Overshadowed Theatrical Productions recently completed their fall production “Twelve Angry Men” and “Twelve Angry Women” Yes, you read correctly. We did both versions of this famous play. It was an experiment in marketing as well as acting and directing.
Before I begin talking about that experiment, let me share some thoughts about the play in general.
I was very surprised about the number of our audience members who had never seen this play or the MOVIE! I have always considered this work a classic and a favorite for many film lovers and also high schools. It has become a way to teach the importance of civic responsibility, bias, and that prejudice comes in many forms.
Reginald Rose wrote the original play for the CBS series, “Studio One,” and it aired on September 20, 1954. He says it was based, to a certain extent, on his own experiences as a juror,. He also said that it reflected a time when standing up for your constitutional rights could get you in trouble.
Afterwards, the teleplay was adapted into a film. Although it did not win, “Twelve Angry Men” was nominated for three Academy Awards: Best Picture, Best Direction, and Best Screenplay based on mate- rial from another medium.
The real award is that Rose has written something that is lasting. It speaks across generations and racial divides. It makes one think of their own prejudices and the need for jurors who will serve with a moral responsibility. Our audiences sat on the edge of their seats most nights. We had fabulous conversations each night and many audiences members came back the following weekend to see if it made any difference if the cast was all male or all female.
Ticket sales weren’t what we wanted.
But if our goal is to give the audience a night of entertainment that moves them and inspires them–then we definitely succeeded.
Over 10 years ago someone told me we should produce “12 Angry Men.” They suggested that we have a cast of all women and another cast of all men. They thought it would be a clever marketing ploy. I declined for several reasons. One of them being that I didn’t think I had 12 men that could pull off the acting that this show requires. I put it on the back burner of my mind and waited. In the meantime, I saw the Theater in Chicago production with Brian Dennehy and George Wendt and John Boy Walton…oh, I mean, Richard Thomas as Juror # 8. I also spent the time visiting local community productions and waited until the time was right.
As I have complained about for now, over a year, Covid has really done a damage to our theater. In our area, several shut their doors for good as they couldn’t continue with the costs of rent etc. while they just waited to entertain again. We were able to produce an original Biblical drama that kept us going with 50 audience members a night until we thought everything was getting back to normal. Not quite trusting, I decided to mount a smaller musical, The Marvelous Wonderettes, for the summer. It was fantastic, but the audiences didn’t come. A summer show usually brings over 2500 to our doors. This summer we didn’t even get 1500. So, what better time than now to pull out that old marketing ploy? We decided that we would mount two shows with two casts. We would have four directors, two of each gender that would each be in the play and direct the opposite version of the play.
At auditions, we were thrilled. People came. We even had to turn people away. (Which always makes me sad.) We began the character studies and blocking and somehow in the middle of the process I stopped enjoying it. It was difficult. Why didn’t I notice that we were actually going to be producing two shows at the same time? One is hard enough…but two? I think I might be a little crazy….
What made matters worse is that I’m not sure that any of the other directors were enjoying it either. We were all feeling the stress of having to be in two places at one time plus carry on with our outside duties. The creative experiment of working together didn’t gel the way I thought it would. Instead of being inspired by each other we did the opposite. At times we were afraid to speak up, or at times we didn’t want to make an issue about something, or at times we felt competition, or that we weren’t as important as the other directors. Emotionally, it was difficult. One week ago. I would have told you that this theater experiment was a failure
12 Angry Women opened last week and if you asked me now I would tell you that I probably wouldn’t want to direct with four directors ever again, but that I did learn. That’s a good thing. I want to learn each and every time I decide to be involved with a production.
Here are some facts:
12 Angry Men is the play many of us, of a certain generation, had to read in high school. This courtroom drama by Reginald Rose has been around since 1954; first as a live Television play, then in its more well-known incarnation, the 1957 film, starring Henry Fonda, directed by the great Sidney Lumet. (Did you know the film was nominated for three Oscars?)
Question #1 that we faced: Isn’t it dated? What relevance does it have today? Come see the play and you will soon find our that Juror #10 leads the way with his immigrant and minority comments. Unfortunately, we all go in to any conversation with a great deal of bias and maybe realizing this would help all conversations end more peacefully. We can learn from each other. We adopted a tag line #Don’t confuse me with the facts. Sadly, many times we don’t care enough to step out of our own selves and into someone else’s.
The drama begins when a lone holdout, Juror #8, believes there is a reasonable doubt in the case of a youth “from the wrong side of the tracks” on trial for the murder of his abusive father. The stakes are high and the jury is mandated by the judge to think about it wisely and carefully, because the punishment for conviction is the death penalty. Since the decision must be unanimous the deliberation begins. The Jurors range greatly in personality, economic and educational background and ethnicity. A thrilling ride when you realize this is real life. Every jury is made up randomly and everyone does walk in with different personalities, educational backgrounds and ethnicities.
As Jessica Means (my co-director) and I watched the 12 Angry Men rehearsal last night we were thrilled. It was tense, riveting and thrilling–just as people had told us the women’s production was last week. Every juror looks as if they walked in off the street in 1959 Manhattan. The set is beautifully simple; it manages to be both artful and authentic. The cast is constantly moving to almost be “the camera” and allow the audience to see the jurors from each angle.
Why 12 Angry Men/Women?
It is a bucket list love of a classic theater piece that I always wanted to tackle.
To learn from a totally unique theater experiment.
To take an old classic and see that even after years some things never change.
People. It’s simply great theater.
So, the marketing ploy? Unfortunately, things haven’t changed since this summer. Our tickets sales are horribly low. Even with 24 people in the cast–I’m not sure we will even hit our numbers from the summer. I’d like to ask for a little help. Don’t let Covid kill this theater. If this is a play you weren’t planning on attending…could you decide to come? If you are seeing one of the versions could you decide to see both? Could you spread the word? Please tell your friends and neighbors that this is one show that should not be missed.
One last thing: 12 Angry Men is a timely, riveting drama that will get you thinking about your preconceptions and stereotypes. It is a reminder that we must question apparent facts before making tough decisions. I don’t think that’s such a bad thing.
Okay. I lied…one more last, last thing. My co-director’s are all brilliant and now that we’ve all gotten past the hard parts we all admit it was a crazy great experience. Thank you, Jessica Means, Brad Holloman, and Mike Larsen for sharing your time, creativity and inspiration with us all.
Now, will you all please go to Overshadowed.org and buy tickets? Let’s show everyone there is still a place for theater!
I’d love to hear your thoughts!
Until next time, this is just me, talking to you from the wings.
My learning curve for social media has been much slower than most people’s.
I started off being afraid of it because I was taught not to trust all the people that were getting information about me.
Then I was afraid no one would ask to be my “friend” or “follow me.”
It wasn’t until way down the line that I realized it was okay to just be who I am and spread my message to the people who want it.
Even if it is only one person.
During the shut down this past year I tried to learn and follow the suggestions of countless mentors and advisors.
1) Start a blog.
2) Have a personal Instagram account as well as a business account. (reba.hervas)
3) Start a personal YouTube account.
Because Reba is different that Overshadowed. Yes, there is a merge most of the time, but advisors teach that it is important for me to have my own name recognition in order to have another road that leads to Overshadowed.
But again, I was advised to not be discouraged by what we have done, but to constantly strive to be better the next time. (Which fits in with our mission at Overshadowed) I think we’ve done that and I’m happy that we are finding our rhythm. Hopefully, we will continue to grow.
Now, I was advised again, who are you?Why should people watch this? What are you all about and why do people need to subscribe to your channel?
Mr. Perry, thank you for investing your love of drama in hundred’s of students at Kinston High School. Thank you, for noticing a student like me and introducing me to a world of theater. To Mr. Unknown Tech, thank you for your life-changing words of wisdom.
To all of you: Remember, your speech is a valuable gift. Use it wisely. Be empowered by the unique gift that you have been given. You are truly blessed.
If you want to thank a speech teacher somewhere you can start by following my blog and my YouTube channel and I’d love it if you’d share this message as well!
Until next time, this is just me talking to you from the wings.
Tuesday opened to a workshop called. “How Do We Know We Are Good Theater Teachers.” This session was taught by Peter Avery who is the Director of Theatre, NYC Department of Education. New York has one of the largest school systems and Peter oversees all aspects of theater education.
Granted I have never taught in the public school system, but I’m wondering if all states are as fortunate. It was a fascinating example of how theater can teach and inspire students. After discussing what theater education looks like in New York. Peter showed us a video of a teacher in action. Here are my take aways:
The entire class was involved. Together they inspired and motivated each other.
A student was assigned to be a stage manager. He/she would call time to keep the class on track.
At the end of class they break into pairs and communicate the one thing they learned from class that day and the one thing they need more work on. They communicate it to each other not publicly in the class.
I loved how involved everyone was. I loved that the evaluation took place in a way that forced them to repeat what they learned that day. I am thinking about using that technique as we begin rehearsing our next play.
The next session was on Stage Management and was taught by Matt DiCarlo who is the current stage manager for “The Play That Goes Wrong”.
There are three parts to stage management.
Organizational. This I all ready knew. Having a good stage manager is such a valuable necessary asset. A stage manager takes care of everything from the stage and behind. They organize the set changes, and oversee the choreography of entrances and exits. They make sure everything is in its place. They also usually keep an emergency kit that has everything from band aids, safety pins, batteries, highlighters, breath mints, flashlights, glow tape, aspirin and anything else that the cast might need in an emergency. Stage Managers are in fact, life savers.
Technical. The stage manager sometimes runs scenes, takes the place of the director if necessary, keeps track of communication and schedules and run times. They also call cues at times during performances.
Artistic. It is the stage managers responsibility to maintain the product. In most theaters once the show opens the director moves on to other shows checking in only occasionally. The stage manager is then in charge of making sure the actors and everyone else stays true to the production the director created.
The stage manager must have an understanding of what everyone does.
Scheduling goals: They rehearse M-F, 10-6 for five weeks. In that five weeks they have two weeks of tech.
Resources: Production Stage Management For Broadway by Peter Lawrence.
Recommended apps: Wanderlist /base camp
Let me just say–I love being a stage manager. If I didn’t direct, I would want to stage manage.
After lunch we had a chance to meet with Diana Rigg. Those of you who are young might not know her, but I LOVED her in the TV show The Avengers. (Not the marvel comic book characters.) She is currently staring in “My Fair Lady.”
Take aways: “I don’t care what your private problem is. Your problem is to see what’s on the page and to get it right.”
” Actors are here to serve the directors, the play and the audience.” (Hmmm perhaps that’s a blog post all in itself)
I loved her directness and witty sense of humor. My favorite moment was when one of the teachers asked her how she kept a performance fresh after performing it night after night. She looked confused and then answered, “I’m a professional!”
That night we went to see ” Mean Girls.” Imagine our delight when Jonalyn Saxer, our dance instructor from day one, as swing played the lead! She was amazing and we loved her.
I did not like the play. It was upbeat and lively and while I knew the main lesson it was trying to teach, I felt that it glamorized the art of being mean rather than the proper way to stand up to bullies. My most disappointing moment was a song that was dedicated to “giving the finger” to those who mistreat you. I just cannot think that’s the message we want a new generation of young girls to shoulder!
Should you see it? My vote would be no. Even though I could teach you the dance moves to the closing number, “I See Stars.”
Have you seen “Mean Girls”? How is theater in the public school system where you are? I would love to hear your thoughts!
So what does any good director do after tech week? Go to New York, of course! Well, I wish I could go after every tech week, but time doesn’t allow such luxuries!
Every year Music Theater International puts on a workshop called Broadway Teachers Workshop. I had the opportunity to attend last year and decided that this is something I really should attend every year if possible. So I packed my bags and flew out Saturday morning. I decided to add two extra plays to the experience. So, over the next couple of days I am going to let you share my experiences.
First night….Frozen! It was everything I wanted it to be and more. The moment the lights came up I was enchanted by Zoe Glick and MiMi Ryder who player young Anna and Young Elsa. They were so precious and did such a fantastic job of portraying the young girls exactly how I envisioned them. The audience loved Olaf and Sven and were really caught up in all the beloved characters. (one of the things I love about a New York audience is the way they applaud when each new character enters the stage for the first time.)
After seeing the movie I was so curious as to how this production could ever happen, but Disney did it again. The special effects were amazing and we all looked in amazement as the stage turned into an “ice place.” Cassie Levy left us breathless at the end of the first act when she belted out, “Let It Go.” Causing us to say, Idina who?
The one moment I didn’t care for was during the second act when the ensemble sang “Hygge.” At first the ensemble had towels on as they came out of the “warming house”, but on their next entrance they removed their towels and had leaves in both hands that they used to cover their private areas in a choreographed routine. I’m just not sure why that was necessary. I was quite distracted by it.
At one point I looked across the aisle and saw a women a little younger than me singing and smiling with reckless abandonment. That’s why we do it, folks. That face said it all. If you get a chance make sure you see this show. It’s that good!
On Sunday morning I attended a one day director’s workshop. Our speaker was Peter Flynn (most recently credit was directing an off-broadway production of Ragtime at the Ford theater.)
I should write a whole blog post about this one day. He was so fantastic! Here are the highlights:
There are no absolutes.
We don’t tell the story. We interpret the story.
Directing a show is not about our comfort, but rather our clarity.
Always remember we are in a service industry.
Be specific and authentic.
And so much more…. He was so good.
Next I went to see Harry Potter parts One and Two. For more on that check out this video from The Potter Collector who joined me on this adventure! https://youtu.be/o8OqodytIDE
If you’ve seen any of these plays or have comments about Peter’s workshop make sure you leave a comment!
It’s been 12 years since we first watched Troy and Gabriella ring in the new year, and heard those iconic songs that bring memories of a brand new way of musical dancing. I remember watching the Disney special that proclaimed you could learn the dance moves and dance along with the finale. I tried for awhile and realized that they weren’t really talking to me….(ah, to be young again).
After the movie came two sequels and a stage production and a message, well, actually several messages.
1. Be brave enough to try something new.
When Troy and Gabriella were first pushed on stage together to sing karaoke, they were totally beyond their comfort zones. In spite of their fear they discovered something new that they really enjoyed! We often are afraid to try something different–don’t let fear stop you.
2. Break the weight and bonds of cliques.
Learning to enjoy things that others do is a wonderful part of life. The drama geeks can all learn from the jocks who can learn from the tech wizards who can learn from the….well, you get my drift. High school is such a short period of time. Don’t miss something really special by staying in a clique.
In fact, one of my favorite moments as a director was watching one of the “jocks”of the high school I was volunteering at get the courage to audition for Fiddler on the Roof. His hands were shaking so bad! He got the part and proceeded to lead that school in a way that really helped make all the students more well rounded.
3. The “status quo” is a prison that we put ourselves in.
All it took was word that Troy Bolton started singing for an entire cafeteria of students to confess their own secret passions. It’s amazing how people follow the leader. If you have a secret desire to try something new go for it!
4. Communicate with your parents.
This is a part of the movie I feel very strongly about. I think it’s important to be respectful of your parents. If they want you to do something it’s probably because they want the best for you. But, maybe they just don’t know how powerful your feelings are inside of you. It was hard for Troy to tell his dad that he was interested in theater because he didn’t want to hurt him, but believe me, your parents want you to talk to them and share what you are going through.
5. There’s room for everyone on stage.
Oh, I could talk forever about this one. Sharpay and Ryan were the leads in every musical. They intimidated others and thought they were better than everyone else. People–just because you aren’t the lead doesn’t mean that someone is better than you. Every person on the stage is important and sharing the stage makes a much better show! Please don’t feel like you aren’t talented or not important just because you didn’t get a solo or named part. Also, don’t be opposed to playing something other than the lead. Many times being a part of the ensemble can be just as challenging and rewarding.
6. A real friend is in your court no matter what.
It may have been hard for Chad to accept that Troy was getting his head into a game other than basketball, but in the end, he wanted his friend to be able to fulfill both his dreams. Real friends stand by you even if the
things you have in common start to change. They support you as you gain new skills and encourage you to be a better person.
7. You’re never alone.
Remember this. In this day and age that the suicide rate is up–this lesson is important. We’re all in this together. Some days are hard. Sometimes you might feel like you are alone. You might feel that you aren’t smart enough or talented enough or loved enough. We are all in this thing together, and there’s nothing that you’re going through that a million others aren’t too. Remember that.
This past two weeks 41 students, 7 directors, 3 costumers and a 3 person tech team came together to put on our own production of High School Musical, Jr. We created memories, made new friends and hopefully were all reminded of these very lessons.
Theater camp is one of the highlights of my year. To all of those involved: thank you for making this experience so delightful!
Musical theatre teaches.
What are some lessons you learned from camp or High School Musical ?? I’d love to hear from you!
Do you ever wish you could go back and do things over?
Sometimes you might want to have a redo. Other times it might be because it was such a wonderful experience that you’d like to enjoy it all over again. This past weekend someone told me that there is a fad now saying that your life is defined by what song was #1 on your 14th birthday. (Mine, by the way, was “I’ll Be There.” I can’t tell you how much I love that!) Of course, the second I heard that I was fourteen again in my mind.
The years that marked my time between Jr High and High School were spent in North Carolina. I was a butterfly desperately trying to get out of her cocoon. I didn’t have confidence and honestly I feel most of that could have been changed with the help of teachers in my life that encouraged and mentored me instead of humiliated me….yeah, Jr. High was rough….
But then we moved back to Kinston. I loved Kinston. I loved my grandfather, Pop. We would walk together and he would tell me stories and listen to me and sometimes we would just be. (For more on my grandfather our next season will contain a play about a portion of his life. Look for it in the fall of 2019, “I Remember Pop”) Pop would listen to me and most of the time help me discover what we really important. I always felt like I could achieve and do something that mattered when I was around him.
Flash forward to those days I would wander into the back of the local high school theater. (a school I didn’t attend. For more on that read: https://fromthewings.org/2018/04/20/by-no-stretch-of-the-imagination/) The drama teacher stopped me and asked me why I was watching instead of participating. He then told me that he directed a theater group in the summer and he would love for me to get involved. As you know from the other post, I did. Throughout that summer my life changed. I gained such confidence. The confidence to try new things. The confidence to speak up. I also began to gain skill as the rehearsals involved singing and dancing. I loved every moment.
Next week, our first summer camp of 2018 begins. (By the way, we still have four spots left! Come join us! overshadowed.org ) Why do we have camps? It’s not to make money. It’s for a list of reasons:
To provide an affordable theatrical experience. We learn everything in two weeks. We have auditions on the first day and teach and intensely rehearse for the next days until the three performances complete with costumes and set are performed the following week. What a rush!
To teach. To help students to find new skills and hone the ones they all ready have.
To provide a safe environment. We do not ask anyone to wear clothes or do something on stage that they might not be comfortable with.
To encourage. (We are all in this together!)
To change lives. Simply put, I believe the aspect of putting a play together in this short amount of time unifies the cast in ways that are unexplainable. I believe that our team of directors really care about the student more than the production and that we work to make each person feel important.
During that summer of community theatre someone asked me why I blushed so much. I couldn’t answer him because I was too embarrassed to get the words out. His reply, “My goal this summer is to get you to be able to speak confidently. The best gift God gives us is our speech. You ought to be able to use it effectively.”
I have held on to that life changing concept. That. Simply that. Is WHY.
If you are in theater, please remember the power you have. But it’s a good reminder for all of us I believe.
Do you have a story about the power of theater? Or speech? Or camp? Please take a moment to share it with us!
I originally posted this two years ago. In light of the conversations that are surrounding our freedoms lately…(freedom of speech and religion mainly) I thought I would repost this.
I am so thankful for all of the men and women who gave their lives so that we can enjoy FREEDOM. There is a cost that most of us do not understand. May we never forget.
On Monday we began the week by celebrating Memorial Day. I began wondering what the history of this special day was. I was surprised to learn that it was originally called “Decoration Day.” I guess it dates back to 1866 when the women of the North and South began to honor those killed in the Civil War by placing flowers on their graves. After WWI those ceremonies began to honor those who were killed in all the wars. In 1971, Memorial Day was declared a national holiday and we began to officially observe it on the last Monday in May. This day is different from July 4th where we celebrate freedom. This day we observe the cost of freedom.
At the first Memorial Day ceremony held in Arlington National Cemetery, small flags were placed at every marker, starting a tradition that is carried on to this day.
Have you ever been to Arlington? I have. My father, a hero in my eyes, is buried there.
Richard E. Ruffin was born on August 24, 1927, during WWII he was in the Navy and as
the story goes as soon as my 6 foot four inch tall dad got off the Navel ship he walked across the street and joined the Army. During the next years he was in Korea, two deployments in Germany and one tour in Vietnam. He received the Bronze star, the Purple Heart and several commendations. How I wish I had somehow asked the right questions to learn more about that time of his life.
My dad loved America. He taught me to value the freedoms that we have. I might not like everything America does or the decisions that some of our leaders make, but I know that we have freedoms that other people do not enjoy. Why? Only one reason. Because, people like my dad fought for those freedoms, died for them, protected them.
Since this is supposed to be a blog about things on and off the stage…I’d like to remember that we have the freedom of speech.
“Freedom of speech is the right to articulate one’s opinions and ideas without fear of government retaliation or censorship, or societal sanction.”
Freedom of speech allows me to write this blog freely–to express my opinions about God, if I so desire–and to not fear government censorship. This is just one of the reasons I’m thankful for America.
This week let’s join together and remember the cost of our freedoms and the people who gave their all for us.
Here are some of my favorite quotes:
“It is foolish and wrong to mourn the men who died. Rather we should thank God such men lived.”– George S. Patton
“My fellow Americans, ask not what your country can do for you, ask what you can do for your country.” – John F. Kennedy
I have never been able to think of the day as one of mourning; I have never quite been able to feel that half-masted flags were appropriate on Decoration Day. I have rather felt that the flag should be at the peak, because those whose dying we commemorate rejoiced in seeing it where their valor placed it. We honor them in a joyous, thankful, triumphant commemoration of what they did. ~Benjamin Harrison
These heroes are dead. They died for liberty – they died for us. They are at rest. They sleep in the land they made free, under the flag they rendered stainless, under the solemn pines, the sad hemlocks, the tearful willows, and the embracing vines. They sleep beneath the shadows of the clouds, careless alike of sunshine or of storm, each in the windowless Place of Rest. Earth may run red with other wars – they are at peace. In the midst of battle, in the roar of conflict, they found the serenity of death. I have one sentiment for soldiers living and dead: cheers for the living; tears for the dead. ~Robert G. Ingersoll
Do you know someone that served our country? Do you have a favorite story about them? Do you have a thought about freedom or Memorial Day? I’d love to hear your thoughts!
During this time of shelter-in-place I have really struggled to recognize what my purpose should be. I have always been an extremely active person. Even though I was shy, I wasn’t really a wallflower. I would always volunteer and work behind the scenes of anything that was going on. Soooo. now they told me I had to stay at home….basically alone. What is it that you want me to do, Lord???
I have bounced around quite a bit from day-to-day, but in the midst I joined a writer’s conference called : She Writes for Him. Wow, what an incredible three days. It was actually much more like a shelter-in-place ladies’ retreat, but it was such a blessing. My top take away? I don’t have to write a book to be considered a writer. In fact, I’m a writer even if all I do is write letters or cards. Honestly, I never thought about it that way before. It makes perfect sense. Every word you write or speak has such possibility and power.
To cement my thought process I have been taking an instagram course in which the instructor asked us to define our “soul essence.” Or, what is the main thing you want people to know about you–what makes you uniquely you? That was difficult, but I came up with this: “Encouraging others to have a voice-either, spoken, written or performed and the confidence to use it.”
In light of those two ideas I decided to repost this from the past.
So also the tongue is a small member, yet it boasts of great things. How great a forest is set ablaze by such a small fire! And the tongue is a fire, a world of unrighteousness. The tongue is set among our members, staining the whole body, setting on fire the entire course of life, and set on fire by hell. For every kind of beast and bird, of reptile and sea creature, can be tamed and has been tamed by mankind, but no human being can tame the tongue. It is a restless evil, full of deadly poison.–
During my sophomore year in college my roommate decided we should all memorize the Book of James together. I’m sorry to say that in all my years before the verses I had committed to memory did not include the wonderful truths in the book of James. Looking back on it, I don’t even really remember studying it much before that time. All of a sudden that book changed my life. I often tell people it was written just for me. The picture of all the wickedness of the tongue burns in my memory.
The tongue is a fire
It is full of deadly poison
It is a small member of the body but makes great boasts
We have tamed every kind of creature, but cannot tame the tongue
To summarize our tongues are powerful, uncontrollable, evil and hurtful. Wow. Think about that for a moment. As much as we may try we often say things that we regret. Things that hurt others. And things that we cannot take back.
I have a vivid memory of someone that got angry at me and wrote me a note and then asked for it back. They wanted to change what they had written because they had regrets. I said no. Now you are probably thinking I am a cruel person, but it wasn’t because I didn’t forgive them. It was because a word spoken or written can never be taken back. That alone should cause us to think twice before we open our mouths.
So if the tongue can do that much damage can it do that much good as well?
Proverbs 16:24 “Kind words are like honey–sweet to the soul and healthy for the body.”
Proverbs 18:4 “A person’s words can be life-giving water; words of true wisdom are as refreshing as a bubbling brook.”
Proverbs 18:20“Words satisfy the soul as food satisfies the stomach; the right words on a person’s lips bring satisfaction.”
The words tongue, lips, mouth and words are used over 170 times in the Bible. Our words have such power. Many of us speak hundreds of words a minute and thousands over an hour. How are you going to use yours today?
Please take a moment to share your words! I’d love to hear them!