the audience sits down to dine on the feast that is truly the ´theater experience´, they trust that the performance they are about to partake in has been cooked up with the greatest love, professionalism, care, detail, and creativity, with a dash of magic. Bon appetit!

ou can contact Kady at kdebelak@gmail.com

We would love to hear what you think about the creative process. Please take time to share this blog!

Until next time!