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Being the Ricardos or What I learned from Loving Lucy

This past week I settled in to watch the movie, “Being the Ricardos” that is now streaming on Amazon Prime. I had seen trailers and was pretty excited to see it. Why?

Two Reasons- I love stories/movies based on real people. I think they are fascinating as much for the historical truth as well as the creative perspective. Secondly, I Love Lucy. Seriously, I have long been a fan. When I was younger I didn’t care how many times I watched Lucy and Ethel stuff candy in every nook and pocket of their clothes. I watched with great joy as Tennessee Ernie Ford guest starred along with countless other stars. It was hilarious to watch Lucy, week after week, conniving to “act, dance, perform, sing.” Perhaps I was inspired by her.

Later, I watched “The Lucy Show” and again was mesmerized by her flawless attention to detail and her incredible comedic timing. Her facial expressions are entrancing and again, I was inspired by her. Years later I found out that Lucille Ball was actually kicked out of acting school!

In her autobiography, Lucy tells that all the teachers praised a big-eyed blonde in class, yet never cared for her (Lucille). Well, I guess that was understandable because that blonde was Bette Davis!

The acting school said that Lucy didn’t have talent! They kicked her out saying that it was a complete waste of money for her to continue her studies! What would you do if your school wrote you such a letter?

Yet…this would- be actress, that was told she didn’t have talent, changed the course of American TV along with her husband Desi. There is a huge void in the world without her lighting up the screen. This became clear to me as I watched Nicole Kidman portray this icon. (By the way, Kidman did an incredible job she just was the wrong person to play this role.) However, to me, what I really saw was the brillance of Lucille Ball. There was a scene in the movie that Kidman is recreating a scene in “I Love Lucy. “You might be familiar with the scene where Lucy smashes grapes. I can almost see it in my mind even now. Lucy’s facial expressions communicated every emotion and thought that she was thinking in that vat. Seeing Kidman, I was struck with how incapable anyone is when trying to recreate what Lucille Ball did. It wasn’t even close. Sadly, she didn’t seem to have the energy that Lucille Ball was known for and ugh, I’m not sure if the prosthetics made her unable to move her face or if she just didn’t, but how can you play Lucy if YOU DON’T MOVE YOUR FACE??

Don’t get me wrong. I still really enjoyed “Being the Ricardos“, but I also learned why I love her so much. So here is what I learned from loving Lucy then and now.

  1. You cannot copy comedic genius. You can learn from it, but you cannot clone it. There was and will always be only one Lucille Ball.
  2. Don’t let someone else crush your dreams. If I had received the letter Lucille Ball received from the acting school I am positive I would have given up on acting. The world is thankful that Lucille Ball didn’t give up. So, a little known story… I was rejected pretty early at the college I attended. So much so, that I was afraid to really put myself out there. I caved and pursued speech education instead. I didn’t want to be told that I wasn’t good enough and at that time my advisor was trying to talk me out of theatrical productions saying things like, “How would you ever support yourself if you had no husband or he died?” (That’s a whole different discussion for another day.) Basically he frightened me into not trying. I wish I had known Lucille Ball’s story at that time.
  3. Work the details of a scene. I loved the scenes that showed Lucille Ball thinking and visualizing each scene to make sure “it worked.” Details matter, and if you, as the director take the time to work on the details of a scene, it will be more believable to the audience.
  4. You don’t have to be the star of the show. Lucille Ball was once called the “queen of the B movies.” She didn’t say no to parts because she felt that she could always learn something from each experience and that it was a good way to make connections and get her name out. I think many times we miss the best roles of our lives because we want to be the star.
  5. You aren’t too old. Lucille Ball got her own show when she was almost 40. Sure, I’m older than that…but I’m no Lucille Ball…I can wait a few more years!

I’m not sure I can say it enough. Don’t give up, and don’t be lazy. Work hard on the stage and off. Maybe there is one more Lucille Ball out there…if so, I can’t wait to see what she gives the world to enjoy.

Here are a few moments to learn about Lucille Ball in her own words.

Did you watch “Being the Ricardos”? What did you think? Who inspries you?

I’d love to hear what you think! As always, I’d be so honored if you would take the time to share, like, comment and subscribe!

Until next time, this is just me talking to you from the wings–

Reba

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I.

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The Top Ten Blog Posts of 2021 Chosen by You

January 1st. Everyone is setting goals and picking words and kissing 2021 good-bye. I’m doing a little of that as well, but I also thought it might be interesting to see what blog posts YOU the reader liked the most. It is a great way to evauate what I do and see how to give you more of what you like.

It is a good reminder to me that things I obsess about might be things no one notices or things I take for granted might be the very thing you wanted to talk more about. All in all, it continues to make me better and that’s always a good thing!

So, here are YOUR Top 10 favorite blogs of the last year:

1) Hope From the Wingshttps://fromthewings.org/2021/07/15/hope-from-the-wings/

2) Breath of God https://fromthewings.org/2021/11/12/breath-of-god/

3) In the Face of Grief https://fromthewings.org/2021/08/26/in-the-face-of-grief/

4) The Stage is a Blank Canvas https://fromthewings.org/2021/01/29/the-stage-is-a-blank-canvas/

5) Why Do Theater? https://fromthewings.org/2021/02/04/why-do-theater/

6) The Finishing Touch https://fromthewings.org/2021/03/03/the-finishing-touch/

7) What Does a Stage Manager Do Anyway? https://fromthewings.org/2021/04/22/what-does-a-stage-manager-do-anyway/

8) Edits Aren’t Only For the Written Word https://fromthewings.org/2021/11/05/edits-arent-only-for-the-written-word/

9) Nine Things You Should Know about the Story of Noah https://fromthewings.org/2021/01/15/nine-things-you-should-know-about-the-story-of-noah/

10) Doing “Your Thing” Matters by guest blogger Julie Gernand https://fromthewings.org/2021/02/17/doing-your-thing-matters/

So there you have it. These are the blog posts that people were talking about in case you missed one and want to catch up! and hint….if you want to make sure you NEVER miss a post please make sure you follow me! I only need 8 more subscribers to hit 100!

An interesting observation…none of my posts about books made the top ten. Perhaps I should have the book blogs be an additonal post instead on one of the weekly? My posts about grief and hope were my top ones. Perhaps some of you are in need of hope and healing as well? I will pray for you, my readers, I’m sad to say I haven’t really thought of doing that until now. Another thought is that you truely cared about the pain I was going through. If that is the case, I’d like to thank you again. Writing this blog was so theraputic this year.

Thank you for your likes, shares and comments. I’m hoping 2022 will be a happy, healthy year for all of us.

For now, this is just me, writing to you from the wings.

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Edits Aren’t Only For The Written Word

The third entry in Webster’s dictionary says that an acceptable meaning of the word “EDIT” is


c : to alter, adapt, or refine especially to bring about conformity to a standard or to suit a particular purpose

As most of you know, I’ve been pretty unhappy with things in my life this year. I’d list all of the things, but I don’t want to think about them and I’m pretty sure none of you want to hear about them either. Over the last couple of weeks, I’ve treated myself to some spoiling–more reading, getting my nails done and lastly a trip to Disney. Thankfully, this week I feel more like my usually positive self.

Four Friends Fall For Disney

As I was going through my mail after my trip I opened one of the subscription boxes I receive . (I know–I needed something to get through two years of COVID) To feed my planner obsession I receive a subscription box from Cloth and Paper. It is filled with new pens and sticky notes and journaling cards and well, it is just something I spoil myself with. As I was going through my new goodness I saw that they had written that definition on one of the cards.

It stopped me in my tracks. Somehow, it made me feel like the things I was planning and designing didn’t have to stay on the page. No! I could edit myself as well!

What would I want to edit? Well, bad habits. I’d also like to firmly get out of this slough of despond I’ve been in. Lastly, I want to lose weight. I was preparing for a half marathon when Covid hit and since then I just can’t get my head to care about what I looked like. I would reason with myself and tell myself that I wasn’t going anywhere anyway so why not enjoy my food? I knew I had gained weight, but really didn’t realize how much until I put on my costume for Twelve Angry Women. I guess I had been deceiving myself by wearing leggings and spanx and all black, but wow, yep…I need to take action. For my own health. For my future.

Jessica Means and me! Photo by Francisco Montes

And yet I still didn’t take significant steps. I did slow down on pop and make a healthy decision every once in awhile, but we all know that isn’t enough.

Then, I opened that box and saw the definition and somehow I knew that was for me. I need to edit my life.

I started looking and researching what I was going to do and decided to start with baby steps (because I’m still not sure my head is all the way there and I don’t want to fail.) I looked up how many steps I needed to take a day just to maintain my weight…again, I was shocked…9000! Some of you aren’t surprised…I was blown away! No wonder I was gaining weight! I stopped running and I was almost never hitting that many steps a day. I downloaded the app. (Yep, they got me) I started Sunday. I’m taking small significant steps and I’m sore, but focused. I edited the first part of this chapter of my life.

The app gives me assignments for the day. It starts with a chapter to read that is sometimes a positive affirmation and sometimes healthy lessons. Today, it was a quiz. It asked me to rate every part of my body from 1-10 with how I feel about it. Then it challenged me to look at the area of my body that I am the most unhappy with and find something to be thankful for. For example, if I hated my feet the most I would stop and think about what my feet do for me every day and what life would be like without my feet even if they hurt when I walk. It was so altering for me. Even the areas of my body–my life–that I am unhappy with can give joy–purpose–meaning.

It is the same in my every day life. In this year filled with so much pain and disappointment, I can look at the area that causes me the most hurt and find something to praise and be thankful for. It is a small step. But it is a significant one.

Thank you, God, for edits and for being the Great EDITOR.

What about you? Are you editing something in your life? How can I help? I’d love to hear your stories too!

From the wings

Reba


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What’s Haunting You…or Did You Break A Theater Superstition?

Ever have a time in your life where you felt like you just needed to stop doing what you were doing and just play and have a good time? It’s been such a year that I did just that this past weekend. Disney was celebrating a “Boo Bash” on Sunday night and I thought it was a “hauntingly” great time. If you ever have a chance to experience that I would highly recommend it!

What holiday appeals to theater people? Why, one where you can dress up and pretend to be another character of course! Halloween is full of superstitions and well, so is the theater!

Here are a few of my favorites and why they exist.

1. No whistling backstage.

Have you ever heard that you should never whistle in a theatre? This superstition started in the 1600’s . About that same time much of the scenery began to “fly” in–or in audience terms–be raised and lowered with ropes and pulleys. Sailors were often employed as stagehands in theaters because of their extensive knowledge of ropes. They would communicate with each other by whistles to bring backdrops in or out. So a mistimed whistle would..well, make you a part of the scene.

2. Always leave a light on.

This light is more of a safety measure than a scare tactic. It is to be placed on the stage as a safety measure so that there is always enough light to keep workers from falling or tripping. Long ago people started arguing that the real purpose was to chase away unwanted spirits or to keep the ones that live there happy!

3. No peacock feathers on stage.

Yes, they are beautiful, but did you ever look at the pattern? Many people think it looks like an evil eye! They’ve been rumored as the cause of forgotten lines and broken sets as the “evil eye” curses the show.,

4. Don’t say the ‘M’ word!

Probably the most famous of all theatrical superstitions. Saying ‘Macbeth’ in a theatre will immediately bring you bad luck. According to folklore, the play’s history of bad luck began at its very first performance (circa 1606) when the actor scheduled to portray Macbeth died tragically and the show has been cursed ever since.

5. Never light three candles.

They said good things come in threes but I guess not in this case! Tradition states that the person nearest the shortest candle will either be the next to marry or the next to die. Why? The best we could discover is the thought that open fire is always dangerous on stage and more candles means there is a greater chance that a fire could get out of control. Did you know that Shakespeare’s Globe was burned down during a production of Henry VIII?

6. Break a leg.

Most of us know that you should never wish an actor “good luck.” There is a theory that this tradition started from the idea that the word leg doesn’t mean an actor’s leg. Instead, it refers to a curtain that masks the backstage. If you “break a leg” it means you’ve crossed from the backstage into the playing area. That means you are in the spotlight– which is exactly where the actor wants to be!

7. Give those flowers at the correct time.

The traditional method of giving flowers to lead actors after a show is a nice thing to do, but make sure those flowers are never given before a performance. You must not reward an actor for their work before they do it otherwise it might cause the production to close early.

8. Mirrors are a no-no.

By having a mirror on stage, you run the risk of it getting broken, but practically speaking they also reflect light and might wreck the lighting design. A misplaced reflection could blind an actor and potentially cause them to tumble off the stage. So instead people began to say that a mirror was a gateway for evil spirits.

9. Never wear blue on stage.

Many people haven’t heard of this one-perhaps because the reason behind it doesn’t exist anymore. There was a time when blue dye was the most expensive fabric covering. So, producers started a rumor that blue costumes were unlucky. It was all about the money.

I loved learning more about the history of some of these thoughts that theater people talk about! Many times there are practical reasons we do what we do. I don’t tend to be superstitious and I certainly don’t believe that evil spirits are roaming about on our stage. However, I do love to dress up and can’t wait to open our next show.

I hope you all get lots of candy this weekend….and if you give me flowers–give them to me AFTER the show!

Until next time–this is just me-talking to you–from the wings.

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A Theater Experiment Gone Wrong?

Overshadowed Theatrical Productions recently completed their fall production “Twelve Angry Men” and “Twelve Angry Women” Yes, you read correctly. We did both versions of this famous play. It was an experiment in marketing as well as acting and directing.

 

The cast of Twelve Angry Men. Photo credit Francisco Montes

Before I begin talking about that experiment,  let me share some thoughts about the play in general.

I was very surprised about the number of our audience members who had never seen this play or the MOVIE!  I have always considered this work a classic and a favorite for many film lovers and also high schools. It has become a way to teach the importance of civic responsibility, bias, and that prejudice comes in many forms.

Reginald Rose wrote the original play for the CBS series, “Studio One,” and
it aired on September 20, 1954. He says it was based, to a certain extent, on his own experiences as a juror,. He also said that it reflected a time when standing up for your constitutional rights could get you in trouble. 

Afterwards, the teleplay was adapted into a film. Although it did not win, “Twelve Angry Men” was nominated for three Academy Awards: Best Picture, Best Direction, and Best Screenplay based on mate- rial from another medium.

The real award is that Rose has written something that is lasting. It speaks across generations and racial divides. It makes one think of their own prejudices and the need for jurors who will serve with a moral responsibility. Our audiences sat on the edge of their seats most nights. We had fabulous conversations each night and many audiences members came back the following weekend to see if it made any difference if the cast was all male or all female.

Ticket sales weren’t what we wanted.

But if our goal is to give the audience a night of entertainment that moves them and inspires them–then we definitely succeeded. 

Watch our latest episode From The Wings for a look behind the scenes with our directorshttps://youtu.be/nvm1rYf05TM

 

Many thanks to our directors, Mike Larsen, Brad Holloman and Jessica Means as well as our cast and crew. It was an incredible experience.

As always, thank you Rebecca Leland for your work filming and editing! You are such an incredible talent and blessing!

If you enjoy reading this blog it would be such a joy if you would take the time to follow us and share it! Thank you!

For now–this is just me–talking to you from the wings!

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The Pain and Joy of Closing Weekend

I always get to this point in a show. Do you know the moment? It is when something is almost over–you can see the end in sight–a time you will never experience again–It is  here and I regret that more people haven’t seen this musical. I want to share it. There is pain and joy in the closing of a show.

This year has theater audiences struggling to come back from what they lost during Covid. We decided to do a smaller show for several reasons. We weren’t sure that people would want to sit next to each other. Or maybe we’ve all gotten used to sitting and watching our entertainment inside instead of taking the trouble to go out and actually BE with people.

So…I decided on The Marvelous Wonderettes. It is a jukebox musical. It was an off Broadway success. In fact, so much of a success that there are multiple sequels that are written and performed about these four girls.

These four girls….Missy, Cindy Lou, Suzy and Betty Jean. Entered my world months ago as strangers as did the girls who played them. (Amy Keipert, Jessica Means, Brooke Kassal and Grace Ryan) They worked harder than I think any of them expected as they discovered that this musical was much more than a few great songs strung together. They worked hours daily on their harmonies and choreography and characters and the work paid off. What we have is an amazing show with four brilliantly talented girls who sing difficult harmonies effortlessly.

Here I am at closing weekend wishing that I could convince everyone I know to spend a couple of hours in the theater with this show. Here are a couple of remarks I have received:

What a perfect show to mark the return to live theater. It was so good to laugh and smile and sing along with such fun songs.”

I haven’t had that much fun in years.

This show is better than vitamins. I feel ten years younger.

Honestly, those comments mean the world to me. The reason I am in theater is because I want to bring joy to the world. (well, one of the reasons.) This show did that.

We have one weekend left and if I could convince you to come out and join us for one of the remaining shows, would you? overshadowed.org

Even if you have seen the show before, the beauty of live theater is that it is never the same. Every night has a new audience and a new energy and most importantly a new moment to experience. I see the show night after night and love every second of it.

As we begin this weekend, we are tired, but it is a good tired. We are filled with the joy we have shared with audiences, the satisfaction of a job well-done and the feel- good sensation when you learn and grow from an experience.

We would love to share this joy…this story…this experience with you. We have lots of tickets left for tonight, friday night and two shows on Saturday…and it’s air -conditioned. (It’s a win-win.) Won’t you shake off the Covid hibernation and join us? Let’s get back to the joy of live theater.

Here is a little tease of the show:

Until next time–I’ll be in the wings–

Reba

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Theater Through the Eyes of a Child-By Guest Blogger Kendra Jones

I am so pleased to share these thoughts from Kendra Jones. I met Kendra several years after Overshadowed began, and she instantly became a friend as well as a significant part of the company. She recently moved away, but her impact will stay with us for years to come!

                                           Theater Through the Eyes of a Child

It was unlike anything I had ever seen or experienced. My mom had planned a special date for the two of us. I knew this had to be a special occasion since she had me get all gussied up in my favorite dress and my Sunday shoes.

It was a Saturday afternoon, and I remember the glass-paned lobby feeling bright and warm as the sun streamed in through the windows. There were lots of other children there with their moms and dads. We walked from the lobby into a room like I had never been in before – their seats sloped up and there was a stage in the middle of the floor. My mom was taking me to my very first play.

At the time I probably didn’t fully grasp what a play was, but I do know I was in awe of every moment. From the time the play began, I was caught up in the story. It was the tale of “Hansel and Gretel.” I clearly recall the Father character with his rugged, lumberjack look, complete with full beard, plaid shirt, and suspenders. Hansel and Gretel were children! Just. Like. Me! Their journey through the magic forest to the witch’s house made of candy had me on the edge of my seat the entire time. When Hansel and Gretel and their Father were reunited at the end, their loving family embrace in the middle of the pink and purple illuminated stage is permanently etched in my mind. It was a true “happily ever after” moment! This experience created a life-long passion for theater in me.

Fast forward to 2009, when Reba and I had discussions about beginning our Kids and Family Series for Overshadowed. While all of Overshadowed’s shows are family-friendly, we felt it was critical to begin offering shows that would be targeted for a younger audience. Why? Because the earlier a child is exposed to the arts, the more likely they are to appreciate and engage in the arts as they grow. And the show I selected to begin our family series with was none other than my first foray into the theater…”Hansel and Gretel.”

Since that time, we have produced eleven shows in our Kids and Family Series. Each time, each show has become more precious than the last. We realize that the time and money you invest for your children is of great value to you, and we have strived to create more than just a production, but a true experience.

Watching this program develop, I have made the following observations about kids and the theater:

1. They want to become part of the story. As much as possible, we try to find moments within each show to engage the audience and allow it to become interactive. Admittedly the times I have enjoyed the most have been when it has happened organically. During a performance of “Hansel and Gretel,” as the witch was stealing the pebbles the children used to mark the path to return to home, a little boy loudly exclaimed, “Oh, no, no! NO! You bad witch! I’m gonna get you!” Good thing we were headed to intermission after that because everyone (audience, crew, and cast alike) erupted into uncontrollable laughter for the next several minutes!

2. They want the special occasion experience. We have seen grandparents come with the grandkids; Daddy/daughter dates; Mom and kids days out; group events with extended family and friends. More often than not, just like I was as a child, they are all dressed up in their finest. One time a father came with his daughter…he in a tuxedo, she in her prettiest dress. Not going to lie…that one made me tear up a bit.

3. They want the story to continue. After every performance the cast lines the hallway, still in costume, to greet the audience and take pictures. Quite frequently I have overheard children “expanding” the story as they engage with our cast members about what they would have done in a character’s situation, or how it should continue to play out.

4. They want to overcome their fears. Most every story has some kind of villainous character. It is in the nature of literature itself. We are always very cautious with our approach to the villains with a gentle hand, because we don’t want to create a fearful situation. But at the end of the day, a villain is still a villain. I always feel a little badly for our “villains” during the greeting time, as they are often left standing there with no children to greet them. After all, who do you want a big, warm hug from after visiting Narnia…the White Witch, or Aslan the Great Lion? After a production of “Alice in Wonderland,” I observed one of the most beautiful interactions. The White Queen (portrayed by Traci Cidlik) noticed a little girl watching her. Traci had figured the girl wanted to approach her, but being a villainous character, the girl was a little afraid. Traci knelt down on the floor and started talking to her. Slowly the distance between the two of them grew shorter as the girl began taking baby steps toward Traci. And before you knew it. The child threw her arms around Traci’s neck and gave her a hug, and wanted to take a picture with her.

Young or old, novice or experienced theater-goer, I hope I will continue to enjoy every theatrical experience as through the eyes of a child.

Suessical!
The Lion, The Witch, and the Wardrobe

Whatever you do today I hope it is magical!

What was the first play you ever saw? Do you have fond memories of it? I would love to hear about it!

acting, backstage, directing, stage, stage manager, stage managment, theater, theater education

What Does a Stage Manager Do Anyway?

When I first began directing over thirty years ago my team was made up of me…yep, just me. (I’ll bet some of you have been in that position!) My best friend, Sue, got talked into turning the lights on and off and I convinced a parent of one of the students to help make a few costumes. In my wildest dreams I never could imagine that I would be lucky enough to have the resources to have a stage manager!

In fact, at first, I simply had done things by myself for such a long time that I didn’t know what to do with a stage manager! Then, they became indispensable to me. I literally don’t know what I would do without one!

But what does a stage manager actually do?

A better question might be, “What don’t they do?”

Stage managers are in control of anything that happens from the front of the stage and back. They represent the director to make sure the production runs smoothly. They are liaisons between the director, actors, stage crew and technical team. They give support to the actors and anticipate their needs during performances.

( Kate Hart-stage manager of Noah!)

The stage manager and director often work together during rehearsals. The stage manager records blocking and notes for the actors and communicates what is decided during rehearsals to the rest of the team.

The stage managers responsibilities might include:

1) scheduling and running rehearsals
2) communicating the director’s wishes to designers and crafts people
3) coordinating the work of the stage crew
4) calling cues and possibly actors’ entrances during performance
5) overseeing the entire show each time it is performed
6) notifing cast and crew of rehearsal times.                                                                                         7) Scheduling  costume and wig fittings.

In the beginning stage managers can  aid the rehearsal process by mapping out the set dimensions on the floor. They also provide props and furniture as soon as possible.

It is important for stage managers to attend as many rehearsals as possible. It becomes their duty to record all blocking, light and sound changes in a master copy of the script. This book is called a prompt book. This book becomes very important in technical rehearsals.  If you are fortunate enough to be able to have a stage manager that calls cues, this prompt book will have all the information the stage manager needs to run the technical rehearsal. (Thus freeing up even more of the director’s time.)

I haven’t been able to “give up” any of my shows, but in professional theater the director’s job is over when a show opens. At this point the stage manager becomes responsible to carry out the the vision of the production until the production closes.

Each stage manager has different aspects they love and different aspects that are their strengths. Join me for this episode From the Wings.

https://www.youtube.com/watch?v=xWXOGjliWCY&feature=youtu.be

There is something incredibly magical about a stage manager and their connection to the cast and director.

I would be lost without one.

Have you ever tried stage management? Do you have a memory of how a stage manager helped you through a show? I’d love to hear your thoughts!

Also, it would be ever so kind if you followed this blog or subscribed to our YouTube channel!

Until next time!

P.S. A special thanks to my FROM THE WINGS team of Rebecca Leland and Brianna Valentine. You guys are so talented!

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The Finishing Touch

When Overshadowed first opened its doors sixteen years ago we started with a Christian play I had adapted from a novel “Silent Star“. It was a hard hitting, dramatic, cry your eyes out- kind of play with the gospel message strong within it. Why? Why would I start a brand new theater company with something like that instead of a light funny, everyone leave smiling -kind of show?

The very mission of what Overshadowed is- calls to BOTH types of plays. I wanted to declare boldly that I would never shy away from a play that would bring you to your knees even though much of what we do includes the feel good stories.

Twelve years ago we performed Noah! for the first time and it instantly became a show that people talked about and requested over and over. In fact, when our ten year anniversary came around I asked our audiences to pick the season by vote and Noah! came in second….but barely.

So, in 2019 when I was picking the season for 2020, I decided it was time to mount this production again. Who knew that it would tell the story of the first quarantine and reach the depths of our hearts because of the year we recently had?

Well, God did. He is the author, planner, sustainer, comforter and guide. It was the perfect choice.

Noah! has now become the longest running show Overshadowed has done. Not most attended (Because we are limited to 50 audience member still.) But, we have now scheduled 26 shows and we will add more if  we sell Easter weekend out. Did I mention this show would be a fantastic show to see Easter weekend?

Recently, I wrote about the set design of Noah! You may read that post here:

https://fromthewings.org/2021/01/29/the-stage-is-a-blank-canvas/

A great production requires more than a great story, fabulous actors and an amazing set. It also requires a fantastic costume design. Since Overshadowed began, our philosophy has been that we might not have a real stage, or all of the bells and whistles of a professional theater, but that within our power we would make the production elements that we could afford be fabulous. Costumes became the element that we consistently spent more money and time on. We had super talented people who poured their hearts and souls into some pretty fantastic pieces. We knew that one choice alone would set us apart from other theaters close to us. We wanted to “look” professional and we knew that “clothes make the man” or in this case–the character.

It is amazing to me how often an actor really cements his character once he puts those costumes on. It is indeed the “finishing touch.” Perhaps it is the most important touch.

I had the chance to interview Debra Schott and Margaret Sahli for this week’s episode of From the Wings. I love their vision and can’t wait for you to hear what this process has been like for them.

https://youtu.be/HKPFQXR-BKw

I’d love to hear what your favorite costume experience has been? Would you like to join our costume team? We would love to have you!!

As always, it would be such a help to me if you would subscribe to this blog and share it!

Until next time!

Reba

P.S. A special thanks to Rebecca Leland and Brianna Valentine for their help with the recording of Fromthewings!

acting, artist, artistic vision, audience, backstage, christian blog, christian theater, communication, entertainment, theater

Doing “YOUR THING” Matters

I am so excited to share this post from our guest blogger today! Meet Julie Gernand! I’m thankful to have her as a part of Overshadowed and blessed to have her as a friend!

Today’s guest contributor, JULIE GERNAND, is wife to Ted and mom to Benjamin (3) and Peter (5 months). She has been seen on the OTP stage in the summer 2016 musical Guys and Dolls and was honored to choreograph both I’ll Be Seeing You (winter ‘17) and Seven Brides for Seven Brothers (summer ‘18). She currently resides in Oswego, IL and enjoys teaching theatre classes for Heritage Homeschool Workshops and diving into her new passion of bringing joy to others through weekly online Zumba dance fitness classes. You can join her live on Facebook every Tuesday evening and Saturday morning!

Doing YOUR THING Matters.

I think it’s really important to find “that thing”. 
You know what I’m talking about. “That thing” that brings you joy in ways nothing else does. The creative outlet, class, hobby, or interest that makes you YOU. For my husband, it’s Cadillacs and baseball. Not necessarily in that order. 


For me? It’s theatre.


The fact that you’re reading this blog today probably means that you have an interest in theatre too. Is it “your thing” too?  In my case, I didn’t realize this about myself until about 7th grade. I was cast as Kate, an orphan in the musical Annie, Jr. with a small theatre group that met at a local dance academy. Sure, I had been in some hodgepodge church productions and elementary school music-class plays (for which my mom has saved every playbill and script in memoriam…anyone else?) but this was my first “big deal” role. I knew I liked being on stage, but it wasn’t until this musical that I felt it. The goofy camaraderie among the cast. The butterflies of that moment just before the curtain opened. The “going out to dinner with your show makeup on” sort of giggly pride. I really felt like I had found my people.


 Among these things, one moment that shaped this experience for me was during a live performance. We were performing the scene in which the orphans sing “It’s a Hard Knock Life” and perform an angsty dance with a rolling laundry basket when the musical accompaniment track suddenly cut out. The bunch of us, all elementary and middle school girls, were left to finish the song a cappella. I remember looking around, making knowing-glances at the other girls as we just kept singing. I mean, “the show must go on”, right!? Part of the true joy and magic of live theatre is learning what to do when mishaps occur, because they will. We threw Molly into the laundry basket, hit our final pose, and left the stage. I was so proud to be part of that cast as our director hugged us after the show, who through tears congratulated us for finishing that song strong and without missing a beat, as though nothing had happened to the music. From then on, I was pretty hooked on this musical theatre thing.


I’ve recently read a book (That Sounds Fun by Annie F Downs  – highly recommend) in which the author talks about the importance of doing something that you love, even if you’re not the best at it. In our world, we often think we have to be a professional at something to be doing it at all. This point resonated with me. Maybe it resonates with you, too.


The thing about my love of theatre was… well, I wasn’t the best at it. Sure, I had sung in our church’s children’s choir for a few years at that point and had a knack for silly faces, but I certainly wasn’t the singer they would choose to be the lead in any show, nor was I an exceedingly convincing actress at 13. But as I think back on this topic, I remember what my third grade teacher told my mom at a parent teacher conference:
“Julie thinks she has to know everything before we’ve covered it. She needs to realize she is learning!”
If I hadn’t found some brave part of me I’m not sure how I found, I never would have tried out for that musical. Well, I do know how I found it. God, in his kindness, gave me the gumption to try something that pushed me out of my comfort zone. Over time, I became  better at this craft, and found my true-love niche of musical theatre, dance.  The passion I found as a braces-wearing, awkward middle schooler became my college major, and eventually part of my career.


But sometimes, our passions don’t become our career. At OTP, so many performers hold daytime jobs that have nothing to do with performing arts, but they craft and mold their passion for theatre on the Medinah stage. This matters. Because it brings joy. Doing what you love will automatically bring joy to your own soul and to others sheerly because you love it. It will start to spill over, this thing you love. Sure, it may lead to bigger and better opportunities, but sometimes our joy is just our own. But I believe your thing is a reflection of the creativity and beauty of God. We get to see a little bit of the beauty of his creation through your passion. And that makes a difference, professionals or not.

Julie and Byron Mrowiec From Guys and Dolls Photo by Francisco Montes

What is your “thing”? Is it theatre? Building sets? Writing scripts? Share it with us!

Until next time!