At first, I was discontented. Well, okay, miserable. Only three awards out of eight possible? C’mon! Couldn’t the judges see the talent, energy, and pathos that went into the production?
Although I don’t usually watch the Oscars, I was curious to see how my favorite film of the year fared against the others.
Best supporting actress? Of course!
Best sound mixing? I agreed.
Best Makeup and Hairstyling? I saw that, too.
But, I wanted them to win all the awards. Then I settled down and realized there are other deserving actors/actresses, especially from other cultures who need a win as well.
Then, I got to thinking about our performance as Christians on the stage of life. Are we winning heavenly awards that will bring glory to God and not ourselves?
For instance (and I’m questioning myself) . . .
Best Leading Actor: Are men taking their roles as leaders seriously? How about church leaders? Or anyone for that matter, in a leading role?
Best Supporting Actress: Are you as a wife taking your God-given role seriously and supporting your man? Or, if you are a young person at home, are you supporting your parents? How about singles? Are you being a good friend, and honoring your boss (no matter what gender you are)? How about pitching in with the gifts God has given you in your local church? Congregations, are you bringing joy and not pain to your church leaders?
Directing: Let’s turn the tables — are you allowing God to direct your life, or are you taking charge?
Best Costume Design: Are you “putting off” the dirty garment of anger, lies, and filthy talk? And “putting on” the fresh, clean garment of kindness, humility and patience? (Colossians 3:3-14) Or, possibly, are you pretending to be someone you are not?
Best musical score: Is your life a symphony of comforting notes and scores that brings joy to those around you?
Visual effects — Does your countenance reflect your heart? Do your deeds reflect your relationship with the Creator?
Writing: Those of us who are authors, are we writing for the glory of God, or for a spot in the limelight?
Sound Editing: How is your tongue? Are you silencing those harsh or untrue words before they hurt others?
Cinematography: if you were to play your life back on the screen in a two-hour movie, how would the audience react at the end? Give it 5-stars? Cry at the tragedies that led to more tragedies without meaning? Laugh uproariously because its so true in your own life, a mirror that reflects your need to change?
I’d love to hear your ideas below in the comments!
So, I leave you with the musical performance of Les Misérables cast at the 2013 Oscars…now that deserved an award of its own! You can find the performance at 1:18
Of course, only God deserves our ultimate praise and worship, but, as we do our best in our work and life, we reflect God’s excellence:
“Praise him (God) for his mighty acts: praise him according to his excellent greatness.” Psalms 150: 2
This quarantine has provided me with some rare opportunities as I’m sure it has to you. (Positive thinking, people!) Maybe you found time to finally deep clean the garage or that closet? Or…just to sleep! I’ve found time for two of my favorite things: cooking and reading (make that 3 – eating – let’s be real). In addition to my favorite genres, history and fiction, I’ve been reading more plays (and eating more…and…riding my bike more – gotta combat the COVID 20!…Pounds that is).
I´ve been thinking about how I would stage and develop these plays (I have a few shelf fulls I´ve been working my way through). In thinking (and eating, of course) during all of this, I discovered the topic for this blog!
Cooking up Characters with Kady! (did you like that alliteration?) Seriously though, there are so many parallels between cooking and directing that once I started, I just couldn’t stop seeing the similarities. So, here are some ´tasty´ thoughts about how to ´cook´ up and serve characters and actually, the whole show, as a director.
First, and absolutely the most essential, is the visualization. I have always been fascinated with the process of taking raw ingredients and reshaping them into a new cohesive whole, which is why I love cooking. (plus I love eating, gotta be real folks). Taking ´raw´ ideas and reshaping them into living breathing characters in a ´real´ world is why I love directing. Both cooking and directing spring from visualizing the final product.
An important caveat: I make no claims to be a professional or even a remotely good cook! (and definitely not baking – I have not conquered the opera cake yet – plus I haven’t deboned a duck…let alone a chicken) And I am most definitely not a Broadway director. I direct summer camps for Overshadowed and direct my school´s drama program/plays. Broadway someday? I can dream. But in the meantime, I absolutely L-O-V-E what I do. So back to it.
I almost (not completely because I l-o-v-e to eat) enjoy imagining the combination of flavors, texture, and plating more than creating the actual dish. Why? It’s the wonder of possibilities! It’s the magic of ´before´ reality hits and all the obstacles jump up to bonk you in the nose. As I read a script, the same thing happens. Oh the possibilities! I imagine the world with the movie or I should say, the ´stage of the mind´. And while the show plays, I ask questions: What do I think the forest of Oberon and Titania actually looks like?Should the 39 Steps be staged as a radio drama or can it be ´live action´?And Jane Eyre..modern or historical?How should Don John hide his perfidy from the characters but not the audience in Much Ado About Nothing? How would an audience react to a production of Raisin in the Sun?How actually should I create the creatures of The Hobbit? (that one was answered brilliantly by my creative team!)
Sometimes the visualization doesn’t start with a script. It sometimes happens like my grocery shopping (especially when I´m hungry). Sometimes, I will see a unique ingredient (like a kumquat) and think, ´I´ve never cooked with that before. I wonder how it can be used and what other ingredients will go with it?´ Then, I pull out my phone right there and look up ideas, nutritional facts, and common or unique ways to cook it. And then into the cart it goes and the adventure begins! Sometimes I´m introduced to a new idea I´ve never used before, or a story I´ve never heard of, or a design element or tool I’d absolutely love to use. The research begins and ´Oh the possibilities´!
And once the mind, and sometimes the heart, are full of all the possibilities, I have found I need a lot of help to make that dream a reality.
Which of course leads to the next step: the collaboration.
With the ´recipe´ of the visualization in hand, I turn to my team. As a director or the visionary of any creative endeavor, this is the most essential task – getting your vision, ideas, tastes, textures, mood, hopes, fears, wish lists, and the world across to your creative team.
Not just so they understand what is being created, but so that they catch your hunger; so that they take ownership of the vision as well. Any chef knows the explanation of a recipe must be absolutely clear or what will be presented to the diner will be a muddied catastrophe. The director must be absolutely clear in establishing the framework and details the world his/her team is to work within. They become your sous chefs in their respective areas of expertise. Lighting, costuming, makeup/hair, sound, house, set, props, stage crew, marketing – you name it. This utterly essential team must hunger for exactly what you´re hungering for. If you pick well, as I have thankfully often experienced, they will love your vision as much as you do. And as such, will willingly share in the burden of creation.
The creative team is not just there to share in the burden, they´re there to add to the dish. Having other’s input adds flavor, shape, and foresight or resolution to problems you couldn’t see (I tend to dream big, my team helps keep my feet on the ground). Plus, someone else’s creativity and skill can make all the difference. That doesn’t mean the recipe loses its intrinsic value, its central identity, or that the director loses ownership. It simply means a new perspective of costuming, some expertise on how to actually make those puppets work, a composition of the mood you wanted to convey through music, or a unique way of enhancing audience interaction will all help create an authentic performance. That is simply invaluable. This team will become your fellow visionaries, and in some cases, dear friends with whom you can share and bolster the creative process through all the possibilities.
The third step (which I adore) is the preparation, or the creation of the characters. This is the step of pulling the characters from the page into the world that has been envisioned and is being created. This step requires reliance on the sous chefs/line cooks.
I think actors generally fall in the range of both. (I speak as an actor as well). What I mean is this: My niece is 14, precocious, opinionated, very chatty, beautiful, creative, and did I mention opinionated? My nephew is 16, tall, handsome, a sweetheart, intelligent (single) and follows instructions well. (I love them…clearly) When my sister and I cook or bake (Which we love to do! She could open her own restaurant), we do enjoy making it a family affair, which means pulling my niece or nephew into the adventure. Both enjoy cooking in my sisters kitchen, but one is a sous chef and one is more of a line cook. My nephew takes the instructions and performs with minimal questions. Need something diced? Grilled? He’s on it. If he doesn’t know how, a demonstration or explanation is given and he’s good. My niece, on the other hand, needs to know why. Always. ´Why not julienned instead of diced? It will look prettier, Aunt Kady!´ Oy vey! I have learned that after explanation, and after she has defended her point of view (vociferously), I have a choice. I can modify per her suggestion, or if that modification takes us outside the parameters of the recipe, I can choose not to. But I had better clearly explain why not to her before she is willing to move on. And she does, and dices with absolute precision. She does so because she owns her understanding of why. It’s now her mission, her task, her recipe too. Now I know sous chefs are second in command in the kitchen. I´m not saying actors are assistant directors. But, when it comes to character creation, the directorial vision has to be handed over to the ´assistant´ creators of those characters – which is the actors.
I have found that despite training (Meisner, Method, College degree, or complete amateur), actors generally land somewhere between my neice or my nephew. I enjoy both the line cooks and the sous chefs. Those like my nephew take the instruction and go with it. If they need direction they ask or accept it, then take it and go. They have already signed up to your vision because they trust it’s gonna ´taste´ good (especially if it’s pasta). They really thrive when the director is ´hands on´ in the early stages of laying out the elements of the character that he/she want to see brought to life and then stepping back and allowing the actor to take on the responsibility progressively throughout the entire process until of course they present the character on stage before an audience. Others…well…are my niece. They may question your vision from the very start. It doesn’t matter if they are highly trained or complete newbies. These are more sous chefs than line chefs and need to own the ´recipe´ of their characters as their own. This means you have to explain the vision and it needs to make sense to them. They need to understand the world their character lives in. And if it doesn’t make sense and they just can’t claim ownership of it, well… there have been times I’ve kicked my niece out of the kitchen. But when they do own the vision, when they are allowed to add their flavor to it… the performance that results from such an intensive shaping can be so enriched and authentic. In the world that’s been created by a team fully committed to the vision, adding a performance that has been relentlessly picked apart, lovelingly shaped together, and executed with absolute belief is utterly glorious! I guarantee that your audience won’t soon forget it. It is a beautiful preparation.
From visualization to collaboration to preparation, we’ve arrived at the final flourish, the lifting of the silver dome – the presentation! What a wonder it is when that curtain finally rises! A chef can indeed cook alone and create an adventure on a plate that the diner won’t soon forget.
But theater is not a solo endeavor.
Besides creativity and teamwork, its most important ingredient is trust. The playwright must trust that their story will be told with integrity, even with creative license. The director must trust that the world he/she envisioned will truly be brought to life by the design team, the crew, and the actors. And when the audience sits down to dine on the feast that is truly the ´theater experience´, they trust that the performance they are about to partake in has been cooked up with the greatest love, professionalism, care, detail, and creativity, with a dash of magic. Bon appetit!
This past Sunday we all celebrated Mother’s Day. Some of us had the luxury of being together. Some of us had wonderful zoom calls from our kids. Some of us mourned the loss of our mothers. In whatever way you celebrated, I’ll guess that the conversations around your table were different than the conversations held in the past. I’ll tell you the most special gift in the world would have been to be with my children and my mom. As the day went on I thought about my mom spending mother’s day all alone in her retirement home. I am so thankful she is safe, but just like so many other mothers…she is alone. On the day that is set aside to remember mothers and celebrate them–countless numbers of them spent the day all alone. Honestly, I grieved not being able to see her or my kids.
So what are we learning through this crisis?
To celebrate life. Each and every moment is important. We never know when we are going to be able to spend an additional moment with those we love. We will never take them for granted again.
We are learning that things we took for granted are infinitely more valuable and necessary than we knew. A hug from a friend. Dinner with a friend. A visit with mom.
Priorities. What are the things you are missing most during this time? What can you live without? What can’t you live without? Is it possible that we could be building new habits as we realize what things are truly important?
Things we need to work on. If there is anything we have now it is time….time to think. Time to reflect. Time to figure out if there are bad habits we need to get rid of or good ones we need to develop.
What do you have time for that you never did before?
I’m not going to say that I NEVER had time for a Bible study because I’ve done quite a few in my life, but at the beginning of our shelter-in-place a friend of mine suggested that we start a book/Bible study. I resisted, but as weeks went on I realized it was a really good idea. My mind needed to focus on God and not searching the internet and Facebook for everything that MAN was saying. We are only on our third week, but it is such a blessing to gather and pray with these ladies. And listen….I do not think I would have joined….if not for the virus. Thank you, God, for giving me time to commit to you in this way. Thank you, for the time we spend together.
I look around me and, while I treasure my mom and my family; I am also spending time thinking about all the hardships I see around me. People out of work. People struggling to pay bills. People who have lost loved ones to this horrible virus. People who are suffering with depression or feelings of hopelessness. People who have loss loved ones! Let’s face it, we can all look at the hardship and hopelessness all around us and start to feel lost, depressed, discouraged.
Or, we can come face-to-face with something else. Jesus is the only one that can help. Someone wrote me this quote the other day, “It may seem impossible, but God….”
God. Healer. Comforter. Prince of Peace. Deliverer. One who Sets Us Free.Mighty God.
There are many more, but these are the ones I am claiming for today….
It may seem impossible….but God!
God understands our loneliness. Our Grief. Our disappointment. Our fear. He reminds us with each name from the Bible to call on Him–He alone can comfort, protect and deliver us! Will you all join me to pray earnestly for healing for our country? A treatment? That God will stop this virus?
Well, this is a theater blog after all, right? So I’d like to end with a song that I’ve been thinking about.
This is from Fiddler on the Roof. It makes me cry every time I hear it.
Is this the little girl I carried? Is this the little boy at play? I don’t remember growing older, When did they?
When did she get to be a beauty? When did he grow to be so tall? Wasn’t it yesterday when they were small?
Sunrise sunset, sunrise, sunset, Swiftly flow the days, Seedlings turn overnight to sunflowers, Blossoming even as they gaze…
Sunrise sunset, sunrise, sunset! Swiftly fly the years, One season following another, Laden with happiness and tears…
They grow so fast. The days go quickly. Please let us see our families and enjoy the wonderful gifts that come from You. Please help us to understand our purpose here, when we can’t go out , and it seems like months before we even be able to worship together. How are we supposed to act? What are we supposed to do? We walk in places we have not walked before. Thank You for leading the way, because humanly it all seems impossible. But we know You are the Creator of all and nothing is impossible with you. We also know that you love us more than we can fathom and that you feel our pain during this time. We take comfort that as you wept at the grave of Lazarus that you feel our pain. We ask that you send the Holy Spirit to comfort us and give us strength.
I’d love to hear your thoughts and how you are coping and praying during this time.
If you think this might be a blessing to others please take time to follow and share.
I had the chance to meet “Shrek” and loved it when he said I was just a big kid! Don’t judge!
Shrek is the perfect example of social distancing. When he is misunderstood, he decides it is better to live alone and in the swamp. Of course, he meets Donkey and Fiona and well..who can resist a good love story reminding us that we are better with people. The other favorite about this musical is
that it ends with a Monkee’s song, Daydream Believer. I loved the group and this is one of my favorite songs so getting to enjoy that song at the end of this musical makes it a real treat.
2. Les Misérables. I think I can speak confidently for broken-hearted girls everywhere that Eponine is their representative. She has a horrible home life and has really had to take care of herself most of her life. Then she meets, Marius, basically someone that could be her prince charming. Is it love at first sight? Nope, not for this tragic creature. Instead she helpshim communicate with the person he has fallen in love with. She sings the song that many a girl has belted out in their rooms through tears. “On my Own.”
On my own Pretending he’s beside me All alone I walk with him till morning Without him I feel his arms around me And when I lose my way I close my eyes And he has found me
Yep. That’s what we are all doing right now. All alone. Maybe the lesson we learn from her is that we can sing our way through any circumstance in life!
3. Rapunzel. This sweet character was locked away in a tower for most of her life. I mean, you all remember how long her hair was when her prince climbed up to rescue her, right? (And you think you need a hair cut…) One of the main things I love about Rapunzel is that she made good use of her time. She painted and baked and well…everything. What new skill are you learning as you are confined?
Oh, by the way. This story also teaches us about hope. Rapunzel’s parents never gave up hope that she was going to return. In a way, it was the beauty of the lanterns and their optimism that brought her home. So, let’s not give up hope that we are going to conquer this evil virus sooner rather than later!
4. The Hunchback of Notre Dame. I might as well do all my tower characters together! Quasimodo. This tragic character was born deformed. Because of his appearance he was condemned to the cathedral’s tower by the caretaker. Quasimodo yearned to experience the outside world and be among the people. (Sound familiar?) I love the lesson of this show….who the monster is and who the man is depends on your point of view.
5. The Phantom of the Opera. The Phantom lurks around hiding and isolating himself. Let’s face it, he was wearing a mask before it was cool! In fact, this beautiful operetta sings an entire song about masks!
Masquerade! Paper faces on parade
Masquerade! Hide your face so the world will never find you
Masquerade! Every face a different shade
Masquerade! Look around, there’s another mask behind you
Yep, masks, masks everywhere I look. In all seriousness, one of the lessons of Phantom is that regardless of circumstances we have a choice on how we live our lives. Such a good reminder right now.
6. Beauty and the Beast. Yep. you guessed it. Another character that is isolated alone, hiding away from the world as we know it. But the Beast is lucky, he has Lumiere, Cogsworth, and Mrs. Potts to keep him company. Then, as fate would have it Belle enters his life. What lesson can we learn? We actually learn the lesson from Belle. The fairy tale, happily-ever-after love story might not look like one right away, but don’t give up ! That love story might be waiting for you when you least expect it!
7. Seven Brides for Seven Brothers. Adam and his brothers lived outside of their town. They had no manners and knew little about love. They thought they could force their seclusion on others and kidnapped the girls in town that had captured their hearts and forced an avalanche so that they could keep them all winter. Lucky for the girls, Milly, Adam’s wife, forced the guys to stay in the barn and kept the couples apart. Lesson? The premise is bad, but thankfully it is seen as a farce and teaches the lesson that love changes the heart of another. We can also learn that it isn’t good to be alone–people make bad decisions! (Seems like we keep being reminded of that lesson)
8. Wicked. Elphaba is green and misunderstood. So….she doesn’t really wear a mask….but again…she is GREEN so I think that counts. But don’t count her out. You won’t find her in the middle of the crowd and that’s ok. There are so many great things to learn from this musical. You don’t always have to do the “popular” thing. Sometimes the other choice is better. Yourfuture is unlimited. Lastly, sometimes you just have to dance through life.
9. The Diary of Anne Frank. I know I’ve mentioned her quite a bit lately, but there is so much to learn from her. As you know, her family went into hiding on July 6, 1942. They continued to live in hiding until they were arrested on August 4, 1944. In spite of Anne’s living conditions, she was aware that her family had more than others. What can we learn? The importance of perspective. We can also learn to look for the silver lining instead of thinking about how horrible our situation is. In hiding she wrote,
“The best remedy for those who are afraid, lonely or unhappy is to go…somewhere where they can be quite alone with the heavens, nature and God.”
“Those who have courage and faith shall never perish in misery.”
10. The Trip to Bountiful. I have saved my favorite for last. When the stay at home orders were issued we were in the middle of our production of Bountiful. I had the honor of portraying Carrie Watts and I’m pretty sure I’ll never have the chance of playing another character that is as wonderful as she is. Why Carrie? She says:
“That was what was killing me! To be locked up in those two rooms! I bet I’ll live to be 100 now that I can get outside again!
I think we can all understand how Carrie was feeling! One other thing we can learn from Carrie is that no one can take away our song. We might not be able to get out and do all the things we want to or be with the people we want to be with, but you can keep singing. And I can’t wait to sing again with all of you.
Keep singing, my friends!
I’d love to hear what you think. Are there other characters I should have included? Please share this blog and follow so you don’t miss a post!
I am honored to have guest blogger, actress, teacher, mom, wife and friend join us this week. From the moment I met Jessica I was astonished by her spirit, wisdom, talent and enthusiasm. Thank you, Jessica, for sharing your thoughts this week!
When I was asked to be a guest blogger for Reba, I had two questions: Number One: What do I write about? Number Two: Why would anyone care?
I get why Reba has a blog and people want to read it; she is President and Artistic Director for a theatre company that she founded! She started something from the ground up and took a huge risk. How cool is that!? If people need to learn from someone it is Reba.
So, what do I do? I teach high school, direct theatre, am a mom, and perform on the side for my personal sanity. But then I began thinking, I really do not just perform on the side. Over this past year I have taken a step to become more active offstage, which is in turn helping me better onstage.
The answer to the first question then came to me: What do I write about?
Where God calls, God equips. I am not going to take personal credit for this statement, as it was in my sermon notes from last month. However, it rings true with my connection with Overshadowed Theatrical Productions.
Over three years ago I performed with Overshadowed for the first time in the musical Mary Poppins. Before that I had been performing in musicals for years upon years with other local theatre companies. I did notice that Overshadowed was different. The people were a community, all people. I saw that the crew worked like a well-oiled machine. I was impressed by the professionalism of the company, but I was just a performer, so I did my job, finished the run, and continued working with other companies.
I did not get involved with Overshadowed until the spring season of last year. Involved meaning I jumped into serving. Last spring season, during the production of Seussical, I was asked to join the Gala Committee and I said I would help wherever I was needed. Silly me…of course that was the silent auction. (Who wants to ask people for donations?)
Fast-forward to late July and my afternoon date with Breana Akerberg. She showed me the ropes on how to ask for donations. (If you do not know already, Breana is a Rockstar at accomplishing goals!) At first, I was timid to walk into a business and do “the ask”. But with Breana’s help by the end of the afternoon we had great success (and ended our gala work with a mini smoothie date). That afternoon I gained the confidence I needed and a new friend.
You will never get anywhere if you do not ask (although it is not always comfortable at first). In the end, it was work, but rewarding work. I knew I was serving an important cause. And honestly, seeing the gala’s silent auction room last October I felt so proud that I had played a part in that (especially when I found out the amount raised for Overshadowed!). Laura Benanti said in a podcast interview on the Theater People that theatre “bonds you quickly” because together you are “working towards the same goal”. I think this is true onstage, but also true offstage and in life.
When we work together it bonds us, especially when we can enjoy the fruits of our labor with others.
During the course of a year, I began to take on more tasks for Overshadowed from seam ripping (not a costumer), assisting with makeup, writing news sources to market shows, and eventually overseeing Overshadowed’s social media. I am also now heading up the silent auction subcommittee if anyone wants to make a donation. (See what I did there?) However, I am taking initiative and asking if I can assist where I see a need. People are not always going ask, because much like my adventure with Breana, I was nervous to ask. People are afraid to burden others. So, if you see a need that you can fill, put out an offer.
Where am I going with this? I am a performer. I could just be an actress. I don’t have to volunteer in other capacities. But Overshadowed is theatre with a difference. I serve Overshadowed, because I am called. I am equipped. I am needed. Serving for Overshadowed makes me better and it makes Overshadowed better.
This past Christmas I had the absolute honor to perform in Overshadowed’s winter production of Holiday Inn. By that time, I had immersed myself in the culture and community of Overshadowed. Performing each night was more than just singing, dancing, and acting in a show like it had three years ago in Mary Poppins. I was now bonded to not only the cast, but the crew, and all of the volunteers. When we finished each performance the greatest compliment, I heard from the audience was that there was not a single weak link, even down to the scene changes, lighting, and sounds cues. Holiday Inn was a well-oiled machine, because everyone had invested their time and served during that production. Even more amazing, almost every member of the production has now volunteered their time offstage in the two productions following Holiday Inn by running sound cues, assisting in hair and makeup, as running crew backstage, painting and building sets, or ushering.
Now, to answer the second question: Why would anyone care?
Overshadowed is more than a theatre company; it is a ministry. Overshadowed needs volunteers. But best of all, when we volunteer, we work together on a common goal bonding people together.
If you are called but are unsure where to start, reach out, because there is always something small (remember I first started ripping seams?) and God will equip you along the journey. As you grow in your service you will see Overshadowed grow in strength, the community grow in faith, the audience grow in spirit, and your heart will be full.
Since truly getting involved with Overshadowed Theatrical Productions I have continued to perform, but the experience is vastly different than my first time on the Overshadowed stage. I am a part of the well-oiled machine that I observed during Mary Poppins. In January when I announced on Facebook that I was working on a new project, The Trip to Bountiful, a fellow Chicagoland actor commented on my post saying, “It looks like you found your theatre home”. I laughed and showed Reba. She smiled at me and said, “Yep, it is!” Overshadowed has become a home for me, because I have allowed myself to listen to the call of service and the fruits of my labor are even more rewarding.
If you are called to serve, be it a school, church, community service, or a ministry, I pray that you answer the call and take the initiative to fill the need.
The work will reap rewards.
As always, we would love to hear your thoughts or comments. Please take a moment to follow us so you don’t ever miss a post!
Last weekend was supposed to be the closing weekend for “The Trip to Bountiful.” Our season is designed that after that “March” play– we have a break in our season that allows us to beginning planning for next season and gear up for our busiest time of year–the summer.
Like I said, that’s what was supposed to happen. Instead, two weeks ago theaters all across the United States begin to shut down, suspend productions, and in some cases close them all together, in reaction to the pandemic that is attacking our country. We didn’t want to close–but we had too. We had to for the safety and health of our country, families, patrons….everyone.
This was an incredlbly difficult decision. Why? Because we still do not know how long and what disasters will have occurred when the rainbow comes out at the end. I wish I had dollar for every time I’ve said, “If I only knew…” my whole life. Well, if I only knew….then I could make the decisions a artistic director needs to make. Decisions about how to create theater when the world is falling apart.
First of all, you might be wondering exactly what is a artistic director?
Artistic director: the person with overall responsibility for the selection and interpretation of the works performed by a theater, ballet, or opera company.
In my case, I also have the responsibility to create budgets and vision for the paths we are going to take during the year. This is the time of year I start to make those decisions for the next season.
Panic sets in.
How in the world am I supposed to do that if I don’t even know if I will be able to open the doors of our theater before the end of the summer? My thoughts spin in my head like a tornado. “Do I postpone auditions? Are we going to be able to hold camps? Should I rearrange the season? Should I change shows that we finish the year with? Should I contact the royalty companies now or later? How is this going to hurt us fanancially? Can we survive at all? ” And probably other thoughts as well.
Where do I even start?
Keep thinking and keep creating. The second you stop then the very artist inside of you will stop as well. Even if you don’t know when you’ll perform again or what tomorrow will bring. Just keep creating. How? Maybe it will look different because your safe theater isn’t open, but find another one! Write. or take a lesson, or give one. or read on-line to entertain others. Overshadowed has chosen to open it’s vaults and let others see past shows. Whatever you do, please just do it!
2. Keep Planning. This is a difficult one for me. I feel like the calendar is moving all over the place and I can’t make a decision or decide anything because my target keeps moving. But, I must keep planning. If I don’t have “the next step” ready then we will be behind on everything for the rest of the year.
3. Think about finances. This is a bottom line necessity all the time. God has always been very gracious and has blessed Overshadowed in so many ways. Honestly, this might be the toughest battle we face. Because we don’t know when we are going to re-open or if we will have to permanently cancel part of our season then we don’t know if we will have to reimburse part of the money we have collected up front. In this time of crisis that would be devastating. So, decisions have to be made to keep us going? How do you keep a theater company going when the theater world has stopped? We make decisions based on the future. Do we add something to our fall season? Do we spend less money now? Do we take this time “off” to make sure we inform others of services we have to offer? Classes? Rentals? Original scripts? My mind is searching for ways to help our communities but have services to offer others in the future. I’d like to think, that we will come out of this better because we’ve had time to think differently….time will tell. The one thing I know. This was God’s company when we started. It’s God’s company now. It’ll be God’s company tomorrow.
4. How do we get the name of our company out to people who would be interested? And in this case, how will we KEEP our name in the minds of our current patrons. Entertainment and theaters are going to take a hit along with everyone else in this crisis. We aren’t sure how long it’s going to last, but I want to be there when it’s all over. Small decisions have deep impacts on people. There is a science to marketing that I am not good at, but I do understand that people need to hear the name of your company over and over before it starts to sound familiar and even more times before it becomes something they are willing to check out. So, we are still sending out our weekly updates. We are also offering the link to one of our shows each week. (If you aren’t on our mailing list contact me and I’ll send you the link to one of these shows.) We are also trying to creatively market the people of Overshadowed and past memories. I really appreciate, Jessica Means, who is heading up all of that! She is so creative and is doing such a fabulous job!
5. Keep your tribe around you. Folks, we need each other. We might be bunkered down alone, but that doesn’t mean we should hibernate. FaceTime, text, call, email, zoom….there are many ways to reach out. Keep talking. It will help us stay motivated and maybe even appreciated and sane in the end!
My thoughts have gone back to the stories I heard about WWII and the times families would sit around and listen to the stories on the radio. Do you know what that teaches me? That when times are tough sometimes we need to shut out the world and give voice to hope and laughter and joy and see theater that becomes a means of comfort. We need breaks in times of sorrow and sadness. We need a connection between communities.
I’m thankful for theater. I hope it never dies.
One last thought that I have been clinging to. I was reminded of an old gospel hymn. “I know who holds tomorrow and I know who holds my hand.”
I’d love to hear your thoughts! Please take time to share this if you know someone it might encourage. Thank you!
When I last wrote I had no idea what our world was going to look like just a few short weeks later. I wish I could go back to a time when our biggest worries were what we were going to have to eat for dinner or which movie we were going to see. But time wasn’t on our side this time and instead our world is in complete chaos. If you aren’t worried about if you are going to get the virus, you are probably worried about your job, or how you are going to survive for the next eight weeks without going stir-crazy.
I wish I could say that I’m not worried, but that would not be true. I know that God holds us in His hands, but my reasoning and anxiety constantly argue with me and I have to continue to purposefully focus on God. In some strange way though, that’s a good thing, I think. We are supposed to keep our hearts and minds on Him and maybe…maybe this is necessary for us to humble ourselves and pray…pray for God to heal our land. Not just from sickness, but from lack of faith and from having other gods that we put before Him. Whatever the case, pray, my friends, and know that our God is faithful and His promises are true. Search for Him and you will find Him.
When we discussed Judy I talked about the real life Judy Garland and the troubled life she lead. I ached for Judy, but then I started to think of others.
Robin Williams, Margot Kidder, Marilyn Monroe, Freddie Prinze, Mark Salling, Kate Spade, Whitney Houston, Prince, Elvis Presley, Heath Ledger, Philip Seymour Hoffman.
Believe me, that is barely a drop in the bucket for the names you will find if you start googling this subject of famous people who have chosen sucicide or fought addictions or depression.
Is the rate of suffering from depression, anxiety or substance abuse higher if you are famous?
I have no idea. I haven’t studied this and in no way do I claim to be an expert.
However, these things I do know:
We are more aware what happens to a person of influence because the news and social media keep us informed. Honestly, that might be part of why people who stumble across stardom have anxiety. They can never get away from us…the people who have the need to know every detail about them. The constant reporting can make it seem like the rate is higher than instances in the rest of the world.
Stars and entertainers usually have the means to afford substance abuse more than the average person. We all know that money brings the ability to have many things–this particular ability can ruin and destroy even the innocent. These things are addicting, friends: they can ruin your life, your family, your pocketbook, your future. I am so thankful that I have never had that temptation.
Really talented performers are able to tap into their emotions at a deeper level than most people. That is part of what makes their portrayal so brilliant! They are able to emphasize and pull reality from things they learn about or even have experienced themselves.
They have to be”on” all the time. High stress environment and a demanding schedule seems to be a risk factor for the rest of the population. What about stardom? Pressure. Pressure. Pressure to perform at high levels added to the fact that they can never get away from it. Reporters, photographers, fans. How can they ever just let down, relax and enjoy life? There are many that are just searching for a way to escape! Think of what we enjoy by being able to enjoy places like Disney World? Liz Taylor among others solved that by having to rent Disney Land to herself after the park closed!
I don’t think I realized that the cost of Fame is that it’s open season on every moment of your life. –Julia Roberts
Let’s say that all the factors above don’t really cause addiction or depression. I’m pretty sure they at least make recovery harder.
Why do I say all of this?
I’m afraid. I see more and more people who have their eyes on the “prize of stardom.” I’m just not so sure that it’s the prize we sometimes think it is.
What are your thoughts? I’d love to hear from you! Please take a moment to like or share or follow me!
When I was in third or fourth grade I read a book that I will never forget. The Diary of Anne Frank captured my attention in a way that no other book has ever done. The idea that a girl (who was not much older that I was at that time) could write so proficiently and express her thoughts in such a spell-binding manner was fascinating. For those of you who don’t know, Anne Frank went into hiding with her family in 1943. She was only thirteen. Her crime? She was Jewish.
I didn’t understand how anyone could treat another human so terribly. How could one possibly live in such a tight space, dependent fully on the help of outsiders who put their lives on the line day after day? Yet this girl said something that is life changing.
“In spite of everything, I still believe that people are really good at heart.”
She was positive, joyful and dreamed that her writing would change the world. It did.
Flash forward to 1976. My husband had the privilege of playing Peter Van Daan in a University production of “The Diary of Anne Frank.” Flash forward another twenty years and my daughter played Mrs. Van Daan in a production I directed at her high school. Another six years pass and my oldest daughter directs a production of “Diary” at the same University that Chuck portrayed Peter all those years before.
And now, I have checked a dream role off of my bucket list. For one more weekend I get to step out on that stage of become “Mrs Van Daan.”
She’s not the lead, but I think she is fascinating. She is insecure, flirty, frightened, industrious and loving. She is the most complicated character I have ever played and I have loved every second.
In the play you see Mrs. Van Daan through the eyes of a thirteen year old girl. I can only imagine what my daughter’s diary might have said about me at times she was angry with me. The point? The writings give us a unique view into the secret annex, but we must remember Anne’s writings were Anne’s thoughts and expressed honestly through Annes’ emotions.
In talking about the personality of Mrs Van Daan I began to realize that at the core of her personality were all the traits Anne writes about, but there must be something that drives her to act the way she does. I chose insecurity and love--those traits are at the root of every reaction she has.
Did you know? She was born in 1900 in Germany. She had three siblings: Gertrude, Lotte, and Gretta. It was Anne who gave her the name of Mrs Van Daan as a code name, as she did everyone one in the diary, in case the diary was ever discovered it would protect those she wrote about. Her real name was Auguste van Pels.
She was real. She lived, loved, laugh, feared and hoped. Much like 6 million other Jews that we may not know anything about. This play is for everyone that died during that horrible time in our history. May we never forget.
I am thankful for a young girl who decided that writing her story was important. I am thankful that the Germans didn’t discover and destroy the book. I am thankful Otto allowed the rest of the world to see the diary.
If you haven’t documented your life in some way why not do it? Your life, your story is important. Please leave your legacy!
If you can–treat yourself to one of the remaining performances. It is one of the finest casts I’ve ever had the privilege of sharing the stage with. The lights, set, story…it is truly special. Please hurry though. Only four shows remain. Overshadowed.org
What about you? Have you read the book? Please take a moment to like this post, share, comment! Thank you!
In honor of Valentine’s Day, I’d like to take the time to talk about some of my favorite love stories in theatre and why I like them so much. I’ll start with number 10 and move up the list so that your anticipation can grow!
10. On almost everyone’s favorite love story list (stage, screen or book) is Romeo and Juliet. I mean, Shakespeare created such a great model that when you speak of couples it’s almost like it is a coined phrase. If you don’t love someone like Romeo and Juliet loved then perhaps you aren’t in love? It is such a tragic story and teaches so many lessons of honesty, loyalty, feuding, that it is impossible not to be touched in some way by this wonderful story.
9. Cyrano de Bergerac. Also, a beautiful tragedy. I feel frustrated that Roxanne can’t see that it is really Cyrano that is writing the beautiful poetry she loves. I love that Cyrano wants Roxanne to be happy and loves her so much that he makes Christian into the man he thinks Roxanne can love. By the time Cyrano allows Roxanne to discover that Cyrano is the man she truly loves – he has been mortally wounded. Another love story gone horribly wrong.
8. Ragtime. Oh, how I wish this musical didn’t have such strong language. I believe the story could be told just as well without it, but sadly permission to change the language is not given so I won’t be producing this show anytime in the near future. This show is an epic love story. It is a love story with America (the good and the bad) and music and the passionate love of dreaming! It contains one of my favorite musical songs, “On the Wheels of a Dream.” If you haven’t heard it–trust me, find it and listen to it. It is heart-wrenchingly beautiful. (especially if you know what happens after they sing this song.)
7. The Phantom of the Opera. This is simply one of the best love stories of all time. This story is set in the 1870’s Paris Opera House. The Phantom is a musical genius who prowls around with a mask hiding the disfigured half of his face. Even though he has been imprisoned by his disfigurement he feels love and even compassion for Christine. When she falls in love with Raoul, the Phantom’s heart is broken and he turns into a jealous, furious “monster.” It is a wonderful story of how love can conquer all or destroy. The music is haunting and beautiful. It is a timeless genius masterpiece.
6. Les Miserables. Unrequited Love. The song “On My Own” makes me feel all the feels, after all, haven’t most of us had unreciprocated love sometime in our lives? Eponine and Marius are the couple that never was and how we ache for Eponine all the way to her death. The love stories play out on many levels throughout this celebration of human spirit. There is a reason it might very well be the world’s most popular musical.
5. Cinderella.I grew up watching the 1965 TV remake of this wonderful musical that was written for television. To me, there was no better Cinderella than Lesley Ann Warren. She was pretty, but not so pretty that it put my hopes of one day being a Cinderella out of reach. I loved “In my Own Little Corner” and I felt like I could also be “whatever I wanted to be” and, like Cinderella, it was ok to dream. Cinderella has a magical love. It is a fairy tale that makes most of us want the knight on a white horse-love at first sight kind of love. And honestly, that’s kind of breathtaking. (As a side-note I don’t like the modern version. For more on that read my review here: https://fromthewings.org/2018/05/01/rodgers-hammersteins-cinderella-changing-the-fairy-tale/)
4. West Side Story. Romeo and Juliet revisited. The tragic tale of two gangs that cannot mix with each other until Tony and Maria meet each other and fall madly in love. They defy the wishes of all their families and friends and commit to love each other for life. Oh, the power of love–it makes you believe that all things are possible. I won’t give away the ending, but since I said Romeo and Juliet you might get a hint.
3. Steel Magnolias. This story revolves around Truvy’s Beauty Shop. Everyone in the town gets their hair done there. When your hair is being dyed and cut you can bet some very strong friendships are being formed. This story is a love story between friends, and mothers and daughters. These bonds are powerful, life-sustaining and unexplainable. I wouldn’t give up the experience of playing Ouiser for anything. Life-altering.
2. Wicked. Most people might say that this is the story of Fiero and Elphaba. I believe it’s the story of a powerful friendship between Glinda and Elphaba. These two strong women meet and are instantly at odds because the pretty blonde just doesn’t understand the green-skinned girl. Yet, they each open their hearts and allow the lessons of the prejudice of the world change them “For Good. ” It is very rare that there are two female lead parts that are so brilliantly written for the stage. This one makes me long to be able to sing like Elphaba who does happen to sing my theme song. (Don’t we all want to Defy Gravity?)
1.Showboat. Anyone who knows me would have to know that this is my number one pick. It is the show that made me fall in love with theatre. I have seen it numerous times and have read the book and play just as many.
the love story that the show people have with performing
the love that Bill has for Julie that he would sacrifice his future by joining Julie’s race
I love that Magnolia loves Gaylord so much that she fights for him even when he is ruining her life
I love the way Old Man River soars and the love affair the people on the river have for the Mississippi.
My all time favorite musical song, “Can’t Help Loving that Man of Mine” (in fact I sing it to my granddaughter-with a few words changed) comes from this beautiful love story.
If you haven’t seen some of these make sure you search them out. If you have, I’d love to hear what you think! Please take a moment to comment, share and like!
Based on the 1942 film featuring Bing Crosby and Fred Astaire, the stage adaptation of Holiday Inn makes some vital updates (for example, cutting the film’s blackface number), while satisfying those of us who love old musicals and including songs like “White Christmas,” “Happy Holiday,” “Blue Skies,” and “Cheek to Cheek.”
Michael Mahler stars as Jim Hardy, a musician who leaves New York and show business to settle on a farm in Connecticut. He proposes to his song-and-dance partner, Lila Dixon (Kimberly Immanuel), who accepts him (seemingly reluctantly) and promptly leaves for a touring gig with the third member of their original trio, Ted Hanover (Will Burton). While Lila and Ted dance their way across the Midwest to Las Vegas, Jim embraces the farming life with the help of lively jack-of-all-trades, Louise (Marya Grandy).
Events collide when some of Jim’s New York friends come to visit as he is discovering that the farming idea is well….a disaster. How do any performers cope when they are in a crisis? Well, of course, they decide to put on a show! Jim hatches a plan with his newfound friend Linda Mason (Johanna Mckenzie Miller), a charming, reserved schoolteacher ( who once aspired to be a performer). They decide to open the farm each holiday, bring in Jim’s performer friends, and put on a show!
I must say, I have never been disappointed in the costumes at Marriott’s; however, this time I was. As you know, wherever you sit at Marriott’s you will be looking at some of the performer’s backs at least half of the time. It would seem to me that it would be very important for the actors to look equally good from the back or front. Unfortunately, it was quite distracting to look at Michael Mahler who’s pants were…hmmmm….baggy. The Valentine’s dresses looked great until the girls turned around and we saw what looked like a huge decal on the chest of their dresses. The Easter dresses were ok, but the Easter bonnets, which were designed to be over-the-top, lost the class that I think that song usually demands. Overall, I would give the costumes a C-.
Set Design and Technical
One of the things I love about Marriott’s is how effortlessly the set pieces move in and out. The cast is always brilliant as they push the pieces on and manage to do it in character. This show is no different.
One of the highlights is the piano. Since it is so much a part of this singing and dancing trio it becomes a central part of the design. As Michael Mahler is such an accomplished musician it is a delight to see what he brings to his character as he skillfully plays.
The other pieces fit the story perfectly. I loved the ladder that rolled around as different characters climbed on and off of it. Masterful use of the space and props/set pieces.
I must admit I wasn’t fond of Michael Mahler as Jim. I know I shouldn’t compare to the movie, but growing up seeing Bing Crosby in this part it was hard to listen to Mahler’s voice. I felt he was a bit cheesy in his portrayal and I wanted him to be smooth and in control. Also, Will Burton as Ted wasn’t exactly a Fred Astaire either. I wanted to like Ted, but be angry with him for his lack of friendship and loyalty towards Jim. Instead, I didn’t like him at all.
But then, Linda Mason, played by Johanna Mckenzie Miller, and Louise , played by Marya Grandy, walked on the stage and all was well. Grady was brilliant, charming, funny and brought an incredible amount of energy and life to the stage. Miller made us believe she loved Jim in such a way that I ended up wholeheartedly loving it.
The dancing ? Wonderful! If you haven’t seen clips of the tap number with jump ropes then you can’t imagine how breathtaking it is! Hands down a showstopper. Denis Jones deserves an A for his wonderful choreography that brought this story to life.
Ted Hanover : “Every now and then it’s a good idea to pause in our pursuit of happiness and just be happy.”
I mistakenly thought that this show would be too much like White Christmas. I was so wrong. I smiled most of the time. I loved the music, dance and love story. It made me remember the movies of my youth and just plain made me happy.
If you can get a ticket. Go. You won’t be disappointed.
HOLIDAY INNruns through January 6 at the Marriott Theatre, 10 Marriott Drive, Lincolnshire, IL 60069. Tickets are available at 847-634-0200 or marriotttheatre.com.
I’d love to know your thoughts! Did you see this production? Please take a moment to comment and share this post!