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Breath of God

Music ministers to my soul.

This week Jason Roy, lead singer of Building 429, sent out a video explaining why they wrote their new song,   “Breath of God.

He basically said that Christmas is traditionally a time we look forward to–a time that is usually filled with peace and rest. He went on to say that many of us have been touched with a great sorrow this year–a sorrow so deep that it is difficult to think of Christmas in the same way.  He hoped that this song would bring peace and a hope for all of us to cling to.

Well, that truth resonated with me. I went to youtube immediately

.https://www.youtube.com/watch?v=DTppuLj3XPA

I have listened to it several times daily since then. I’m claiming it for a life line this Christmas.

In honesty, I’ve been wondering how December will be. In June, when I got the text that changed my life-my whole world fell apart. I cried in sounds that I didn’t even know I could make. I didn’t know how I could go on, but with the encouragement of my daughter, somehow I got up and put one foot in front of the other. I know the prayers of others worked overtime to help me get to the place I am today. I’m thankful for those of you who prayed–even though you didn’t know what you where praying for. (For all of you now trying to look through past blogs to figure out what happened–I’m afraid I never told. It is too personal. The story is not mine to tell at this point. And yet, it has been what defined me for the past six months.)

And on top of all this, my mother was dying and did eventually pass away.

I knew God was there, but I couldn’t get through the pain to converse with Him. 

You know when you are so close to someone that you can actually feel their breath? You have to be right next to them….nothing in between.  I heard the words to this song and I knew that was what I was lacking. I NEED to have the Breath of God. I need Him to speak peace to me.

Lights, snow, Christmas trees, presents… it’s not enough. We need hope. We need the Holy Spirit.

The song asks God to speak in power to the spirit of fear. It asks God to remind us that He is here. It goes on to say that the stars in the sky remind us that He is faithful and indeed–it does.

Peace.

In the Scripture:  ειρήνη (eiríni): from the verb “to join”, peace, implies prosperity, one, peace, quietness, rest

Matthew Henry, in his commentary on Phil, describes this peace:

The peace of God, the comfortable sense of being reconciled to God, and having a part in his favor, and the hope of the heavenly blessedness, are a greater good than can be fully expressed. This peace will keep our hearts and minds through Christ Jesus; it will keep us from sinning under troubles, and from sinking under them; keep us calm and with inward satisfaction.”

I love the last part, it will keep us from sinking under our troubles and keep us calm with inward satisfaction.

 God is a God of peace but we do not need to think that He is “resting”. The scripture promises us in Psalms 121:4 that he “will neither slumber nor sleep.”  He is watching and caring for me and my pain and you and yours.

God is our refuge and strength, a very present help in trouble. Therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea; Though the waters thereof roar and be troubled, though the mountains shake with the swelling thereof. “

God is our foundation and rock— the opposite of the chaos of trouble. 

How do we get that peace? I think only when our communion with God is so close (we can feel the breath) that it guards against the internal and external threat to that peace.

Thank you, God, for holding me fast. Thank you for your word that doesn’t return void. Thank you for coming to save us. Please speak in power and bring those who have forgotten you to know you fully. Speak peace to my heart. Thank you for your faithfulness. Thank you for music. Thank you for musicians who can be used to speak truth.

What do you think of this song? Is there a song you are claiming for this season? 

I’d love to hear what you think!

From the wings–

Reba

Caught by one of our cast members (Nancy Moreno) while we were experimenting with the new fog machine. God’s perfect reminder that He is with us and near me all the time. Breath of God.
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Edits Aren’t Only For The Written Word

The third entry in Webster’s dictionary says that an acceptable meaning of the word “EDIT” is


c : to alter, adapt, or refine especially to bring about conformity to a standard or to suit a particular purpose

As most of you know, I’ve been pretty unhappy with things in my life this year. I’d list all of the things, but I don’t want to think about them and I’m pretty sure none of you want to hear about them either. Over the last couple of weeks, I’ve treated myself to some spoiling–more reading, getting my nails done and lastly a trip to Disney. Thankfully, this week I feel more like my usually positive self.

Four Friends Fall For Disney

As I was going through my mail after my trip I opened one of the subscription boxes I receive . (I know–I needed something to get through two years of COVID) To feed my planner obsession I receive a subscription box from Cloth and Paper. It is filled with new pens and sticky notes and journaling cards and well, it is just something I spoil myself with. As I was going through my new goodness I saw that they had written that definition on one of the cards.

It stopped me in my tracks. Somehow, it made me feel like the things I was planning and designing didn’t have to stay on the page. No! I could edit myself as well!

What would I want to edit? Well, bad habits. I’d also like to firmly get out of this slough of despond I’ve been in. Lastly, I want to lose weight. I was preparing for a half marathon when Covid hit and since then I just can’t get my head to care about what I looked like. I would reason with myself and tell myself that I wasn’t going anywhere anyway so why not enjoy my food? I knew I had gained weight, but really didn’t realize how much until I put on my costume for Twelve Angry Women. I guess I had been deceiving myself by wearing leggings and spanx and all black, but wow, yep…I need to take action. For my own health. For my future.

Jessica Means and me! Photo by Francisco Montes

And yet I still didn’t take significant steps. I did slow down on pop and make a healthy decision every once in awhile, but we all know that isn’t enough.

Then, I opened that box and saw the definition and somehow I knew that was for me. I need to edit my life.

I started looking and researching what I was going to do and decided to start with baby steps (because I’m still not sure my head is all the way there and I don’t want to fail.) I looked up how many steps I needed to take a day just to maintain my weight…again, I was shocked…9000! Some of you aren’t surprised…I was blown away! No wonder I was gaining weight! I stopped running and I was almost never hitting that many steps a day. I downloaded the app. (Yep, they got me) I started Sunday. I’m taking small significant steps and I’m sore, but focused. I edited the first part of this chapter of my life.

The app gives me assignments for the day. It starts with a chapter to read that is sometimes a positive affirmation and sometimes healthy lessons. Today, it was a quiz. It asked me to rate every part of my body from 1-10 with how I feel about it. Then it challenged me to look at the area of my body that I am the most unhappy with and find something to be thankful for. For example, if I hated my feet the most I would stop and think about what my feet do for me every day and what life would be like without my feet even if they hurt when I walk. It was so altering for me. Even the areas of my body–my life–that I am unhappy with can give joy–purpose–meaning.

It is the same in my every day life. In this year filled with so much pain and disappointment, I can look at the area that causes me the most hurt and find something to praise and be thankful for. It is a small step. But it is a significant one.

Thank you, God, for edits and for being the Great EDITOR.

What about you? Are you editing something in your life? How can I help? I’d love to hear your stories too!

From the wings

Reba


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What’s Haunting You…or Did You Break A Theater Superstition?

Ever have a time in your life where you felt like you just needed to stop doing what you were doing and just play and have a good time? It’s been such a year that I did just that this past weekend. Disney was celebrating a “Boo Bash” on Sunday night and I thought it was a “hauntingly” great time. If you ever have a chance to experience that I would highly recommend it!

What holiday appeals to theater people? Why, one where you can dress up and pretend to be another character of course! Halloween is full of superstitions and well, so is the theater!

Here are a few of my favorites and why they exist.

1. No whistling backstage.

Have you ever heard that you should never whistle in a theatre? This superstition started in the 1600’s . About that same time much of the scenery began to “fly” in–or in audience terms–be raised and lowered with ropes and pulleys. Sailors were often employed as stagehands in theaters because of their extensive knowledge of ropes. They would communicate with each other by whistles to bring backdrops in or out. So a mistimed whistle would..well, make you a part of the scene.

2. Always leave a light on.

This light is more of a safety measure than a scare tactic. It is to be placed on the stage as a safety measure so that there is always enough light to keep workers from falling or tripping. Long ago people started arguing that the real purpose was to chase away unwanted spirits or to keep the ones that live there happy!

3. No peacock feathers on stage.

Yes, they are beautiful, but did you ever look at the pattern? Many people think it looks like an evil eye! They’ve been rumored as the cause of forgotten lines and broken sets as the “evil eye” curses the show.,

4. Don’t say the ‘M’ word!

Probably the most famous of all theatrical superstitions. Saying ‘Macbeth’ in a theatre will immediately bring you bad luck. According to folklore, the play’s history of bad luck began at its very first performance (circa 1606) when the actor scheduled to portray Macbeth died tragically and the show has been cursed ever since.

5. Never light three candles.

They said good things come in threes but I guess not in this case! Tradition states that the person nearest the shortest candle will either be the next to marry or the next to die. Why? The best we could discover is the thought that open fire is always dangerous on stage and more candles means there is a greater chance that a fire could get out of control. Did you know that Shakespeare’s Globe was burned down during a production of Henry VIII?

6. Break a leg.

Most of us know that you should never wish an actor “good luck.” There is a theory that this tradition started from the idea that the word leg doesn’t mean an actor’s leg. Instead, it refers to a curtain that masks the backstage. If you “break a leg” it means you’ve crossed from the backstage into the playing area. That means you are in the spotlight– which is exactly where the actor wants to be!

7. Give those flowers at the correct time.

The traditional method of giving flowers to lead actors after a show is a nice thing to do, but make sure those flowers are never given before a performance. You must not reward an actor for their work before they do it otherwise it might cause the production to close early.

8. Mirrors are a no-no.

By having a mirror on stage, you run the risk of it getting broken, but practically speaking they also reflect light and might wreck the lighting design. A misplaced reflection could blind an actor and potentially cause them to tumble off the stage. So instead people began to say that a mirror was a gateway for evil spirits.

9. Never wear blue on stage.

Many people haven’t heard of this one-perhaps because the reason behind it doesn’t exist anymore. There was a time when blue dye was the most expensive fabric covering. So, producers started a rumor that blue costumes were unlucky. It was all about the money.

I loved learning more about the history of some of these thoughts that theater people talk about! Many times there are practical reasons we do what we do. I don’t tend to be superstitious and I certainly don’t believe that evil spirits are roaming about on our stage. However, I do love to dress up and can’t wait to open our next show.

I hope you all get lots of candy this weekend….and if you give me flowers–give them to me AFTER the show!

Until next time–this is just me-talking to you–from the wings.

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A Theater Experiment Gone Wrong?

Overshadowed Theatrical Productions recently completed their fall production “Twelve Angry Men” and “Twelve Angry Women” Yes, you read correctly. We did both versions of this famous play. It was an experiment in marketing as well as acting and directing.

 

The cast of Twelve Angry Men. Photo credit Francisco Montes

Before I begin talking about that experiment,  let me share some thoughts about the play in general.

I was very surprised about the number of our audience members who had never seen this play or the MOVIE!  I have always considered this work a classic and a favorite for many film lovers and also high schools. It has become a way to teach the importance of civic responsibility, bias, and that prejudice comes in many forms.

Reginald Rose wrote the original play for the CBS series, “Studio One,” and
it aired on September 20, 1954. He says it was based, to a certain extent, on his own experiences as a juror,. He also said that it reflected a time when standing up for your constitutional rights could get you in trouble. 

Afterwards, the teleplay was adapted into a film. Although it did not win, “Twelve Angry Men” was nominated for three Academy Awards: Best Picture, Best Direction, and Best Screenplay based on mate- rial from another medium.

The real award is that Rose has written something that is lasting. It speaks across generations and racial divides. It makes one think of their own prejudices and the need for jurors who will serve with a moral responsibility. Our audiences sat on the edge of their seats most nights. We had fabulous conversations each night and many audiences members came back the following weekend to see if it made any difference if the cast was all male or all female.

Ticket sales weren’t what we wanted.

But if our goal is to give the audience a night of entertainment that moves them and inspires them–then we definitely succeeded. 

Watch our latest episode From The Wings for a look behind the scenes with our directorshttps://youtu.be/nvm1rYf05TM

 

Many thanks to our directors, Mike Larsen, Brad Holloman and Jessica Means as well as our cast and crew. It was an incredible experience.

As always, thank you Rebecca Leland for your work filming and editing! You are such an incredible talent and blessing!

If you enjoy reading this blog it would be such a joy if you would take the time to follow us and share it! Thank you!

For now–this is just me–talking to you from the wings!

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Take a Chance on This Classic: Don’t Let Theater Die.

Over 10 years ago someone told me we should produce “12 Angry Men.” They suggested that we have a cast of all women and another cast of all men. They thought it would be a clever marketing ploy. I declined for several reasons. One of them being that I didn’t think I had 12 men that could pull off the acting that this show requires. I put it on the back burner of my mind and waited. In the meantime, I saw the Theater in Chicago production with Brian Dennehy and George Wendt and John Boy Walton…oh, I mean, Richard Thomas as Juror # 8.  I also spent the time visiting local community productions and waited until the time was right.

As I  have complained about for now, over a year, Covid has really done a damage to our theater. In our area, several shut their doors for good as they couldn’t continue with the costs of rent etc. while they just waited to entertain again. We were able to produce an original Biblical drama that kept us going with 50 audience members a night until we thought everything was getting back to normal. Not quite trusting, I decided to mount a smaller musical, The Marvelous Wonderettes, for the summer. It was fantastic, but the audiences didn’t come. A summer show usually brings over 2500 to our doors. This summer we didn’t even get 1500. So, what better time than now to pull out that old marketing ploy? We decided that we would mount two shows with two casts. We would have four directors, two of each gender that  would each be in the play and direct the opposite version of the play.

At auditions, we were thrilled. People came. We even had to turn people away. (Which always makes me sad.) We began the character studies and blocking and somehow in the middle of the process I stopped enjoying it. It was difficult. Why didn’t I notice that we were actually going to be producing two shows at the same time? One is hard enough…but two? I think I might be a little crazy….

What made matters worse is that I’m not sure that any of the other directors were enjoying it either. We were all feeling the stress of having to be in two places at one time plus carry on with our outside duties. The creative experiment of working together didn’t gel the way I thought it would. Instead of being inspired by each other we did the opposite. At times we were afraid to speak up, or at times we didn’t want to make an issue about something, or at times we felt competition, or that we weren’t as important as the other directors. Emotionally, it was difficult. One week ago. I would have told you that this theater experiment was a failure

12 Angry Women

12 Angry Women opened last week and if you asked me now I would tell you that I probably wouldn’t want to direct with four directors ever again, but that I did learn. That’s a good thing. I want to learn each and every time I decide to be involved with a production.  

Here are some facts:

12 Angry Men is the play many of us, of a certain generation, had to read in high school. This  courtroom drama by Reginald Rose has been around since 1954; first as a live Television play, then in its more well-known incarnation, the 1957 film, starring Henry Fonda, directed by the great Sidney Lumet. (Did you know the film was nominated for three Oscars?)

Question #1 that we faced:   Isn’t it dated? What relevance does it have today?  Come see the play and you will soon find our that Juror #10 leads the way with his immigrant and minority comments.  Unfortunately, we all go in to any conversation with a great deal of bias and maybe realizing this would help all conversations end more peacefully. We can learn from each other. We adopted a tag line #Don’t confuse me with the facts. Sadly, many times we don’t care enough to step out of our own selves and into someone else’s. 

Reba Hervas (Juror #10) and Jessica Means (Juror #7) discuss how miserable Juror #8’s thoughts are.

The drama begins when a lone holdout, Juror #8,  believes there is a reasonable doubt in the case of a youth “from the wrong side of the tracks” on trial for the murder of his abusive father. The stakes are high and the jury is mandated by the judge to think about it wisely and carefully, because the punishment for conviction is the death penalty. Since the decision must be unanimous the deliberation begins. The Jurors range greatly in personality, economic and educational background and ethnicity.  A thrilling ride when you realize this is real life. Every jury is made up randomly and everyone does walk in with different  personalities, educational backgrounds and ethnicities.  

As Jessica Means (my co-director) and I watched the 12 Angry Men rehearsal last night we were thrilled. It was tense, riveting and thrilling–just as people had told us the women’s production was last week. Every juror looks as if they walked in off the street in 1959 Manhattan. The set is beautifully simple; it manages to be both artful and authentic. The cast is constantly moving to almost be “the camera” and allow the audience to see the jurors from each angle.

12 Angry Men. It is amazing how different a play can be based gender.

Why 12 Angry Men/Women?

It is a bucket list love of a classic theater piece that I always wanted to tackle.

To learn from a totally unique theater experiment.

To take an old classic and see that even after years some things never change. 

People. It’s simply great theater. 

So, the marketing ploy?  Unfortunately, things haven’t changed since this summer. Our tickets sales are horribly low. Even with 24 people in the cast–I’m not sure we will even hit our numbers from the summer. I’d like to ask for a little help. Don’t let Covid kill this theater. If this is a play you weren’t planning on attending…could you decide to come? If you are seeing one of the versions could you decide to see both? Could you spread the word? Please tell your friends and neighbors that this is one show that should not be missed. 

One last thing: 12 Angry Men is a timely, riveting drama that will get you thinking about your preconceptions and stereotypes. It is a reminder that we must question apparent facts before making tough decisions. I don’t think that’s such a bad thing.

Okay. I lied…one more last, last thing. My co-director’s are all brilliant and now that we’ve all gotten past the hard parts we all admit it was a crazy great experience. Thank you, Jessica Means, Brad Holloman, and Mike Larsen for sharing your time, creativity and inspiration with us all.

Now, will you all please go to Overshadowed.org and buy tickets? Let’s show everyone there is still a place for theater!

I’d love to hear your thoughts!

Until next time, this is just me, talking to you from the wings.

acting, artistic vision, audience, broadway, christian, christian blog, christian theater, critics, directing, entertainment, family, hope, theater

Crusade: The Musical and What I Learned About Theater From It

The tag line reads:

“A modern musical about the historical events and relationships that helped shape Billy Graham’s faith as he became the most iconic evangelist in the world.”

(Sadly, I have searched for the author/composer’s name and cannot find it. They announced it at the performance Sunday evening, but I thought it would be on my program so I didn’t pay attention. I am deeply regretting that. I also wished I had stayed  after the show and asked more questions. If this musical was a part of a residency program I probably would be  a little softer in my review. My encouragement to this group would be to publicize those details…maybe there is a financial backer or someone who wants to produce your musical that is trying to get in contact with you.)

Years ago, I heard Karen Kingsbury speak. I have followed her blog ever since. In July, she wrote a blog about the passing of time and how the clock stops for no one. She went on to say she had been watching Crusade: The Billy Graham Musical and was struck with the fact that a” blink ago Billy Graham was young and preaching and now he is gone. Just like we will be one day.”

I loved the points she was making, but more than that I was fascinated that there was a new musical out about Billy Graham! After research, I realized that it was performing very close to where one of my daughters lives…and with great anticipation I bought tickets.

I’m not sure what I was expecting, but it wasn’t what I found.

I was expecting a big venue. Why? Karen Kingsbury’s son-in-law (Kyle Kupecky) and daughter (Kelsey Kupecky) were the leads. Kyle is a singer that has actually toured with Mercy Me and together with Kelsey has authored the book “The Chase.” My preconceived ideas  decided this musical was going to be in a big venue, with hundreds of people attending per night. Stars plus subject matter? It’s a win-win.

When we arrived we pulled into a small parking lot that held perhaps 100 cars….I think that is stretching it, but…maybe.

We walked into the lobby and discovered that to get to the performing space we had to walk up a curved staircase. When we entered the theater area I realized this small space, that might have seated 100, was packed and literally had no empty chairs. One of the workers gave up three seats that she had saved for her family saying, “It’s okay, we’ve all seen it.” Hmmmm. Did  they oversell the show? Why were there no seats?

As the show begin we were seriously blown away by the projection and the graphic design. It was vivid, always in motion and brightly conveyed the scenes of the play as it progressed through Billy’s life. Many of the actors played multiple characters moving through the timeline of his life.

The music was loud. I don’t want to sound like a fuddy-duddy, but I really like to understand the words to the songs that the actors were so  passionately singing, but I couldn’t always hear them. One of my costumers also attended with me and was bothered by small details, like no flash bulbs in the prop cameras. These things are easily fixed.

The music was current and passionate. It was played by the author and composer with a keyboard and guitar. I’m sure there were some pre-recorded tracks as well. I’m not totally a fan of all of the electronic music, but it was performed with such power that I enjoyed it. In fact, the honest response is that at times I felt more like I was in a church service than in a play. All of the actors sang as if they were singing worship songs. I’m not sure why I was bothered by that except  that I went expecting to see a musical and this was a different kind.

As they were telling the story of Billy they mentioned that he had first attended Bob Jones College. Well, I wish they had just mentioned it. Instead, they had a scene that included Dr. Bob yelling and really chewing Billy out for failing and having so many demerits. Trust me, I am not always proud of everything Bob Jones has done, but it felt more like the author was making an attack on Bob Jones. When I asked about it at intermission, I was told that this attitude was from Billy’s perspective. Hmmmm. perhaps. I’m just not sure why it needed to be such a big point in the scene. Did that one incident become a turning point in some way for Billy?

Did I like the musical? Yes, I really did. I am not sure what  message the author was trying to present, but this is what I received:

Billy Graham was a typical kid. He loved movies and playing. In fact, wanted to be just like Tarzan, but God had other plans. Billy ran from God. He sometimes questioned authority and even “bucked the system.” God had other plans. He had a magnetic personality and could charm  even people like, George Beverly Shea. He was loyal to his friends. He questioned religion but then firmly believed in the infallibility of the Bible. He was passionate about all people, all races, and become their advocate proclaiming like Jesus,  “Do not forbid one to come and hear.”  Billy Graham is a man who has gone on to heaven. 

The more important message? This is a story about a man who lived in a different time, his time has past. But you can still be a Billy. You, today, could make the same decisions that Billy did. What will you choose?

In the beginning I made the comment that I felt like the whole cast was singing as if they were singing worship songs. They were. This cast poured their hearts out and sang for Jesus. They cried over us as they sang one last song and, honestly,  I might have even shed a tear or two as well.

Here is what I learned and they are important lessons for me as an owner of a Christian theater company.

  1. The venue doesn’t matter. I spend so much time thinking about what people think or about how comfortable they are. Believe me, our seats and views of the stage at Overshadowed are so much better than what we experienced and yet, people came. Night after night they were sold out….just like a Crusade.
  2. Christian themed plays can still attract sold out audiences. Sometimes our original Christian works are poorly attended. It is sometimes discouraging for me, but this gives me hope. I know this, but a good reminder is always important.
  3. God moves in the audience’s hearts. He doesn’t need great acting, big theaters, grand sets. He just needs me to be willing to follow His leading
  4. We should pray over our audience more. To be honest, it felt a little manipulating to be told that the cast prayed over each seat: for our spouses, future spouse, children etc. But in the end, I was comforted by that. That’s pretty incredible and felt pretty personal.  

If you get a chance please check out this musical. You can purchase the soundtrack from their website at http://www.crusadethemusical.com

Here is a sample:

https://www.youtube.com/watch?v=xjJTkOmmvoA

Who was Billy Graham to you? What are God’s plans for you? Is He calling you to be a Billy? Do you think you would enjoy a musical like this one? I’d love to hear your thoughts! And as always, it would mean a great deal to me if you would like and follow my blog!

Until next time–this is just me–talking to you–from the wings.

acting, audience, christian, christian blog, christian theater, communication, entertainment, family, theater, theater education

Theater That is More Than Just Theater

I must confess that I have never personally read any of Jan Karon’s popular Mitford series. I have heard of them, of course, and almost since the day Overshadowed began have been told that I should produce the play, “Welcome to Mitford.” 

I have been told that lovers of this series have a vision of the North Carolina town called Mitford. In fact, many Karon fans think that Mitford was modeled on Blowing Rock, where Karon once lived. 

When you are producing  a play, setting becomes very important and in this one it almost seems that the characters are held together by their relationships with each other, but equally important their relationship with the town. 

Karon’s novels tell the story of Father Tim Kavanagh, the beloved bachelor rector of Lord’s Chapel church in Mitford. His life is absorbed with the life of his town until he takes in teenager Dooley Barlowe, the unruly, orphaned grandson of the church gardener. The town’s complacency is further disturbed when Father Tim falls in love with and weds his new next-door neighbor, Cynthia Coppersmith, who writes and illustrates children’s books.

It is indeed a love story, not only between Father Tim and Cynthia, but also between Father Tim and the town. And just like in real life…there is conflict….but unlike real life…the community is so cohesive that they get through the conflict…together.

It is a joy to see something so encouraging. 

In fact, Father TIm says in one scene, “Give thanks in everything–in loss of all kinds: in illness, in depression, in grief and in failure, and of course, in health and peace, success and happiness. Give thanks in everything.” 

Thank you, Mitford, for reminding me of a lesson that is at the very core of my belief in God. “Rejoice in all things, again I say, rejoice.” Not a suggestion…. a command.

Are you with me? Are there days that your faith just isn’t strong enough to rejoice? Maybe the answer is that I shouldn’t be trying to find joy when I’m discouraged…but GOD!

What?

Mind altering for me. I shouldn’t be trying to figure it out or figure out why? I should just rest in the Lord. Remember the song, “My hope is in the Lord….

I don’t embrace my troubles…I embrace my God.  

Transparency now….it isn’t easy and I haven’t been resting in Him and filled with joy over the past few weeks. But, coming home from our summer musical the other night all of a sudden I thought, “I’m singing! I’m singing with the radio.” 

Weeks ago that was normal for me, but my joy was gone and for most of the summer I just couldn’t….

Wow! Did it feel good! The ice isn’t gone around my heart, but it’s thawing and I’m so thankful.

That passage of scripture goes on to say, “Tell God what you need and thank Him for all he has done. Then you will experience God’s peace, which exceeds anything we can understand.”

So, how can I get myself out of my sadness and back to rejoicing?

  1. Meditate upon God and His Word.

Find verses and put them in front of you. Wake up and recite them. Sit and think about them. Journal your thoughts and prayers. MAKE AN EFFORT.

  2. Remind yourself of God’s promises.

Read books. Memorize scripture. Remind yourself that one of the attributes of God is that He is the Great Comforter! Lean on Him.

3. Keep your mind busy.

Fill it with things that will take your mind off of your sadness and give your mind peace and joy.  Perhaps being with friends? Or singing?

Or….

Come see this play this weekend and leave with a renewed hope in family, friends and community!  http://www.overshadowed.org

Did you know that theater increases creativity? It is a source of imagination. Theater requires a different kind of resourcefulness than just watching TV. Perhaps if we all learned from theater we would be able to solve some of the world’s problems! In fact, research has found that people who engage with theater either participating or viewing for two or more hours per week show signigicantly better mental health. Did you know that science shows that when people sit together in a theater their hearts beat together. That’s connection. Something most of us need.

In fact, theater is what got me through my sadness this summer. It’s the reason my heart is thawing in a way that I can sing again and ultimately it is what has reminded me to rejoice and lean in and embrace God.

I hope you’ll join us this weekend. Let’s support a new generation and show that there is good in theater and that theather TEACHES.

Until next time–this is just me—talking to you—from the wings.

acting, artistic vision, audience, backstage, broadway, christian theater, directing, entertainment, family, intermission, planning, stage, theater

The Pain and Joy of Closing Weekend

I always get to this point in a show. Do you know the moment? It is when something is almost over–you can see the end in sight–a time you will never experience again–It is  here and I regret that more people haven’t seen this musical. I want to share it. There is pain and joy in the closing of a show.

This year has theater audiences struggling to come back from what they lost during Covid. We decided to do a smaller show for several reasons. We weren’t sure that people would want to sit next to each other. Or maybe we’ve all gotten used to sitting and watching our entertainment inside instead of taking the trouble to go out and actually BE with people.

So…I decided on The Marvelous Wonderettes. It is a jukebox musical. It was an off Broadway success. In fact, so much of a success that there are multiple sequels that are written and performed about these four girls.

These four girls….Missy, Cindy Lou, Suzy and Betty Jean. Entered my world months ago as strangers as did the girls who played them. (Amy Keipert, Jessica Means, Brooke Kassal and Grace Ryan) They worked harder than I think any of them expected as they discovered that this musical was much more than a few great songs strung together. They worked hours daily on their harmonies and choreography and characters and the work paid off. What we have is an amazing show with four brilliantly talented girls who sing difficult harmonies effortlessly.

Here I am at closing weekend wishing that I could convince everyone I know to spend a couple of hours in the theater with this show. Here are a couple of remarks I have received:

What a perfect show to mark the return to live theater. It was so good to laugh and smile and sing along with such fun songs.”

I haven’t had that much fun in years.

This show is better than vitamins. I feel ten years younger.

Honestly, those comments mean the world to me. The reason I am in theater is because I want to bring joy to the world. (well, one of the reasons.) This show did that.

We have one weekend left and if I could convince you to come out and join us for one of the remaining shows, would you? overshadowed.org

Even if you have seen the show before, the beauty of live theater is that it is never the same. Every night has a new audience and a new energy and most importantly a new moment to experience. I see the show night after night and love every second of it.

As we begin this weekend, we are tired, but it is a good tired. We are filled with the joy we have shared with audiences, the satisfaction of a job well-done and the feel- good sensation when you learn and grow from an experience.

We would love to share this joy…this story…this experience with you. We have lots of tickets left for tonight, friday night and two shows on Saturday…and it’s air -conditioned. (It’s a win-win.) Won’t you shake off the Covid hibernation and join us? Let’s get back to the joy of live theater.

Here is a little tease of the show:

Until next time–I’ll be in the wings–

Reba

acting, backstage, directing, stage, stage manager, stage managment, theater, theater education

What Does a Stage Manager Do Anyway?

When I first began directing over thirty years ago my team was made up of me…yep, just me. (I’ll bet some of you have been in that position!) My best friend, Sue, got talked into turning the lights on and off and I convinced a parent of one of the students to help make a few costumes. In my wildest dreams I never could imagine that I would be lucky enough to have the resources to have a stage manager!

In fact, at first, I simply had done things by myself for such a long time that I didn’t know what to do with a stage manager! Then, they became indispensable to me. I literally don’t know what I would do without one!

But what does a stage manager actually do?

A better question might be, “What don’t they do?”

Stage managers are in control of anything that happens from the front of the stage and back. They represent the director to make sure the production runs smoothly. They are liaisons between the director, actors, stage crew and technical team. They give support to the actors and anticipate their needs during performances.

( Kate Hart-stage manager of Noah!)

The stage manager and director often work together during rehearsals. The stage manager records blocking and notes for the actors and communicates what is decided during rehearsals to the rest of the team.

The stage managers responsibilities might include:

1) scheduling and running rehearsals
2) communicating the director’s wishes to designers and crafts people
3) coordinating the work of the stage crew
4) calling cues and possibly actors’ entrances during performance
5) overseeing the entire show each time it is performed
6) notifing cast and crew of rehearsal times.                                                                                         7) Scheduling  costume and wig fittings.

In the beginning stage managers can  aid the rehearsal process by mapping out the set dimensions on the floor. They also provide props and furniture as soon as possible.

It is important for stage managers to attend as many rehearsals as possible. It becomes their duty to record all blocking, light and sound changes in a master copy of the script. This book is called a prompt book. This book becomes very important in technical rehearsals.  If you are fortunate enough to be able to have a stage manager that calls cues, this prompt book will have all the information the stage manager needs to run the technical rehearsal. (Thus freeing up even more of the director’s time.)

I haven’t been able to “give up” any of my shows, but in professional theater the director’s job is over when a show opens. At this point the stage manager becomes responsible to carry out the the vision of the production until the production closes.

Each stage manager has different aspects they love and different aspects that are their strengths. Join me for this episode From the Wings.

https://www.youtube.com/watch?v=xWXOGjliWCY&feature=youtu.be

There is something incredibly magical about a stage manager and their connection to the cast and director.

I would be lost without one.

Have you ever tried stage management? Do you have a memory of how a stage manager helped you through a show? I’d love to hear your thoughts!

Also, it would be ever so kind if you followed this blog or subscribed to our YouTube channel!

Until next time!

P.S. A special thanks to my FROM THE WINGS team of Rebecca Leland and Brianna Valentine. You guys are so talented!

acting, christian, christian blog, christian theater, Easter, Fear, Good Friday, history, hope, theater

The Women at the Cross

In Matthew 27:55 it tells us that there were women at the crucifixion of Christ “looking on from afar” it also says that they had “followed Jesus from Galilee, ministering to Him.” Those named in the different Gospels include Mary Magdalene, Mary the mother of James and Joses, and the mother of Zebedee’s sons–Salome. In John 19:25 it says that the two of them were with Mary, the mother of Jesus who stood by the cross. Perhaps they were not allowed to come closer at first? Or perhaps they were afraid? But as time went on they came close enough to Jesus that He could speak to them.

Where were the apostles? Remember Peter? He denied Christ three times just as Jesus said he would. Most of the apostles fled and hid. 

But these women had more courage than the disciples themselves…these women stood  close and watched.

The mouth knows not how to express what sorrow they must have felt as they saw their Lord betrayed. How their hearts must have broken as they watched Him suffer. How can we conceive the hopelessness they felt as the world grew darker?

I know not what was in Mary’s head as she stood at the cross, but perhaps it went something like this:

She wasn’t sure how long it had been since she slept. Her eyes were swollen from all the tears and she was weary. The procession to the cross was full of emotion she did not understand. There was dread and excitement. The people began to cry out, “Crucify Him! Crucify Him!” She saw the soldiers and someone carrying the cross, and then…her son. “What was that on his head? There was blood…was it thorns?” She gasped as she saw the open wounds on his back. “My Lord, I do not know how to pray.”  She continued to watch as they climbed up the hill and listened as the crowd grew to a maddening mob. “Crucify Him!”

“Crown of Thorns” from God’s Masterpiece at Bethel Baptist Church 2015. Photo by Francisco Montes

 

The soldiers took Jesus and laid Him on the cross. She turned away as she realized they were going to hammer nails into his hands and feet to hold Him to the cross. When the pounding stopped she looked again and watched as the soldiers raised the cross and set it in place. Tradition held that He would need to hang there until His death.

“How long have I been standing here? It seems forever and yet time also seems to stand still. I can stand. I will not fall. I will be strong for Him…although He does not need me. I need Him. My Son. My Messiah.

Thirty-three years. It went so fast. Lord, I could never forget the angel that told me I would bare this son! I still don’t understand why I was chosen! I should have been afraid, but somehow You comforted me as the angel blessed me with the news of Jesus. Joseph. How amazing that he understood and became such a wonderful earthly father. The trip to Bethlehem. Did it really happen thirty-three years ago? The star. The stable. The shepherds. “

Mary forgets where she is for a moment and smiles at the thought of Jesus at twelve. “We had gone to Jerusalem to pay our taxes and had started home. We traveled a whole day before we realized he was gone. We had to go all the way back to Jerusalem to find him. Finally after three days we found Him in the temple sitting among the teachers. I didn’t understand at that time what He meant when he answered us, ‘Why were you searching for me? Didn’t you know I had to be in my Father’s house?'”

She looks up at her son hanging on the cross and her smile fades. Mothers always want to save their children from pain and protect them. She shakes her head. “Oh, Father, Your son has never done harm to anyone!  And now he hangs…nailed to a cross! What was the crime? Jesus who taught scriptures, healed the sick and even….think of it…raised the dead. What was the crime?  He said He was the son of God.”

Mary reaches over and grasps the hand of her best friend, Salome, who is lost in her own thoughts.  She catches the eye of John who stayed by her side.  Then she looked up at her son again just in time to hear Him say,

Father, forgive them, for they know not what they do.” She also heard him say to John, “John, behold your Mother.” and then to her, “Mother, behold your son!” Tears filled her eyes again. How could He be thinking of her while in such pain??

My God! My God! Why hast thou forsaken me?”

“Soon, God, please do not let Him suffer longer.” Mary watched as Mary Magdalene stepped forward, watching in disbelief. Salome reached for Mary Magdalene and the three of them held each other close sharing their raw emotions and comforting each other in a way only those who share pain can.

Then,

Father, into thy hands I commend my spirit. It is finished.

Mary thought, “Finished? No more beatings or death or pain or suffering. Finished.” And in the next horrific moment a soldier plunged his spear into Jesus’ side and water and blood flowed down his side.

She watched as Jesus’ body was lowered from the cross. “Where will they take Him?” She listened as Joseph of Arimathea offered a tomb. She watched as he and Nicodemus gently lay Jesus in the tomb.

“Too soon, O Lord! I cannot make sense of it all! The angel told me He would be King of Kings! Savior to our people! But, He’s gone. Hope is gone.”

As the sun sets it begins Sabbath so they all need to return home. Home that will never be the same again.

It was difficult for Mary and others to understand what Jesus had tried to teach them– for the exciting thing about His death is that He did not stay dead, but arose from the dead on the third day. For this reason, hopelessness is turned into hope and despair is turned into joy. It is not the end, in fact, it is the beginning!

“He is risen” from God’s Masterpiece at Bethel Baptist Church 2015. Photo by Francisco Montes

 

They only needed to wait a few days to discover the rest of the story.

What about you? Do you know that Jesus is alive today interceding to the Father for us?

What about you? Are you able to stand firm and keep your eyes of Jesus even when you do not understand?

What about you? Are you able to find hope in  “the Father’s business”?

What about you? Do you follow Jesus at a distance? Or do you have the courage to draw close and make others aware of your faith?

What about you? Will you run to tell others the joyful news, “He is risen! Let us worship Him.”

One interesting fact to note. The women didn’t cave to fear. They didn’t run away. They were first at the tomb on Sunday. Nothing could keep them away, not fear of death or punishment from soldiers.

May we all be more like these women.

May you have a Blessed Easter.