My learning curve for social media has been much slower than most people’s.
I started off being afraid of it because I was taught not to trust all the people that were getting information about me.
Then I was afraid no one would ask to be my “friend” or “follow me.”
It wasn’t until way down the line that I realized it was okay to just be who I am and spread my message to the people who want it.
Even if it is only one person.
During the shut down this past year I tried to learn and follow the suggestions of countless mentors and advisors.
1) Start a blog.
2) Have a personal Instagram account as well as a business account. (reba.hervas)
3) Start a personal YouTube account.
Because Reba is different that Overshadowed. Yes, there is a merge most of the time, but advisors teach that it is important for me to have my own name recognition in order to have another road that leads to Overshadowed.
But again, I was advised to not be discouraged by what we have done, but to constantly strive to be better the next time. (Which fits in with our mission at Overshadowed) I think we’ve done that and I’m happy that we are finding our rhythm. Hopefully, we will continue to grow.
Now, I was advised again, who are you?Why should people watch this? What are you all about and why do people need to subscribe to your channel?
Mr. Perry, thank you for investing your love of drama in hundred’s of students at Kinston High School. Thank you, for noticing a student like me and introducing me to a world of theater. To Mr. Unknown Tech, thank you for your life-changing words of wisdom.
To all of you: Remember, your speech is a valuable gift. Use it wisely. Be empowered by the unique gift that you have been given. You are truly blessed.
If you want to thank a speech teacher somewhere you can start by following my blog and my YouTube channel and I’d love it if you’d share this message as well!
Until next time, this is just me talking to you from the wings.
When Overshadowed first opened its doors sixteen years ago we started with a Christian play I had adapted from a novel “Silent Star“. It was a hard hitting, dramatic, cry your eyes out- kind of play with the gospel message strong within it. Why? Why would I start a brand new theater company with something like that instead of a light funny, everyone leave smiling -kind of show?
The very mission of what Overshadowed is- calls to BOTH types of plays. I wanted to declare boldly that I would never shy away from a play that would bring you to your knees even though much of what we do includes the feel good stories.
Twelve years ago we performed Noah! for the first time and it instantly became a show that people talked about and requested over and over. In fact, when our ten year anniversary came around I asked our audiences to pick the season by vote and Noah! came in second….but barely.
So, in 2019 when I was picking the season for 2020, I decided it was time to mount this production again. Who knew that it would tell the story of the first quarantine and reach the depths of our hearts because of the year we recently had?
Well, God did. He is the author, planner, sustainer, comforter and guide. It was the perfect choice.
Noah! has now become the longest running show Overshadowed has done. Not most attended (Because we are limited to 50 audience member still.) But, we have now scheduled 26 shows and we will add more if we sell Easter weekend out. Did I mention this show would be a fantastic show to see Easter weekend?
Recently, I wrote about the set design of Noah! You may read that post here:
A great production requires more than a great story, fabulous actors and an amazing set. It also requires a fantastic costume design. Since Overshadowed began, our philosophy has been that we might not have a real stage, or all of the bells and whistles of a professional theater, but that within our power we would make the production elements that we could afford be fabulous. Costumes became the element that we consistently spent more money and time on. We had super talented people who poured their hearts and souls into some pretty fantastic pieces. We knew that one choice alone would set us apart from other theaters close to us. We wanted to “look” professional and we knew that “clothes make the man” or in this case–the character.
It is amazing to me how often an actor really cements his character once he puts those costumes on. It is indeed the “finishing touch.” Perhaps it is the most important touch.
I had the chance to interview Debra Schott and Margaret Sahli for this week’s episode of From the Wings. I love their vision and can’t wait for you to hear what this process has been like for them.
I am so excited to share this post from our guest blogger today! Meet Julie Gernand! I’m thankful to have her as a part of Overshadowed and blessed to have her as a friend!
Today’s guest contributor, JULIE GERNAND, is wife to Ted and mom to Benjamin (3) and Peter (5 months). She has been seen on the OTP stage in the summer 2016 musical Guys and Dolls and was honored to choreograph both I’ll Be Seeing You (winter ‘17) and Seven Brides for Seven Brothers (summer ‘18). She currently resides in Oswego, IL and enjoys teaching theatre classes for Heritage Homeschool Workshops and diving into her new passion of bringing joy to others through weekly online Zumba dance fitness classes. You can join her live on Facebook every Tuesday evening and Saturday morning!
Doing YOUR THING Matters.
I think it’s really important to find “that thing”. You know what I’m talking about. “That thing” that brings you joy in ways nothing else does. The creative outlet, class, hobby, or interest that makes you YOU. For my husband, it’s Cadillacs and baseball. Not necessarily in that order.
For me? It’s theatre.
The fact that you’re reading this blog today probably means that you have an interest in theatre too. Is it “your thing” too? In my case, I didn’t realize this about myself until about 7th grade. I was cast as Kate, an orphan in the musical Annie, Jr. with a small theatre group that met at a local dance academy. Sure, I had been in some hodgepodge church productions and elementary school music-class plays (for which my mom has saved every playbill and script in memoriam…anyone else?) but this was my first “big deal” role. I knew I liked being on stage, but it wasn’t until this musical that I felt it. The goofy camaraderie among the cast. The butterflies of that moment just before the curtain opened. The “going out to dinner with your show makeup on” sort of giggly pride. I really felt like I had found my people.
Among these things, one moment that shaped this experience for me was during a live performance. We were performing the scene in which the orphans sing “It’s a Hard Knock Life” and perform an angsty dance with a rolling laundry basket when the musical accompaniment track suddenly cut out. The bunch of us, all elementary and middle school girls, were left to finish the song a cappella. I remember looking around, making knowing-glances at the other girls as we just kept singing. I mean, “the show must go on”, right!? Part of the true joy and magic of live theatre is learning what to do when mishaps occur, because they will. We threw Molly into the laundry basket, hit our final pose, and left the stage. I was so proud to be part of that cast as our director hugged us after the show, who through tears congratulated us for finishing that song strong and without missing a beat, as though nothing had happened to the music. From then on, I was pretty hooked on this musical theatre thing.
I’ve recently read a book (That Sounds Fun by Annie F Downs – highly recommend) in which the author talks about the importance of doing something that you love, even if you’re not the best at it. In our world, we often think we have to be a professional at something to be doing it at all. This point resonated with me. Maybe it resonates with you, too.
The thing about my love of theatre was… well, I wasn’t the best at it. Sure, I had sung in our church’s children’s choir for a few years at that point and had a knack for silly faces, but I certainly wasn’t the singer they would choose to be the lead in any show, nor was I an exceedingly convincing actress at 13. But as I think back on this topic, I remember what my third grade teacher told my mom at a parent teacher conference: “Julie thinks she has to know everything before we’ve covered it. She needs to realize she is learning!” If I hadn’t found some brave part of me I’m not sure how I found, I never would have tried out for that musical. Well, I do know how I found it. God, in his kindness, gave me the gumption to try something that pushed me out of my comfort zone. Over time, I became better at this craft, and found my true-love niche of musical theatre, dance. The passion I found as a braces-wearing, awkward middle schooler became my college major, and eventually part of my career.
But sometimes, our passions don’t become our career. At OTP, so many performers hold daytime jobs that have nothing to do with performing arts, but they craft and mold their passion for theatre on the Medinah stage. This matters. Because it brings joy. Doing what you love will automatically bring joy to your own soul and to others sheerly because you love it. It will start to spill over, this thing you love. Sure, it may lead to bigger and better opportunities, but sometimes our joy is just our own. But I believe your thing is a reflection of the creativity and beauty of God. We get to see a little bit of the beauty of his creation through your passion. And that makes a difference, professionals or not.
What is your “thing”? Is it theatre? Building sets? Writing scripts? Share it with us!
Eleven years ago I wrote a play that for some reason became one of the most special experiences our cast and crew had ever had. The theater space was not big. We had no animals. The set was made out of styrofoam instead of wood and we had absolutely no minutes with a completed stage before we opened the doors for the audience. When you are an all volunteer army you take the time people can give you whenever they have it to give you. And, well, God knows and somehow it always gets done.
When I decided that it was time to repeat this wonderful story I had no idea that the world as we know it would stop and that the cast and crew would learn some of the same lessons that we imagine the original inhabitants of the ark might have felt. Why, Lord? How long, Lord? And a few others. But we understand that God’s timing is ALWAYS perfect.
It is always difficult to write a story that is taken from a Biblical story. I always want to be careful to note that some of this story is out of my imagination. The Bible doesn’t give us detail of what those eight passengers felt or thought while they were floating all those days. However, in reminding ourselves that these were REAL people I like to ask my audience to consider things that they might not have ever thought about. Consider, for example…did they fight? Were they thankful? Did they complain like the children wandering in the desert? And as an audience….how does that change our walk with God?
Here are nine things that impacted me in writing this play:
1. The story of Noah is told in a form of parallelism. It is interesting to note that as the story prepares us for the flood it unfolds in such a way that as the waters unfold it parallels the beginning. For example, we learn of Noah and his sons. We are told that the ark needs to be built and the flood will happen. There is a covenant made with Noah. The food is loaded into the ark and the command is given to enter the ark. There are seven days waiting for the flood. They enter. God shuts the door. 40 days of raining. The mountains are covered. The waters remain for 150 days.
Then, (I love this thought)The Lord remembers Noah.
Now, this is what I mean about how the account is parallel. Look how the next part unfolds. The story reverses.
The waters recede for 150 days. The mountain tops become visible. They wait 40 days.Noah opens the window of the ark. Raven and Dove leave the ark. They wait seven days for the water to recede. There is a command to leave the ark. God gives instruction about the food outside of the ark. God makes a covenant with all flesh. God promises He will not destroy the world with a flood in the future. And they leave the ark: Noah and his three sons.
I am not enough of a Biblical scholar to know the significance of that, but I do appreciate the beauty of it.
2. The size of the ark (if we consider that there is 18 inches to a cubit), the total cubic volume of Noah’s ark would have been 1,518,000 cubic feet, the equivalent to 250 single-deck railroad stock cars. Since the average stock car can carry 80 180 lb. sheep or 160 50 lb. sheep per deck (2.5 – 5 sq ft per animal), it’s estimated the ark could carry 20,000-40,000 sheep size animals. Wow. Just wow!
3. It is interesting to note that ancient records note that sailors would use doves, ravens, and other birds to help them find and navigate toward land. It is said that a raven will fly directly toward land, so they could follow the raven as a guide. Doves are not able to fly as long so they were used to determine location of land. If the dove returned it would mean that land was not close.
4. Noah and his family were on the ark for a total of 370 days. (There is a little debate about the exact number of days, because of lunar years, but this is the number most scholars agree upon.)
5. Noah’s first recorded act after leaving the ark was to build an altar to the Lord (Gen. 8:20). Imagine what the world would be like if our first response to difficulties would be to honor God with sacrifices and praise?
6. The Bible says the ark came to rest on the mountains of Ararat (a mountain range in Turkey) but does not specify which mountain.
7. The only time Noah is recorded as speaking is when he curses Canaan and blesses his sons Shem and Japheth. At all other points in his story, God does the talking and Noah does the listening. Again, another example. God talks….I should listen….totally not enough listening going on in the world today!
8. At 950 years of age, Noah had the third longest life recorded in the Bible (after Methuselah (969) and Jared (Father of Enoch) (962)). We all are aware that Methuselah was the oldest, but I had really never stopped to consider that Noah was only 19 years short of achieving the same record!
9. Besides the book of Genesis, Noah is also mentioned in eight other books of the Bible (1st Chronicles 1:4, Isaiah 54:9, Ezekiel 14:14; 20, Matthew 24:37-38, Luke 3:36, 17:26-27,Hebrews 11:7, 1 Peter 3:20, and 2 Peter 2:5).
Noah has a place of honor in the faith chapter. Consider God’s servant: Noah.
What are other things you have learned when considering Noah? I’d love to hear your thoughts!
I’ll never forget my first live theater experience.
My aunt took me to see Showboat at the local high school. As I sat in the audience I was completely drawn in by the sounds of the orchestra tuning. I felt the excitement of the parents and friends as they were ushered to their seats and I was entirely a part of the story as the dancers, actors, and singers performed.
There was more that I didn’t see. I didn’t see the people who designed and constructed the set , costumes, light, sound. I didn’t see the people who moved the set and props to make sure each scene was staged perfectly.
That’s true of so many of us. Do you believe you have to choose between either being on the stage or behind the scenes?
I’d like to encourage you to do both. What can you learn by working in some other capacity of the theater?
1) You get to watch as the actors work. You can learn from the experience others are gaining. Also experiencing the show from off stage sometimes gives clarifying moments of the element of storytelling that you might miss when you are focused on your own acting on stage.
2) You learn about all the jobs and responsibilities of the production crew. Work on the sound or light crew and you will understand why it is important to take mic checks seriously. Or work a long tech rehearsal and you will see why it is so important to be quiet when asked or be serious to get the job done.
3) You learn to respect others. You learn why it is important not to touch other props or to put yours back where it belongs. You learn that it is important to respect the people who do so much for you backstage. Maybe it will remind you to say thank you to each of them.
4) You will make new connections. Collaboration is one of my favorite aspects of theater. Making new connections is a benefit.
5) You might learn new skills. Not everyone comes into theater knowing how to sew or work tech, but be involved with these super talented people might give you the chance to learn and who knows maybe you will end up using that new skill in your life. Your focus might be acting, but there is creativity to learn from everywhere.
6) You get to see the show from a different perspective. When you see the show night after night you hear when people say a line a different way. I actually have people that don’t get certain jokes at first, but after hearing something over and over they begin to understand the humor! You see how the other elements (such as lighting) either aids the story or distracts from it.
Recently, I asked several of Overshadowed’s favorite actors/volunteers to share their experiences from a backstage perspective.
If you haven’t spent any time working in an area behind the scenes I hope you will find a place to help out. Here are just a few of the skills I think you will gain:
1) Concentration 2) Organizational skills 3) Confidence 4) Problem solving
The benefit? All of those skills help you ON-STAGE as well.
What are your favorite parts of theater? I’d love to hear from you!
As always, a special shout out to Brianna Valentine, Rebecca Leland and Yohannan Lee for their wisdom, talent and time spent to make this video!
Until next time-this is just me-talking to you-from the wings.
When COVID shut our country down months ago, my husband and I found ourselves in front of the TV night and after night. When we determined that this crisis was not going to go away anytime soon, we started to try to figure out how to change what we were watching as well as breaking it up so that we weren’t just watching mindless TV EVERY NIGHT.
We established Friday night movie night. He brings home a nice take-out dinner and I pick three movies for him to choose from. Then we have Sunday night documentaries–look at us being all educational!! I usually let him pick that as well.
This past Sunday our conversation went something like this:
Me: “Do you know what documentary you want to watch tonight?”
Me: “Okay. Which one?”
Him: “The Trial of the Chicago 7.”
I had seen that advertised and knew that it was something I wanted to check out, but hadn’t had the chance to do it yet so….
Me: “Great! I thought that looked interesting too.”
Fast forward five minutes into the movie.
Me: “This doesn’t seem like a documentary to me.”
Me: “You pulled a fast one, didn’t you? This is a movie.”
Him: “Yes. I wanted to see it. And it’s a little like a documentary.”
Uh No. No, it isn’t.
What is the difference?
Actors. Generally, documentaries use real people in real situations to tell a story. (Sometimes they do reenact the stories as well.) Films use actors. And man, was the acting good in this one.
Fantastic Beasts star Eddie Redmayne plays anti-war activist Tom Hayden. Sacha Baron Cohen assumes the role of fellow protester Abbie Hoffman. The Black Panther Party co-founder Bobby Seale is portrayed by Yahya Abdul-Mateen II (Watchmen), and Snowden’s Joseph Gordon-Levitt is prosecuting lawyer Richard Schultz. Throw in Frank Langella and Micheal Keaton and you see this cast of full of acting power! Their characters were believable and realistic. That alone made the movie worth watching!
2. Escape vs. Reality. The general purpose of a film is to entertain. Documentaries are meant to inform or confront the audience with reality. Now, granted, documentaries want to engage their audience and a movie can be informative, but what is the motivation?
Sorkin’s film, hit Netflix on Oct. 16 and tells the story of the riots at the 1968 Chicago Democratic National Convention and the circus-like trial of political activists that followed the next year. Research seems to indicate that Steven Spielberg first mentioned the idea to Sorkin in ideas of themes–civil unrest, politics, police brutality, tensions in all political areas –over 14 years ago.
“I never wanted the film to be about 1968,” Sorkin says in an interview with Hollywood Reporter, I never wanted it to be an exercise in nostalgia or a history lesson. I wanted it to be about today. But I never imagined that today would get so much like 1968.”
3. Fact or Fiction. Movies are usually mostly fiction. They can be based on actual events or people, but elements get added and directors admittedly take creative license. Documentaries are non-fiction. The director might shape it a certain way, but they don’t add elements to the stories.
Was it good? Yes. And if the purpose was to get me to know more about this historic event, it succeeded. It was brilliantly written. The dialogue between the judge and Abbie Hoffman alone is worth the watch.
If the purpose was to awaken me to the horrors of police brutality and racial injustice it failed. Not because it didn’t show events that were horrific because it did and at first I was outraged. Taking a deeper look troubled me.
I believe part of the problem with our culture right now is that we have lost understanding of the truth. Our leaders, social media, politicians, news outlets– shout their story–twisting just a little bit here or there until we either follow blindly or turn our minds off because it is too overwhelming. Once in awhile there is the brilliant person who can make sense out of the whole mess. Why take a story that was deeply rooted in police brutality, racial injustice and twist it to make it worse? The story itself was terrible.
In twisting and adding to the story, I believe you make it a fictional story. One that we need not take seriously. There is a huge danger to that because indeed, it is a story that needs to be told. There is another danger, and that is that we allow ourselves to be shaped by what entertainments sources tell us or what us to believe instead of digging and learning the truth. People, there is power in the truth! FIND IT!
Many of the protesters were in response to the Vietnam War. As I write that, my fingers refuse to type for a few more moments. My dad and countless number of his friends fought in that war. I’ll never forget standing next to him at one of the Vietnam Walls as he searched for the names of his friends. My dad was a hero. My dad and countless others served, fought, bled and some died so that we could have freedom. I know the protestors had their reasons to be against the war, but where would we be now without all of our heroes who bled and died for our freedoms?
This year has been a struggle. We all know the reasons and we all know how we have responded.
What have we come to, America? What have we come to, Christians? Do we rise up to stop bullying, slander and injustice….untruth?
Are you part of it? Do you speak out? Or has fear caused you to “hide your light”?
I know I have been all over the place with this post, but I believe this is a story that needs to be told.
Several years ago our church was in a bad place. About ten of us decided to start a Bible study outside of the church. We read the book, Crazy Love. If you haven’t read it, do it. It will change your life when you get a small picture of how much God loves you.
Anyway, one of the ladies told us that she was going to begin to pray for a certain thing to happen that would allow our church to heal. We all laughed at her. Seriously.
But she kept praying. And praying. We told her that God was big enough for that to happen, but we didn’t think He would grant us that answer. But still she prayed. With faith. Nothing wavering.
And the prayer was answered. And then she started praying for the next step in the healing process and… well, you understand.
Maybe it’s time for us to become reacquainted with our faith and the power of prayer. It might be a really good time to drop to our knees and ask God for help, grace, mercy and compassion.
Who is with me???
P.S. Watch The Trial of the Chicago Seven. I’d love to know what conclusions you come to!
When the clock tolled to ring in 2020 I would have told you that I was very happy with what the year was probably going to look like. Overshadowed had grown. We had a new group of volunteers. We made changes to have some of our newer volunteers take ownership in areas that we consider ministry. I had become a better planner and marketeer. We had a record number of season ticket holders and a fantastic season planned. In short, we had met every one of our goals for the year!
And then COVID. (I know. You are sick of hearing me say that, but honestly I have no other words.)
When COVID shut us down I went through almost depression. I lost my focus. I honestly didn’t have any idea what God wanted me to do.
Slowly, I started to use the time to LEARN. I joined Ken Davenport’s THE THEATER MAKERS. I took an instagram class (Not quite finished with that yet.) And I attended (Virtually) a Writer’s convention (She Writes For Him). All of this was life-changing for me. It sharpened my focus and gave me a little drive to put things into place so that I can be a better leader when we fully open again.
The most important lesson I learned? My voice hasn’t been silenced. I may not get to act/direct right now, but whether I write an email or a blog post…it is still my voice. God gave me lessons and stories–I should share them.
Lesson Two. I’m behind social media wise. I knew that of course, but if I want people to hear me I was told I have to catch up. So. I was encouraged to start a You Tube Channel. This was a big jump for me, but a group of very inspirational people gave me some great advice. Here’s hoping that together we can create content that will inspire others. By the way, it will really help me if you become a subscriber. At present, From the Wings doesn’t even show up in a search. Help!
My blog will still be once a week. My YouTube will probably be more like once a month. Today’s blog contains the first video. As an actor it is important to know the purpose of the spotlight, but are there dangers that you can avoid?
I hope you will support me in this new venture! Please make sure you become a subscriber! If there are topics you’d like to hear us explore please let me know!
I’d like to give a special thanks to Aaron Brewster and Abby Wilken for creative wisdom. I’d like to thank Yohannan Lee for his design of my new logo and for his help and artistic wisdom in getting everything set up. I’d like to thank Mike Larsen and Rebecca Leland for their support in lighting and recording. I’d like to give special thanks to Brianna Valentine for her leadership, organization, and direction and editing. I am so fortunate to have an incredible team.
As always the more you talk about what we have going on here-the more other people will hear.
I’m not so sure why this week’s blog was so difficult to write. I’d love to say that it’s because I wasn’t a history scholar and perhaps I’m afraid of saying something wrong.
I’m afraid it runs much deeper than that.
I have told you before. I was raised to be deeply patriotic. My dad fought in three wars and spent twenty-five years in the military. He loved America. He saw the faults, but loved this country and by his example, I did too. I feel privileged to be raised an American. I’m proud of my dad. I’m proud that he would risk his life to protect the freedoms that we all enjoy. Have you ever thought that there are reasons people put their lives in danger to try to make their way into our country and escape their own? I think we have it pretty great.
And yet….we are a divided country right now. We are torn politically. We are torn because of the virus. And we are torn on other levels as well.
It isn’t the first time we’ve been divided. When the Continental Congress declared their independence from the British during the reign of King George the III not everyone was in favor of that decision, but TOGETHER we fought for freedom. Our country has been torn during the Civil War and again during the Vietnam War when people avoided the draft and escaped to Canada to avoid fighting for something they didn’t believe in.
For years, people disdained a person who avoided the draft in such a manner. Now, it makes no difference to most people.
For a time we loved the freedoms that this country fought for and in turn granted all those who were citizens.
“Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.” – The First Amendment to the U.S. Constitution
What are the freedoms we are granted?
Freedom of speech
Freedom of religion
Freedom of the press
Freedom to assemble peaceably
Freedom to petition the Government.
With these freedoms we become the freest people in the world.
When do you get those freedoms? Do you have to work for them?Or be of legal age?No. You are granted these freedoms the day you are born. It doesn’t matter politically what side of the fight you are on: Republican or Democrat, you can use the freedoms you are given to push for change or oppose it.
Wow. You. Me. We. have the freedom to push for change. And I am so glad we all do.
Did you know that, John Adams, one of the signers of the Declaration of Independence, wrote that the 4th of July should “be commemorated as the day of deliverance, by solemn acts of devotion to God Almighty!
So you might be thinking….what does freedom and what people have fought for have to do with Hamilton?
During this time of celebration by many Americans, the Broadway musical Hamilton is making it’s screen debut and I think we can learn a lot from the production as well as the man.
Timing is everything.
Could this musical be a source of healing? Is there a way to look at the moral vision of the show, and in some way, come together as a county? Instead of allowing our differences to destroy us? Could there be an intersection between faith, arts and change?
I have to admit, I didn’t know much about the musical when I first had the opportunity to see Hamilton! I thought it was full of rap music and had a story line that I wasn’t super crazy about, but I wasn’t going to miss the chance to see something that was such a work of art. Hamilton won 11 Tony Award in 2016, including best musical. I now know it is a work of genius.
What can we learn from this musical?
Hamilton is the retelling of a time in our history, but brilliantly deals with the social issues that we face today. Hamilton was an immigrant from the Caribbean and a major theme of this musical is his fight for dignity and equality.
The story also centers on grace, forgiveness, death and redemption. Themes that a person of faith rests on, but ones that we all should remember. Those themes should give us hope and show us what life might look like. Those themes open the door for us to have discussions about faith and hope and how we all need God’s Grace in our lives.
The musical includes scripture that impacts as it tells the story of the past. Did you know that the song, “One Last Time” contains a phrase from the scripture that George Washington used in his personal writings throughout his life? Historically, the most famous use was at a time he used it to express hope that Jews would flourish in America.
“May the children of the stock of Abraham who dwell in this land continue to merit and enjoy the good will of the other inhabitants–while every one shall sit in safety under his own vine and fig tree and there shall be none to make him afraid.
May the father of all mercies scatter light, and not darkness, upon our paths, and make us all in our several vocations useful here, and in His own due time and way everlastingly happy.”
4. Did you know that Hamilton, like many of our founding fathers, practiced a real faith in God.? He even wrote hymns and poetry when he was a boy. Here is a few lines from one of his most quoted:
“Hark! Hark! A voice from yonder sky, Methinks I hear my Saviour cry, Come gentle spirit come away, Come to thy Lord without delay.”
5. Hamilton tells the story about a man who was ambitious. It has been said that the poorest man has the chance to be a millionaire in America and indeed, “Hamilton didn’t “Throw Away His Shot.” By the time America was formed, Hamilton was the second most powerful man in the United States.
6. Hamilton teaches forgiveness. His wife, Eliza struggles with forgiving Alexander for an affair and the chorus sings, “Forgiveness, Can you imagine?” Can we, in our country, forgive each other? Can we take a moment to listen and understand the pain and forgive? Can we follow Christ’s example? 70 x 7?
7. Hamilton broke the “rules.” It is full of hip-hop, rap, poetry and it is the first musical to cast people of color to play characters who historically were not. Hip-hop and rap has traditionally been known as music of rebellion. To place it in a musical about a revolution is brilliant and eye-opening. Then the original casting hopefully opens our eyes to a new way of thinking about things and new possibilities. There is so much to learn from that.
Are we listening?
8. It is a story of heartbreak and redemption. Hamilton receives the honors of war and yet becomes a political outcast. He loses a son in a duel and ultimately dies the same way. And yet, his wife redeems all the hurt. In the final scene Eliza sings about her new calling to start the first private orphanage in New York. She sings:
” In their eyes I see you, Alexander. I see you every time.”
And she looks up to heaven and smiles.
When we celebrate July 4th this year I am going to be thankful for my country, my freedoms, my friends (both the ones who share my beliefs and the ones who don’t).
I’m also going to be thankful for God’s work of redemption. At times, the world seems full of sadness and suffering. May we each have the courage to speak out and spread the hope the God gives. May we have courage to be a catalyst for change not just a bystander. I am going to be thankful for my freedom of speech (even though sometimes I’m afraid to take the chance to express myself.)
I am also thankful for musical theater!
I hope you can enjoy your families, friends and FREEDOM! Happy 4th of July!
Please let me know your thoughts! Has the time of unrest in our country sadden you? Or do you see it as a wonderful catalyst for change and discussion?
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I am really jealous of my oldest daughter in one specific way. She seems to be able to make time to read…like really read maybe for an hour or hours a week. I’m not sure how she does it, but thinking back….there was a period of time in my life when I did the same thing. I’m desperately trying to regain that desire/ability, but still struggling a little.
A couple of year’s ago my daughter, Becca author of the Blog, Daily Joy, read the book Creativity, Inc. by Ed Catmull. She told me that I really NEEDED to read the book. To be honest, I kinda blew it off. Why did I want to read a book about the President of Pixar?? My mindset was that Pixar wasn’t Disney and I was too old for cartoons. So, when my daughter, Ashley, gave me the book for Christmas, I put it away.
Enter Covid. (Is it strange that every one of my blog posts lately say…Enter Covid? Life changing for sure….)
With Covid my world stopped and I tried to recreate good habits and get rid of old bad ones. I had previously made a New Year’s Resolution to read at least one book a month during this year. After a few light reads I decided to pull this book off the shelf.
Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration by Ed Catmull, co-founder (with Steve Jobs and John Lasseter) of Pixar Animation Studios, the Academy Award–winning studio behind Inside Out and Toy Story.
I cannot believe I waited this long to read this book. It was inspirational, motivational, entertaining and educational. This book tells the story of a man who had a dream and worked hard to build a company that set a new standard for a creative culture–believing at all times–that it is important to do the best work possible. I started reading it thinking that it was a great book to tell the story of Pixar, but quickly began telling my friends and anyone who would listen about the lessons I learned each day.Lessons that applied to me as a writer, director, story-teller, leader, President of a non-profit and maybe even just a person. I started taking notes realizing that this book is for me. Ed would tell stories about how they would write their scripts and I would find myself realizing that his struggles were things I needed to learn from.
My lessons didn’t stop there because Creativity, Inc. is also a book for managers who want to lead their employees to new heights, and create a working environment that is successful, safe and causes each employee to also strive to be better.
Here are a few of my favorite quotes:
“If you give a good idea to a mediocre team, they will screw it up. If you give a mediocre idea to a brilliant team, they will either fix it or throw it away and come up with something better.”
“You are not your idea, and if you identify too closely with your ideas, you will take offense when they are challenged.”
“Failure isn’t a necessary evil. In fact, it isn’t evil at all. It is a necessary consequence of doing something new.”
“If you aren’t experiencing failure, then you are making a far worse mistake: You are being driven by the desire to avoid it.”
“Getting the right people and the right chemistry is more important than getting the right idea.”
“When it comes to creative inspiration, job titles and hierarchy are meaningless.”
“When faced with a challenge, get smarter.”
“Fear can be created quickly; trust can’t.”
“Craft is what we are expected to know; art is the unexpected use of our craft.”
“Making the process better, easier, and cheaper is an important aspiration, something we continually work on—but it is not the goal. Making something great is the goal.”
“What is the point of hiring smart people, we asked, if you don’t empower them to fix what’s broken?”
“Always take a chance on better, even if it seems threatening.”
“You’ll never stumble upon the unexpected if you stick only to the familiar.”
“Be patient. Be authentic. And be consistent. The trust will come.”
“The future is not a destination – it is a direction.”
“We must remember that failure gives us chances to grow, and we ignore those chances at our own peril.”
“We want people to feel like they can take steps to solve problems without asking permission.”
“THERE IS NOTHING quite like ignorance combined with a driving need to succeed to force rapid learning.”
“Quality is the best business plan.”
“it is not the manager’s job to prevent risks. It is the manager’s job to make it safe to take them.”
The title, “To Whom it May Inspire.” is taken from a section of the book where Ed is talking about something he created called, “Notes Day.” He warns that things change and that they should and we shouldn’t be afraid of that change but instead approach it with fresh thinking. Ed received a letter from one of his animators, Austin Madison, which started, “To Whom it May Inspire,” He stated that like most artists he constantly shifts between two states. The first is white-hot, “in the zone.” A place where everything flows creatively. He says it only happened 3% of the time. The other happens the other 97% of the time and is when we are frustrated, struggling and throwing ideas out the window constantly. His advice?
PERSIST on telling your story.
PERSIST on reaching your audience.
PESIST on staying true to your vision.
That’s what we do. Keep on keeping on. Stay focused. Don’t give in.
I think there is comfort in the fact that we will always have problems: some we see right away and some that come out of nowhere….like COVID.
It isn’t the goal to avoid the problems or even to make things easier. The goal is to rise above the problem with excellence.
Who is this book for? EVERYONE. Honestly, do yourself a favor and read it. It isn’t a quick read because there is sooooo much to think about. You might be surprised. You might even shed a tear. It’s that good.
This quarantine has provided me with some rare opportunities as I’m sure it has to you. (Positive thinking, people!) Maybe you found time to finally deep clean the garage or that closet? Or…just to sleep! I’ve found time for two of my favorite things: cooking and reading (make that 3 – eating – let’s be real). In addition to my favorite genres, history and fiction, I’ve been reading more plays (and eating more…and…riding my bike more – gotta combat the COVID 20!…Pounds that is).
I´ve been thinking about how I would stage and develop these plays (I have a few shelf fulls I´ve been working my way through). In thinking (and eating, of course) during all of this, I discovered the topic for this blog!
Cooking up Characters with Kady! (did you like that alliteration?) Seriously though, there are so many parallels between cooking and directing that once I started, I just couldn’t stop seeing the similarities. So, here are some ´tasty´ thoughts about how to ´cook´ up and serve characters and actually, the whole show, as a director.
First, and absolutely the most essential, is the visualization. I have always been fascinated with the process of taking raw ingredients and reshaping them into a new cohesive whole, which is why I love cooking. (plus I love eating, gotta be real folks). Taking ´raw´ ideas and reshaping them into living breathing characters in a ´real´ world is why I love directing. Both cooking and directing spring from visualizing the final product.
An important caveat: I make no claims to be a professional or even a remotely good cook! (and definitely not baking – I have not conquered the opera cake yet – plus I haven’t deboned a duck…let alone a chicken) And I am most definitely not a Broadway director. I direct summer camps for Overshadowed and direct my school´s drama program/plays. Broadway someday? I can dream. But in the meantime, I absolutely L-O-V-E what I do. So back to it.
I almost (not completely because I l-o-v-e to eat) enjoy imagining the combination of flavors, texture, and plating more than creating the actual dish. Why? It’s the wonder of possibilities! It’s the magic of ´before´ reality hits and all the obstacles jump up to bonk you in the nose. As I read a script, the same thing happens. Oh the possibilities! I imagine the world with the movie or I should say, the ´stage of the mind´. And while the show plays, I ask questions: What do I think the forest of Oberon and Titania actually looks like?Should the 39 Steps be staged as a radio drama or can it be ´live action´?And Jane Eyre..modern or historical?How should Don John hide his perfidy from the characters but not the audience in Much Ado About Nothing? How would an audience react to a production of Raisin in the Sun?How actually should I create the creatures of The Hobbit? (that one was answered brilliantly by my creative team!)
Sometimes the visualization doesn’t start with a script. It sometimes happens like my grocery shopping (especially when I´m hungry). Sometimes, I will see a unique ingredient (like a kumquat) and think, ´I´ve never cooked with that before. I wonder how it can be used and what other ingredients will go with it?´ Then, I pull out my phone right there and look up ideas, nutritional facts, and common or unique ways to cook it. And then into the cart it goes and the adventure begins! Sometimes I´m introduced to a new idea I´ve never used before, or a story I´ve never heard of, or a design element or tool I’d absolutely love to use. The research begins and ´Oh the possibilities´!
And once the mind, and sometimes the heart, are full of all the possibilities, I have found I need a lot of help to make that dream a reality.
Which of course leads to the next step: the collaboration.
With the ´recipe´ of the visualization in hand, I turn to my team. As a director or the visionary of any creative endeavor, this is the most essential task – getting your vision, ideas, tastes, textures, mood, hopes, fears, wish lists, and the world across to your creative team.
Not just so they understand what is being created, but so that they catch your hunger; so that they take ownership of the vision as well. Any chef knows the explanation of a recipe must be absolutely clear or what will be presented to the diner will be a muddied catastrophe. The director must be absolutely clear in establishing the framework and details the world his/her team is to work within. They become your sous chefs in their respective areas of expertise. Lighting, costuming, makeup/hair, sound, house, set, props, stage crew, marketing – you name it. This utterly essential team must hunger for exactly what you´re hungering for. If you pick well, as I have thankfully often experienced, they will love your vision as much as you do. And as such, will willingly share in the burden of creation.
The creative team is not just there to share in the burden, they´re there to add to the dish. Having other’s input adds flavor, shape, and foresight or resolution to problems you couldn’t see (I tend to dream big, my team helps keep my feet on the ground). Plus, someone else’s creativity and skill can make all the difference. That doesn’t mean the recipe loses its intrinsic value, its central identity, or that the director loses ownership. It simply means a new perspective of costuming, some expertise on how to actually make those puppets work, a composition of the mood you wanted to convey through music, or a unique way of enhancing audience interaction will all help create an authentic performance. That is simply invaluable. This team will become your fellow visionaries, and in some cases, dear friends with whom you can share and bolster the creative process through all the possibilities.
The third step (which I adore) is the preparation, or the creation of the characters. This is the step of pulling the characters from the page into the world that has been envisioned and is being created. This step requires reliance on the sous chefs/line cooks.
I think actors generally fall in the range of both. (I speak as an actor as well). What I mean is this: My niece is 14, precocious, opinionated, very chatty, beautiful, creative, and did I mention opinionated? My nephew is 16, tall, handsome, a sweetheart, intelligent (single) and follows instructions well. (I love them…clearly) When my sister and I cook or bake (Which we love to do! She could open her own restaurant), we do enjoy making it a family affair, which means pulling my niece or nephew into the adventure. Both enjoy cooking in my sisters kitchen, but one is a sous chef and one is more of a line cook. My nephew takes the instructions and performs with minimal questions. Need something diced? Grilled? He’s on it. If he doesn’t know how, a demonstration or explanation is given and he’s good. My niece, on the other hand, needs to know why. Always. ´Why not julienned instead of diced? It will look prettier, Aunt Kady!´ Oy vey! I have learned that after explanation, and after she has defended her point of view (vociferously), I have a choice. I can modify per her suggestion, or if that modification takes us outside the parameters of the recipe, I can choose not to. But I had better clearly explain why not to her before she is willing to move on. And she does, and dices with absolute precision. She does so because she owns her understanding of why. It’s now her mission, her task, her recipe too. Now I know sous chefs are second in command in the kitchen. I´m not saying actors are assistant directors. But, when it comes to character creation, the directorial vision has to be handed over to the ´assistant´ creators of those characters – which is the actors.
I have found that despite training (Meisner, Method, College degree, or complete amateur), actors generally land somewhere between my neice or my nephew. I enjoy both the line cooks and the sous chefs. Those like my nephew take the instruction and go with it. If they need direction they ask or accept it, then take it and go. They have already signed up to your vision because they trust it’s gonna ´taste´ good (especially if it’s pasta). They really thrive when the director is ´hands on´ in the early stages of laying out the elements of the character that he/she want to see brought to life and then stepping back and allowing the actor to take on the responsibility progressively throughout the entire process until of course they present the character on stage before an audience. Others…well…are my niece. They may question your vision from the very start. It doesn’t matter if they are highly trained or complete newbies. These are more sous chefs than line chefs and need to own the ´recipe´ of their characters as their own. This means you have to explain the vision and it needs to make sense to them. They need to understand the world their character lives in. And if it doesn’t make sense and they just can’t claim ownership of it, well… there have been times I’ve kicked my niece out of the kitchen. But when they do own the vision, when they are allowed to add their flavor to it… the performance that results from such an intensive shaping can be so enriched and authentic. In the world that’s been created by a team fully committed to the vision, adding a performance that has been relentlessly picked apart, lovelingly shaped together, and executed with absolute belief is utterly glorious! I guarantee that your audience won’t soon forget it. It is a beautiful preparation.
From visualization to collaboration to preparation, we’ve arrived at the final flourish, the lifting of the silver dome – the presentation! What a wonder it is when that curtain finally rises! A chef can indeed cook alone and create an adventure on a plate that the diner won’t soon forget.
But theater is not a solo endeavor.
Besides creativity and teamwork, its most important ingredient is trust. The playwright must trust that their story will be told with integrity, even with creative license. The director must trust that the world he/she envisioned will truly be brought to life by the design team, the crew, and the actors. And when the audience sits down to dine on the feast that is truly the ´theater experience´, they trust that the performance they are about to partake in has been cooked up with the greatest love, professionalism, care, detail, and creativity, with a dash of magic. Bon appetit!